He is frequently overshadowed by his former employer, Modernist giant Eero Saarinen, but at the Museum of the City of New York in Manhattan, a new exhibition attempts to make a case that Kevin Roche is, in the words of chief curator Sarah Henry, “the quintessential architect of the post-industrial age.” With several dozen giant photographs, suspended from cables in a ground-floor gallery, and six architectural models, Kevin Roche: Architecture as Environment shows the Pritzker-winning architect wrestling with America’s transition from a manufacturing to an information-based economy and culture in the late 20th century.
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