New York City is reaching a tipping point, architecturally. The city has the chance to go the way of London and Paris, where carefully chosen bits of contemporary architecture enliven an urban fabric that remains largely intact, or the way of Shanghai and Dubai, where relentless repetition of glass facades leads to a numbing sameness.
Several recent developments suggest that New York, for all its attention to the built environment—and 12 years of a design-savvy administration—is choosing the latter approach, permitting continuous walls of glass to erase the city’s history and leave its citizens with little to reflect on but reflections.
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