Just when you thought things couldn’t get any more tumultuous at Los Angeles’s Museum of Contemporary Art (MOCA), which has been buffeted by a string of financial and personnel crises in recent years, a new brouhaha has surfaced. And this time it concerns architecture—to be precise, a significant controversy surrounding a planned MOCA exhibition called A New Sculpturalism: Contemporary Architecture from Southern California.
The show is a major component of Pacific Standard Time Presents: Modern Architecture in L.A. (see page 59), a series of exhibitions running through the summer in venues across Southern California, organized and largely funded by the Getty Trust. MOCA’s contribution was put together by a guest curator, Christopher Mount, as a survey of architecture in Los Angeles over the past 25 years.
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