Buffeted by criticism of its modern look and trophy-like setting, Gap founder Donald Fisher has agreed to redesign and move a museum that he wants to build in San Francisco’s Presidio, a 1,491-acre national park.
There’s no assurance the changes announced in December will placate the project’s opponents. And it’s a twist nobody would have predicted in December of 2007, when members of the city’s cultural establishment praised the unveiling of what Fisher calls the Contemporary Art Museum at the Presidio (CAMP)—an institution his family would create and endow to display its art collection, considered to be one of America’s finest private collections of post-World War II paintings and sculptures.
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