The gray skies of Seattle settle on the moody, chalk-like paintings of renowned artist Catherine Eaton Skinner in her second-floor studio overlooking the city’s Capitol Hill neighborhood. The studio is discreetly tucked into a vast former warehouse, with big northwest-facing apertures framing clouds above and neighborhood bustle below, and the building’s 100-year-old Arensberg Sons sign marching across the facade beneath her window. Although this soaring space alludes to an earlier industrial incarnation, it also features the hallmarks of its designer, Tom Kundig, FAIA, of Olson Sundberg Kundig Allen Architects, whose devotion to detail, integration of reclaimed materials, and affinity for adaptive reuse converge here.
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