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Architecture News

Woo is First Architect to Win Ho-Am Prize

By Elizabeth Zevallos
Woo First Architect to Win Ho-Am Prize

Woo First Architect to Win Ho-Am Prize

The Nerman Museum of Contemporary Art at Johnson County Community College, in Kansas, opened in 2007. The building features galleries, a lecture hall, and a café. Measuring more than 38,000 square feet, it is the largest contemporary art museum in the four-state region of Kansas, Oklahoma, Missouri, and Arkansas.

Photo © Timothy Hursley/courtesy Kyu Sung Woo Architects

Woo First Architect to Win Ho-Am Prize

Woo First Architect to Win Ho-Am Prize

At the Nerman Museum, a two-story atrium is filled with natural light.

Photo © Timothy Hursley/courtesy Kyu Sung Woo Architects

Woo First Architect to Win Ho-Am Prize

Woo First Architect to Win Ho-Am Prize

The Nerman Museum is connected to the Regnier Center, a multi-use technology building at the community college.

Photo © Timothy Hursley/courtesy Kyu Sung Woo Architects

Woo First Architect to Win Ho-Am Prize

Woo First Architect to Win Ho-Am Prize

The Arts of Korea Gallery at the Metropolitan Museum of Art, in New York, conveys the spirit of Korea through the use of soft lighting and traditional wood flooring.

Photo © Chuck Choi/courtesy Kyu Sung Woo Architects

Woo First Architect to Win Ho-Am Prize

Woo First Architect to Win Ho-Am Prize

The New Dormitories at Bennington College, in Vermont, by Kyu Sung Woo Architects were completed in 2001. Organized in a radial fashion, these buildings feature materials such as color-treated red cedar and aluminum to create an aesthetic connection between the campus and the rural landscape. 

Photo © Wayne Fuji'i/courtesy Kyu Sung Woo Architects

Woo First Architect to Win Ho-Am Prize

Woo First Architect to Win Ho-Am Prize

The firm’s 460,000-square-foot Asian Cultural Complex in Gwangju, Korea, includes performance halls, exhibition space, and a children’s museum.

Image © Squared/courtesy Kyu Sung Woo Architects

Woo First Architect to Win Ho-Am Prize

Woo First Architect to Win Ho-Am Prize

The winning design for the Asian Cultural Complex, called Forest of Light, is conceived as a park in the city. Most of the program is underground, sheltered by a green roof with crystalline skylights that let in natural light.

Image © Kyu Sung Woo Architects

Woo First Architect to Win Ho-Am Prize
Woo First Architect to Win Ho-Am Prize
Woo First Architect to Win Ho-Am Prize
Woo First Architect to Win Ho-Am Prize
Woo First Architect to Win Ho-Am Prize
Woo First Architect to Win Ho-Am Prize
Woo First Architect to Win Ho-Am Prize
August 21, 2008

Kyu Sung Woo
Photo courtesy KWSA
Architect Kyu Sung Woo.

 

Korean-American architect Kyu Sung Woo recently was named the winner of the 2008 Ho-Am Prize of the Arts. Often called the Korean Nobel, the Samsung-endowed prize is given each year to five ethnic Koreans, living at home or abroad, in the categories of science, engineering, medicine, community service, and the arts. Woo is the first architect to receive the award.

Woo founded his practice, Kyu Sung Woo Architects (KSWA), in Cambridge, Massachusetts, in 1990. Prominent in both Korea and the United States, the architect is widely known for a style informed by nature and reflective of cultural context. His use of light, space, and movement is often considered minimalist and meditative. His diverse portfolio includes the Arts of Korea Gallery at New York’s Metropolitan Museum of Art (1997); the Keum Jung Sports Park and Stadium in Pusan, Korea (2002); and dormitories for Vermont’s Bennington College (2001). His Nerman Museum of Contemporary Art, in Kansas, was completed last year.

One of his firm’s current endeavors, The Asian Cultural Complex in Gwangju, Korea, likely caught the jury’s attention. Scheduled for completion in 2010, this 1.5-million-square-foot, urban-scale project includes facilities such as performance halls, research and education facilities, and a children’s museum. Along with becoming a regional hub for Asian culture, it will memorialize Korea’s pro-democracy movement of the 1980s.

Woo says he strives to adapt each project to its milieu. “I am honored that the Ho-Am Prize recognized the culture specificity that is fundamental to my work,” he says, “and what I believe as an architect.”

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