This website requires certain cookies to work and uses other cookies to help you have the best experience. By visiting this website, certain cookies have already been set, which you may delete and block. By closing this message or continuing to use our site, you agree to the use of cookies. Visit our updated privacy and cookie policy to learn more.
This Website Uses Cookies By closing this message or continuing to use our site, you agree to our cookie policy. Learn MoreThis website requires certain cookies to work and uses other cookies to help you have the best experience. By visiting this website, certain cookies have already been set, which you may delete and block. By closing this message or continuing to use our site, you agree to the use of cookies. Visit our updated privacy and cookie policy to learn more.
For some, architecture has a unique ability to transpose fantasies into reality. And if you were an urbane heterosexual male in the last half of the 20th century, there weren’t many better fantasy generators than Playboy. In its pages, this debonair lifestyle was told and sold through Modern architecture and design: swinging glass and steel bachelor pads as naked of ornament as female models were of clothing. Playboy published articles on titans such as Mies van der Rohe and Frank Lloyd Wright, as well as iconoclastic oddballs such as Buckminster Fuller and Ant Farm.
Playboy Architecture, 1953-1979 puts this history on display at the Elmhurst Art Museum in suburban Chicago. In the magazine’s pages, Modernism became an aesthetic platform for a sexually-liberated lifestyle. Says exhibition curator and Princeton architecture professor Beatriz Colomina, “You couldn’t have sex, apparently, in a traditional home.”
You have 0 complimentary articles remaining.
Unlimited access + premium benefits for as low as $1.99/month.