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})('<div class=\"record comment-details\">\n  <a name=\"comment188\"><\/a>\n    <h2 class=\"headline\">The Crescent Building, Dallas Texas<\/h2>\n  <div class=\"supplemental\">\n	  <div class=\"author\">Ellen Shapley<\/div>\n	  <div class=\"date\">September 11, 2016<\/div>\n  <\/div>\n  <div class=\"abstract\">Long before I took an interest in architecture or knew who Phillip Johnson was, the company I worked for moved into the Crescent right after it was completed.  I remember that I, in all my architectural naïveté, liked it for its French flair, especially the lacy like iron work of its balconies.  Yes, it was an oddball on the Dallas cityscape but that\'s what makes cityscapes so interesting.   And, after all, it was the postmodern era.  Seems like there\'s always a great story behind the decision to go with something different...and sometimes an even better story after that \"something different\" gets built.  In Oregon, Michael Graves\' Portland Building is the gift that keeps on giving.<\/div>\n    <div class=\"action-links\">\n		<a href=\"#comment_form\">Post Comment<\/a>\n		<a class=\"modalInput\" rel=\"#report-abusive-comment-form\" href=\"#id=188\">Report Abusive Comment<\/a>\n    <\/div>\n<\/div>\n\n');