This website requires certain cookies to work and uses other cookies to help you have the best experience. By visiting this website, certain cookies have already been set, which you may delete and block. By closing this message or continuing to use our site, you agree to the use of cookies. Visit our updated privacy and cookie policy to learn more.
This Website Uses Cookies By closing this message or continuing to use our site, you agree to our cookie policy. Learn MoreThis website requires certain cookies to work and uses other cookies to help you have the best experience. By visiting this website, certain cookies have already been set, which you may delete and block. By closing this message or continuing to use our site, you agree to the use of cookies. Visit our updated privacy and cookie policy to learn more.
If Hugh Hardy, who died last week at 84, had never designed anything but theaters—his specialty during a 50-year career—he would still be known as an architect of extraordinary range. That’s because his performance spaces varied radically, from the renovated Radio City Music Hall, where he captured the art deco exuberance of the 1930s, to the Polonsky Shakespeare Center, home to Theater for a New Audience, in Brooklyn. That stripped down, high-tech venue, utterly unlike Radio City or the other historic theaters that Hardy renovated, is an optical and acoustical triumph.
Mr. Hardy died of a cerebral hemorrhage Friday morning. On Wednesday evening, he had fallen while getting out cab before a performance at the Joyce Theater in Chelsea. Mr. Hardy had created the Joyce, a favored venue for dance performances, thirty-five years earlier.
You have 0 complimentary articles remaining.
Unlimited access + premium benefits for as low as $1.99/month.