The Titanic (1978), photomontage on paper, depicting Mies’s Crown Hall sinking into (or perhaps rising up from) Lake Michigan.
To design watchers, Chicago architect Stanley Tigerman and his iconoclastic outbursts are practically as familiar as the rumble of the city’s elevated trains. Could there really be anything new to say about him? The welcome surprise of a new Tigerman show is that it successfully situates its subject, for decades one of Chicago’s dominant architectural voices, within the broader currents of his life and times.
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