Almost by definition, the Venice Architecture Biennale is a wildly uneven affair. It combines a main exhibition overseen by a major architect, critic, or curator with a scattered collection of separately organized national pavilions. And it seems to get bigger and flashier with every edition, as ancillary exhibitions, press conferences, and Bellini-soaked parties in rented palazzi sprawl across most of the city of Venice. The odds that these diverse elements will come together to offer a compelling message about architecture, architects, buildings, or cities would seem close to zero.
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