“I learned a lot about architecture from Hitchcock,” says Massimiliano Fuksas, referring to Alfred, not Henry-Russell. “The way he edited his films and used montage to move them forward affected my approach to design.” When developing his scheme for the enormous (5.4 million-square-foot) airport that opened this past November in Shenzhen, China, the Rome-based architect and his wife and partner Doriana thought of the building as a movie speeding along at 24 frames per second, fast enough for it to seem both continuous and ever-changing.
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