Pietro Belluschi would probably roll over in his grave if he could see Alice Tully Hall today. But not necessarily with good cause. In 1969, Belluschi (along with Eduardo Catalano and Helge Westermann) designed the Juilliard School building, which encompasses Alice Tully Hall, in a somewhat muscular, but still watered-down rendition of the poured-concrete Brutalism made popular by Le Corbusier’s late, rugged Modern architecture [record, January 1970, page 121]. Belluschi softened the Juilliard building with a travertine coating that matched the rest of Lincoln Center. At the time, it still appeared more macho than the tepidly Modern Classical buildings of the 16-acre complex. (See Martin Filler’s critique of Lincoln Center.)