A four-level, 27,000-square-foot performance hall with an auditorium on the two main floors, office space on a small third floor, a lounge and parking below plaza level, and three additional floors of subterranean parking.

A three-story, 50,000-square-foot classroom and research building at North Carolina State University, with lecture halls, laboratories, advising offices, a television production studio, video editing suites, and an internet caf'.

A 110,000-square-foot, 20-story residential tower with 67 live-work lofts and a fitness center on the mezzanine.

Like many metropolitan areas in the West, Tucson has its share of generic strip malls and sprawling subdivisions.

Architects assigned to create an addition to an existing structure often face a delicate task.

The ubiquitous “Keep Austin Weird” movement seems more defined by what it’s against — big-box stores, Mediterranean-style buildings, Hummers — than what it’s for.

Toward the turn of the 20th century, the world’s fair as galvanizing cultural phenomenon had long been capturing the collective imagination, while its more demure cousin, the regional expo, busily proliferated in its shadow.

Studzinski Recital Hall at Bowdoin College transforms a historic McKim, Mead and White swimming pool into a 287-seat recital hall.

Alamo Architects and OCO Architects jointly purchased a 1940s truck-trailer manufacturing plant on a 2-acre lot in downtown San Antonio.