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“The Project of Independence: Architectures of Decolonization in South Asia, 1947 – 1985,” on view at the Museum of Modern Art, ignores the failings of modernist design and planning.
Architect Francis Kéré revisits the paradoxical world of his childhood in Burkina Faso with photographer Iwan Baan, where pitch balck interiors contrast with an outdoors drenched in the sub-Saharan sun.
Joseph Giovannini proposes that our current architectural landscape ultimately emerged from transgressive and progressive art movements that had roiled Europe before and after the first World War.