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In the November Issue, RECORD surveys colleges and universities from Bogotá to Rome—exploring carbon-neutral campuses in Continuing Education, university lighting from the UK to L.A., and a Mies renovation at IIT. News looks at university housing shortages and winners of the Aga Khan Award and Dorfman Prize. Landscape covers a post-Sandy marsh restoration in New York, while House of the Month highlights a renovation project in Malibu. Books include a new Safdie memoir and Tokyo’s ‘emergent’ design. Other features include Oslo, Lisbon, and Rotterdam architecture festivals, Italian tile trends at CERSAIE, and anniversaries of Kahn’s Kimbell and Gehry’s Guggenheim Bilbao.
Check back throughout the month for additional content.
The project by Undurraga Devés Arquitectos and Konrad Brunner Arquitectos marries the university's gardens and winding paths with the fabric of the city's historic center.
With the fall semester underway, ballooning school enrollments and a dire affordable housing crisis are creating student housing shortages across the country.
This year marks the 50th anniversary of Louis Kahn’s Kimbell Art Museum, which opened in 1972 in Fort Worth, Texas, and the 25th for Frank Gehry’s Guggenheim Bilbao, completed in 1997 in Spain.
The 2022 recipient of the Royal Academy's annual award is an itinerant architect who deploys vernacular construction in southern India to create extraordinary forms and spaces.
In 2018, Dirtworks alongside Rippled Waters Engineering and Great Ecology began the marsh restoration project at Jamaica Bay in the Gateway National Recreation Area
At Gateway National Recreation Area, the landscape architecture firm has worked collaboratively to reconstruct West Pond's shoreline and restore and create acres of tidal wetland.
The Spanish-born architect and educator offers an insightful study of his adopted home, countering the claim of Tokyo’s "only-in-Japan" urban origin myth.
The creative programs of two urban schools—one in Manchester, UK, the other in Los Angeles—are illuminated through the bold use of materials and technology.
A new purpose-built structure features a dynamic canvas for state-of-the-art programming that broadcasts the activities of the creative school, dubbed SODA.
The new ceramic and porcelain surfaces presented in September at Bologna’s annual Italian tile fest continue to explore the illusion of stone, concrete, and timber.