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    <title>Features</title>
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      <![CDATA[Special feature sections from the magazine.]]>
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    <link>https://www.architecturalrecord.com/rss/126</link>
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    <item>
      <title>Creativity and the Brain</title>
      <author></author>
      <description>
        <![CDATA[<p>
	It was 60 years ago, at the start of his career, but the architect and educator John P. Eberhard remembers the very moment the idea came to him for what would be his seminal creation: the modular church.</p>]]>
      </description>
      <guid>http://www.architecturalrecord.com/articles/11654</guid>
      <pubDate>Sun, 01 May 2016 09:20:00 -0400</pubDate>
      <link>https://www.architecturalrecord.com/articles/11654-creativity-and-the-brain</link>
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	Creativity and the Brain

	Illustration courtesy Stuart Kinlough</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/Issues/2016/May/1605-Architecture-Creativity-Creativity-and-the-Brain-02.webp?t=1461687157" type="image/jpeg" medium="image" fileSize="67249">
        <media:description type="plain">
	Creativity and the Brain

	A Carlo Scarpa sketch exemplifies a synesthetic process, expressing his multisensory ideas in varied colors and styles of drawing, with different media.

	Image courtesy Museo Di Castelvecchio
</media:description>
      </media:content>
    </item>
    <item>
      <title>Genesis of Genius: Excerpts from Pierluigi Serraino's New Book, The Creative Architect</title>
      <description>
        <![CDATA[<p>
	In 1958, the Institute of Personality Assessment and Research (IPAR) at the University of California, Berkeley, embarked on an ambitious endeavor to closely study 40 of the most creative architects living in the U.S. or working in the country at the time.</p>]]>
      </description>
      <guid>http://www.architecturalrecord.com/articles/11655</guid>
      <pubDate>Sun, 01 May 2016 09:10:00 -0400</pubDate>
      <link>https://www.architecturalrecord.com/articles/11655-genesis-of-genius-excerpt-from-pierluigi-serrainos-new-book-the-creative-architect</link>
      <enclosure url="https://www.architecturalrecord.com/ext/resources/Issues/2016/May/1605-Architecture-Creativity-Genesis-of-Genius-01.webp?t=1462291468" type="image/jpeg" length="87644"/>
    </item>
    <item>
      <title>The Creative Process Observed: Thomas Demand</title>
      <description>
        <![CDATA[<p>
	German photographer Thomas Demand has frequently created his own art by interpreting the creative process of others.</p>]]>
      </description>
      <guid>http://www.architecturalrecord.com/articles/11664</guid>
      <pubDate>Sun, 01 May 2016 09:00:00 -0400</pubDate>
      <link>https://www.architecturalrecord.com/articles/11664-the-creative-process-observed-thomas-demand</link>
      <enclosure url="https://www.architecturalrecord.com/ext/resources/Issues/2016/May/1605-Architecture-Creativity-The-Creative-Process-Observed-01.webp?t=1461774219" type="image/jpeg" length="48681"/>
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        <media:description type="plain">
	The Creative Process Observed

	Kindergarten 22, 2015, framed pigment print, 122.5 x 156.1 cm

	Photo © Thomas Demand, VG Bild-Kunst, Bonn/Ars, New York
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/Issues/2016/May/1605-Architecture-Creativity-The-Creative-Process-Observed-02.webp?t=1462983441" type="image/jpeg" medium="image" fileSize="40145">
        <media:description type="plain">
	The Creative Process Observed

	Farm 88, 2015, framed pigment print, 81 x 61.2 cm

	Photo courtesy Grace Farms Foundation, New Canaan</media:description>
      </media:content>
    </item>
    <item>
      <title>Eureka! Creative Voices in Architecture</title>
      <description>
        <![CDATA[Designers from five firms share their very different creative processes, from research to playing with clay and camping out.]]>
      </description>
      <guid>http://www.architecturalrecord.com/articles/11669</guid>
      <pubDate>Sun, 01 May 2016 08:50:00 -0400</pubDate>
      <link>https://www.architecturalrecord.com/articles/11669-eureka-creative-voices-in-architecture</link>
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    <item>
      <title>Experimental Children’s Architectural Studio in Moscow</title>
      <description>
        <![CDATA[Two teachers have been bringing out the inner architects in Moscow children since the Soviet era.]]>
      </description>
      <guid>http://www.architecturalrecord.com/articles/11665</guid>
      <pubDate>Sun, 01 May 2016 08:40:00 -0400</pubDate>
      <link>https://www.architecturalrecord.com/articles/11665-experimental-childrens-architectural-studio-in-moscow</link>
      <enclosure url="https://www.architecturalrecord.com/ext/resources/Issues/2016/May/1605-Architecture-Creativity-Avant-Grade-School-01.webp?t=1461770572" type="image/jpeg" length="163525"/>
      <media:content url="https://www.architecturalrecord.com/ext/resources/Issues/2016/May/1605-Architecture-Creativity-Avant-Grade-School-01.webp?t=1461770572" type="image/jpeg" medium="image" fileSize="163525">
        <media:description type="plain">
	Experimental Children’s Architectural Studio

	Photo © Iwan Baan</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/Issues/2016/May/1605-Architecture-Creativity-Avant-Grade-School-02.webp?t=1461770439" type="image/jpeg" medium="image" fileSize="51667">
        <media:description type="plain">
	Experimental Children’s Architectural Studio

	Photo © Iwan Baan
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/Issues/2016/May/1605-Architecture-Creativity-Avant-Grade-School-03.webp?t=1461770466" type="image/jpeg" medium="image" fileSize="56666">
        <media:description type="plain">
	Experimental Children’s Architectural Studio

	Photo © Iwan Baan
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/Issues/2016/May/1605-Architecture-Creativity-Avant-Grade-School-04.webp?t=1461770511" type="image/jpeg" medium="image" fileSize="121557">
        <media:description type="plain">
	Experimental Children’s Architectural Studio

	Vladislav Kirpichev and his wife, Liudmila, work with students at the Experimental Children’s Architectural Studio to produce vibrant sketches and models.

	Photo © Iwan Baan
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/Issues/2016/May/1605-Architecture-Creativity-Avant-Grade-School-05.webp?t=1461770551" type="image/jpeg" medium="image" fileSize="104292">
        <media:description type="plain">
	Experimental Children’s Architectural Studio

	Vladislav Kirpichev and his wife, Liudmila, work with students at the Experimental Children’s Architectural Studio to produce vibrant sketches and models.

	Photo © Iwan Baan
</media:description>
      </media:content>
    </item>
    <item>
      <title>Musée Unterlinden</title>
      <description>
        <![CDATA[<p>
	Rumor has it that the quaint town inspired the architecture in Disney&rsquo;s animated film Beauty and the Beast. But in a recent renovation of the city&rsquo;s Mus&eacute;e Unterlinden, Herzog &amp; de Meuron made a conscious effort to avoid the preciousness of a Disney film.</p>]]>
      </description>
      <guid>http://www.architecturalrecord.com/articles/11643</guid>
      <pubDate>Sun, 01 May 2016 08:30:00 -0400</pubDate>
      <link>https://www.architecturalrecord.com/articles/11643-musee-unterlinden</link>
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      <media:content url="https://www.architecturalrecord.com/ext/resources/Issues/2016/May/1605-Architecture-Creativity-Herzog-de-Mueron-Colmar-France-Musee-Unterlinden-01.webp?t=1461865308" type="image/jpeg" medium="image" fileSize="150421">
        <media:description type="plain">
	Musée Unterlinden

	As part of the renovation and expansion project, the architects unearthed the previously covered Sinn Canal and created a new public space between an old indoor swimming pool and the historic convent.

	Photo © Ruedi Walti
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/Issues/2016/May/1605-Architecture-Creativity-Herzog-de-Mueron-Colmar-France-Musee-Unterlinden-02.webp?t=1461865262" type="image/jpeg" medium="image" fileSize="129164">
        <media:description type="plain">
	Musée Unterlinden

	A new brick-clad wing, the Ackerhof (background), houses modern art, while a copper-roofed Petite Maison recalls an ancient mill that once stood on the site.

	Photo © Ruedi Walti
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/Issues/2016/May/1605-Architecture-Creativity-Herzog-de-Mueron-Colmar-France-Musee-Unterlinden-03.webp?t=1461681727" type="image/jpeg" medium="image" fileSize="56769">
        <media:description type="plain">
	Musée Unterlinden

	The convent’s former chapel, with its groin-vaulted ceiling, is the home of the carefully preserved Isenheim Alltarpiece, painted by Matthias Grünewald in 1516.

	Photo © Ruedi Walti
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/Issues/2016/May/1605-Architecture-Creativity-Herzog-de-Mueron-Colmar-France-Musee-Unterlinden-04.webp?t=1461681734" type="image/jpeg" medium="image" fileSize="55103">
        <media:description type="plain">
	Musée Unterlinden

	Throughout the Unterlinden campus, Herzog &amp;amp; de Meuron has deployed forms that are sympathetic to the existing medieval architecture, including several sculptural stairs and lancet-arched doorways and windows.

	Photo © Ruedi Walti
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/Issues/2016/May/1605-Architecture-Creativity-Herzog-de-Mueron-Colmar-France-Musee-Unterlinden-05.webp?t=1461681326" type="image/jpeg" medium="image" fileSize="25789">
        <media:description type="plain">
	Musée Unterlinden

	Throughout the Unterlinden campus, Herzog &amp;amp; de Meuron has deployed forms that are sympathetic to the existing medieval architecture, including several sculptural stairs and lancet-arched doorways and windows.

	Photo © Ruedi Walti
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/Issues/2016/May/1605-Architecture-Creativity-Herzog-de-Mueron-Colmar-France-Musee-Unterlinden-06.webp?t=1461681432" type="image/jpeg" medium="image" fileSize="30930">
        <media:description type="plain">
	Musée Unterlinden

	Throughout the Unterlinden campus, Herzog &amp;amp; de Meuron has deployed forms that are sympathetic to the existing medieval architecture, including several sculptural stairs and lancet-arched doorways and windows.

	Photo © Ruedi Walti
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/Issues/2016/May/1605-Architecture-Creativity-Herzog-de-Mueron-Colmar-France-Musee-Unterlinden-07.webp?t=1461681539" type="image/jpeg" medium="image" fileSize="86761">
        <media:description type="plain">
	Musée Unterlinden

	With the addition of a parquet floor, the architects have transformed an early 20th-century swimming pool into an event space.

	Photo © Ruedi Walti
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/Issues/2016/May/1605-Architecture-Creativity-Herzog-de-Mueron-Colmar-France-Musee-Unterlinden-08.webp?t=1461681575" type="image/jpeg" medium="image" fileSize="74141">
        <media:description type="plain">
	Musée Unterlinden

	The galleries in the new Ackerhof building feel airy, thanks to “floating” display walls, skillfully designed electric illumination, and the occasional window.

	Photo © Ruedi Walti
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/Issues/2016/May/1605-Architecture-Creativity-Herzog-de-Mueron-Colmar-France-Musee-Unterlinden-09.webp?t=1461681610" type="image/jpeg" medium="image" fileSize="64933">
        <media:description type="plain">
	Musée Unterlinden

	The galleries in the new Ackerhof building feel airy, thanks to “floating” display walls, skillfully designed electric illumination, and the occasional window.

	Photo © Peter Mikolas
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/Issues/2016/May/1605-Architecture-Creativity-Herzog-de-Mueron-Colmar-France-Musee-Unterlinden-10.webp?t=1461681646" type="image/jpeg" medium="image" fileSize="22830">
        <media:description type="plain">
	Musée Unterlinden

	Some of the museum’s new below-grade spaces also have access to daylight, such as the gallery beneath the Petite Maison.

	Photo © Ruedi Walti
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/Issues/2016/May/1605-Architecture-Creativity-Herzog-de-Mueron-Colmar-France-Musee-Unterlinden-11.webp?t=1461941574" type="image/jpeg" medium="image" fileSize="96481">
        <media:description type="plain">
	Musée Unterlinden

	Image courtesy Herzog &amp;amp; de Meuron</media:description>
      </media:content>
    </item>
    <item>
      <title>San Francisco Museum of Modern Art</title>
      <description>
        <![CDATA[<p>
	When it was founded in 1935, the San Francisco Museum of Modern Art (SFMOMA) occupied one, then two floors of the War Memorial Veterans Building in the Hayes Valley neighborhood before moving into its purposebuilt, Mario Botta&ndash;designed home in nearby SoMa in 1995.</p>]]>
      </description>
      <guid>http://www.architecturalrecord.com/articles/11644</guid>
      <pubDate>Sun, 01 May 2016 08:20:00 -0400</pubDate>
      <link>https://www.architecturalrecord.com/articles/11644-san-francisco-museum-of-modern-art</link>
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        <media:description type="plain">
	San Francisco Museum of Modern Art

	The new structure offers an additional entrance from busy Howard Street and the quiet alley facing its pristine white undulating facade.

	Photo © Henrik Kam</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/Issues/2016/May/1605-Architecture-Creativity-Snohetta-San-Francisco-San-Francisco-Museum-of-Modern-Art-02.webp?t=1461763687" type="image/jpeg" medium="image" fileSize="150528">
        <media:description type="plain">
	San Francisco Museum of Modern Art

	The 200-foot-tall addition is sandwiched between the museum’s original red-brick building fronting Yerba Buena Gardens and the PacBell Building behind it.

	Photo © Henrik Kam
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/Issues/2016/May/1605-Architecture-Creativity-Snohetta-San-Francisco-San-Francisco-Museum-of-Modern-Art-03.webp?t=1461763748" type="image/jpeg" medium="image" fileSize="170888">
        <media:description type="plain">
	San Francisco Museum of Modern Art

	The addition’s undulating facade tops the glazed Howard Street gallery, free to the public, whose opening exhibit is Richard Serra’s 2006 Sequence.

	Photo © Henrik Kam
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/Issues/2016/May/1605-Architecture-Creativity-Snohetta-San-Francisco-San-Francisco-Museum-of-Modern-Art-04.webp?t=1461763790" type="image/jpeg" medium="image" fileSize="112922">
        <media:description type="plain">
	San Francisco Museum of Modern Art

	Visitors can gather on the stepped seating.

	Photo © Henrik Kam
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/Issues/2016/May/1605-Architecture-Creativity-Snohetta-San-Francisco-San-Francisco-Museum-of-Modern-Art-05.webp?t=1461763841" type="image/jpeg" medium="image" fileSize="54066">
        <media:description type="plain">
	San Francisco Museum of Modern Art

	A Sol LeWitt drawing blankets the upper wall of the new lobby, which is accessed from the Howard Street gallery and the outdoor staircase perpendicular to a narrow alleyway.

	Photo © Henrik Kam
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/Issues/2016/May/1605-Architecture-Creativity-Snohetta-San-Francisco-San-Francisco-Museum-of-Modern-Art-06.webp?t=1461763882" type="image/jpeg" medium="image" fileSize="47610">
        <media:description type="plain">
	San Francisco Museum of Modern Art

	Circulation along the bowed facade, with windows overlooking the city in places, encourages taking the stairs.

	Photo © Henrik Kam
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/Issues/2016/May/1605-Architecture-Creativity-Snohetta-San-Francisco-San-Francisco-Museum-of-Modern-Art-07.webp?t=1461763929" type="image/jpeg" medium="image" fileSize="143427">
        <media:description type="plain">
	San Francisco Museum of Modern Art

	A Sol LeWitt drawing blankets the upper wall of the new lobby, which is accessed from the Howard Street gallery and the outdoor staircase perpendicular to a narrow alleyway.

	Photo © Henrik Kam
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/Issues/2016/May/1605-Architecture-Creativity-Snohetta-San-Francisco-San-Francisco-Museum-of-Modern-Art-08.webp?t=1461763972" type="image/jpeg" medium="image" fileSize="60421">
        <media:description type="plain">
	San Francisco Museum of Modern Art

	Several galleries on the fourth floor highlight the work of Ellsworth Kelly. The modular, coved ceiling system evenly diffuses ambient light.

	Photo © Henrik Kam
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/Issues/2016/May/1605-Architecture-Creativity-Snohetta-San-Francisco-San-Francisco-Museum-of-Modern-Art-09.webp?t=1461764330" type="image/jpeg" medium="image" fileSize="56900">
        <media:description type="plain">
	San Francisco Museum of Modern Art

	Visitors can access a terrace from the dedicated Alexander Calder gallery for close-up views of the living wall, which contains 15,000 plants. The bridge above it leads to a café and sculpture terrace.

	Photo © Henrik Kam
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/Issues/2016/May/1605-Architecture-Creativity-Snohetta-San-Francisco-San-Francisco-Museum-of-Modern-Art-10.webp?t=1461936767" type="image/jpeg" medium="image" fileSize="533258">
        <media:description type="plain">
	San Francisco Museum of Modern Art

	View from Yerba Buena Garden.

	Photo © Iwan Baan</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/Issues/2016/May/1605-Architecture-Creativity-Snohetta-San-Francisco-San-Francisco-Museum-of-Modern-Art-11.webp?t=1461936875" type="image/jpeg" medium="image" fileSize="477960">
        <media:description type="plain">
	San Francisco Museum of Modern Art

	Photo © Iwan Baan</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/Issues/2016/May/1605-Architecture-Creativity-Snohetta-San-Francisco-San-Francisco-Museum-of-Modern-Art-12.webp?t=1461936931" type="image/jpeg" medium="image" fileSize="155401">
        <media:description type="plain">
	San Francisco Museum of Modern Art

	Photo © Iwan Baan</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/Issues/2016/May/1605-Architecture-Creativity-Snohetta-San-Francisco-San-Francisco-Museum-of-Modern-Art-13.webp?t=1461936975" type="image/jpeg" medium="image" fileSize="388696">
        <media:description type="plain">
	San Francisco Museum of Modern Art

	Photo © Iwan Baan</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/Issues/2016/May/1605-Architecture-Creativity-Snohetta-San-Francisco-San-Francisco-Museum-of-Modern-Art-14.webp?t=1461937044" type="image/jpeg" medium="image" fileSize="226715">
        <media:description type="plain">
	San Francisco Museum of Modern Art

	California and the West Photography.

	Photo © Iwan Baan</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/Issues/2016/May/1605-Architecture-Creativity-Snohetta-San-Francisco-San-Francisco-Museum-of-Modern-Art-15.webp?t=1461937107" type="image/jpeg" medium="image" fileSize="106463">
        <media:description type="plain">
	San Francisco Museum of Modern Art

	The Campaign for Art.

	Photo © Iwan Baan</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/Issues/2016/May/1605-Architecture-Creativity-Snohetta-San-Francisco-San-Francisco-Museum-of-Modern-Art-16.webp?t=1461937167" type="image/jpeg" medium="image" fileSize="244488">
        <media:description type="plain">
	San Francisco Museum of Modern Art

	Approaching American Abstraction.

	Photo © Iwan Baan
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/news/2016/03-April/San-Francisco-Art-Museum/1605-Architecture-Creativity-Snohetta-San-Francisco-San-Francisco-Museum-of-Modern-Art-14.webp?t=1461937271" type="image/jpeg" medium="image" fileSize="196000">
        <media:description type="plain">
	San Francisco Museum of Modern Art

	Approaching American Abstraction.

	Photo © Iwan Baan
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/news/2016/03-April/San-Francisco-Art-Museum/1605-Architecture-Creativity-Snohetta-San-Francisco-San-Francisco-Museum-of-Modern-Art-15.webp?t=1461937338" type="image/jpeg" medium="image" fileSize="230455">
        <media:description type="plain">
	San Francisco Museum of Modern Art

	Pop, Minimal and Figurative Art.

	Photo © Iwan Baan
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/news/2016/03-April/San-Francisco-Art-Museum/1605-Architecture-Creativity-Snohetta-San-Francisco-San-Francisco-Museum-of-Modern-Art-16.webp?t=1461937389" type="image/jpeg" medium="image" fileSize="348349">
        <media:description type="plain">
	San Francisco Museum of Modern Art

	Pop, Minimal and Figurative Art.

	Photo © Iwan Baan
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/news/2016/03-April/San-Francisco-Art-Museum/1605-Architecture-Creativity-Snohetta-San-Francisco-San-Francisco-Museum-of-Modern-Art-17.webp?t=1461937435" type="image/jpeg" medium="image" fileSize="89217">
        <media:description type="plain">
	San Francisco Museum of Modern Art

	A City Gallery at SFMOMA.

	Photo © Iwan Baan
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/news/2016/03-April/San-Francisco-Art-Museum/1605-Architecture-Creativity-Snohetta-San-Francisco-San-Francisco-Museum-of-Modern-Art-18.webp?t=1461937485" type="image/jpeg" medium="image" fileSize="240552">
        <media:description type="plain">
	San Francisco Museum of Modern Art

	The Campaign for Art.

	Photo © Iwan Baan
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/news/2016/03-April/San-Francisco-Art-Museum/1605-Architecture-Creativity-Snohetta-San-Francisco-San-Francisco-Museum-of-Modern-Art-19.webp?t=1461937522" type="image/jpeg" medium="image" fileSize="254448">
        <media:description type="plain">
	San Francisco Museum of Modern Art

	German Art after 1960.

	Photo © Iwan Baan
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/news/2016/03-April/San-Francisco-Art-Museum/1605-Architecture-Creativity-Snohetta-San-Francisco-San-Francisco-Museum-of-Modern-Art-20.webp?t=1461937565" type="image/jpeg" medium="image" fileSize="273202">
        <media:description type="plain">
	San Francisco Museum of Modern Art

	The Campaign for Art.

	Photo © Iwan Baan
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/news/2016/03-April/San-Francisco-Art-Museum/1605-Architecture-Creativity-Snohetta-San-Francisco-San-Francisco-Museum-of-Modern-Art-21.webp?t=1461937599" type="image/jpeg" medium="image" fileSize="255533">
        <media:description type="plain">
	San Francisco Museum of Modern Art

	The Campaign for Art.

	Photo © Iwan Baan
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/news/2016/03-April/San-Francisco-Art-Museum/1605-Architecture-Creativity-Snohetta-San-Francisco-San-Francisco-Museum-of-Modern-Art-22.webp?t=1461937675" type="image/jpeg" medium="image" fileSize="82016">
        <media:description type="plain">
	San Francisco Museum of Modern Art

	City Gallery stairs.

	Photo © Iwan Baan
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/news/2016/03-April/San-Francisco-Art-Museum/1605-Architecture-Creativity-Snohetta-San-Francisco-San-Francisco-Museum-of-Modern-Art-24.webp?t=1461937718" type="image/jpeg" medium="image" fileSize="161665">
        <media:description type="plain">
	San Francisco Museum of Modern Art

	SFMOMA facade.

	Photo © Iwan Baan
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/news/2016/03-April/San-Francisco-Art-Museum/1605-Architecture-Creativity-Snohetta-San-Francisco-San-Francisco-Museum-of-Modern-Art-25.webp?t=1461937843" type="image/jpeg" medium="image" fileSize="214947">
        <media:description type="plain">
	San Francisco Museum of Modern Art

	SFMOMA facade.

	Photo © Iwan Baan
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/news/2016/03-April/San-Francisco-Art-Museum/1605-Architecture-Creativity-Snohetta-San-Francisco-San-Francisco-Museum-of-Modern-Art-26.webp?t=1461937879" type="image/jpeg" medium="image" fileSize="113192">
        <media:description type="plain">
	San Francisco Museum of Modern Art

	SFMOMA facade.

	Photo © Iwan Baan
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/news/2016/03-April/San-Francisco-Art-Museum/1605-Architecture-Creativity-Snohetta-San-Francisco-San-Francisco-Museum-of-Modern-Art-27.webp?t=1461938071" type="image/jpeg" medium="image" fileSize="53406">
        <media:description type="plain">
	San Francisco Museum of Modern Art

	Early sketches and massing studies for the building’s skin, galleries, and landscape.

	Image courtesy Craig Dykers
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/news/2016/03-April/San-Francisco-Art-Museum/1605-Architecture-Creativity-Snohetta-San-Francisco-San-Francisco-Museum-of-Modern-Art-28.webp?t=1461938111" type="image/jpeg" medium="image" fileSize="50692">
        <media:description type="plain">
	San Francisco Museum of Modern Art

	Early sketches and massing studies for the building’s skin, galleries, and landscape.

	Image courtesy Craig Dykers
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/news/2016/03-April/San-Francisco-Art-Museum/1605-Architecture-Creativity-Snohetta-San-Francisco-San-Francisco-Museum-of-Modern-Art-29.webp?t=1461938150" type="image/jpeg" medium="image" fileSize="54598">
        <media:description type="plain">
	San Francisco Museum of Modern Art

	Early sketches and massing studies for the building’s skin, galleries, and landscape.

	Image courtesy Craig Dykers
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/news/2016/03-April/San-Francisco-Art-Museum/1605-Architecture-Creativity-Snohetta-San-Francisco-San-Francisco-Museum-of-Modern-Art-30.webp?t=1461938192" type="image/jpeg" medium="image" fileSize="36066">
        <media:description type="plain">
	San Francisco Museum of Modern Art

	Image courtesy Snøhetta
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/news/2016/03-April/San-Francisco-Art-Museum/1605-Architecture-Creativity-Snohetta-San-Francisco-San-Francisco-Museum-of-Modern-Art-31.webp?t=1461938424" type="image/jpeg" medium="image" fileSize="34103">
        <media:description type="plain">
	San Francisco Museum of Modern Art

	Image courtesy Snøhetta
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/news/2016/03-April/San-Francisco-Art-Museum/1605-Architecture-Creativity-Snohetta-San-Francisco-San-Francisco-Museum-of-Modern-Art-32.webp?t=1461938542" type="image/jpeg" medium="image" fileSize="34234">
        <media:description type="plain">
	San Francisco Museum of Modern Art

	Image courtesy Snøhetta
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/news/2016/03-April/San-Francisco-Art-Museum/1605-Architecture-Creativity-Snohetta-San-Francisco-San-Francisco-Museum-of-Modern-Art-33.webp?t=1461938634" type="image/jpeg" medium="image" fileSize="38276">
        <media:description type="plain">
	San Francisco Museum of Modern Art

	Image courtesy Snøhetta
</media:description>
      </media:content>
    </item>
    <item>
      <title>Valletta City Gate</title>
      <description>
        <![CDATA[<p>
	The completion of Renzo Piano Building Workshop&rsquo;s (RPBW) Valletta City Gate comes 30 years after the architect was first invited to remodel the main entrance to Malta&rsquo;s walled capital.</p>]]>
      </description>
      <guid>http://www.architecturalrecord.com/articles/11646</guid>
      <pubDate>Sun, 01 May 2016 08:10:00 -0400</pubDate>
      <link>https://www.architecturalrecord.com/articles/11646-valletta-city-gate</link>
      <enclosure url="https://www.architecturalrecord.com/ext/resources/Issues/2016/May/1605-Architecture-Creativity-Renzo-Piano-Building-Workshop-Malta-Valletta-City-Gate-01.webp?t=1461696553" type="image/jpeg" length="103180"/>
      <media:content url="https://www.architecturalrecord.com/ext/resources/Issues/2016/May/1605-Architecture-Creativity-Renzo-Piano-Building-Workshop-Malta-Valletta-City-Gate-01.webp?t=1461696553" type="image/jpeg" medium="image" fileSize="103180">
        <media:description type="plain">
	Valletta City Gate

	Photo © Renzo Building Workshop</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/Issues/2016/May/1605-Architecture-Creativity-Renzo-Piano-Building-Workshop-Malta-Valletta-City-Gate-02.webp?t=1461682512" type="image/jpeg" medium="image" fileSize="136988">
        <media:description type="plain">
	Valletta City Gate

	Photo © Renzo Piano Building Workshop
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/Issues/2016/May/1605-Architecture-Creativity-Renzo-Piano-Building-Workshop-Malta-Valletta-City-Gate-03.webp?t=1461682499" type="image/jpeg" medium="image" fileSize="135352">
        <media:description type="plain">
	Valletta City Gate

	The narrowed gateway aligns with the Triton fountain in the middle of Valletta’s main bus terminal and initiates an axial route through the walled city.

	Photo © Renzo Piano Building Workshop
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/Issues/2016/May/1605-Architecture-Creativity-Renzo-Piano-Building-Workshop-Malta-Valletta-City-Gate-04.webp?t=1461682618" type="image/jpeg" medium="image" fileSize="61287">
        <media:description type="plain">
	Valletta City Gate

	The depth and angles of the parliament building’s stone louvers vary in response to the position of the sun, so the west-facing elevation overlooking the city wall differs from those facing the central courtyard, or north onto Freedom Square. Carving solar shading from the stone cladding required deep facades, and the walls are 33 inches thick.

	Photo © Renzo Piano Building Workshop
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/Issues/2016/May/1605-Architecture-Creativity-Renzo-Piano-Building-Workshop-Malta-Valletta-City-Gate-05.webp?t=1461682699" type="image/jpeg" medium="image" fileSize="41511">
        <media:description type="plain">
	Valletta City Gate

	An earlier rendering shows that RPBW intended one of the parliament’s two glazed foyers to have a public use, but both have been adopted as secure entrances.

	Photo © Renzo Piano Building Workshop
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/Issues/2016/May/1605-Architecture-Creativity-Renzo-Piano-Building-Workshop-Malta-Valletta-City-Gate-06.webp?t=1461707158" type="image/jpeg" medium="image" fileSize="69435">
        <media:description type="plain">
	Valletta City Gate

	While visiting Valletta Gate’s site, Renzo Piano sketched its topography, using his own stride as a measurement tool.

	Image courtesy Renzo Piano Building Workshop</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/Issues/2016/May/1605-Architecture-Creativity-Renzo-Piano-Building-Workshop-Malta-Valletta-City-Gate-07.webp?t=1461682822" type="image/jpeg" medium="image" fileSize="96596">
        <media:description type="plain">
	Valletta City Gate

	Photo © Renzo Piano Building Workshop
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/Issues/2016/May/1605-Architecture-Creativity-Renzo-Piano-Building-Workshop-Malta-Valletta-City-Gate-08.webp?t=1461682914" type="image/jpeg" medium="image" fileSize="78813">
        <media:description type="plain">
	Valletta City Gate

	Cherry wood reflectors adjust the acoustics of the quarrylike parliamentary chamber.

	Photo © Mario Carrieri
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/Issues/2016/May/1605-Architecture-Creativity-Renzo-Piano-Building-Workshop-Malta-Valletta-City-Gate-09.webp?t=1461682979" type="image/jpeg" medium="image" fileSize="143573">
        <media:description type="plain">
	Valletta City Gate

	A steel structure carries tiered seating and access walkways over the exposed foundations of the opera’s ruins.

	Photo © Renzo Piano Building Workshop
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/Issues/2016/May/1605-Architecture-Creativity-Renzo-Piano-Building-Workshop-Malta-Valletta-City-Gate-10.webp?t=1461683030" type="image/jpeg" medium="image" fileSize="128264">
        <media:description type="plain">
	Valletta City Gate

	A steel structure carries tiered seating and access walkways over the exposed foundations of the opera’s ruins.

	Photo © Renzo Piano Building Workshop
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/Issues/2016/May/1605-Architecture-Creativity-Renzo-Piano-Building-Workshop-Malta-Valletta-City-Gate-11.webp?t=1461683079" type="image/jpeg" medium="image" fileSize="52359">
        <media:description type="plain">
	Valletta City Gate

	Image courtesy Renzo Piano Building Workshop
</media:description>
      </media:content>
    </item>
    <item>
      <title>Speed Art Museum by wHY</title>
      <author>jim@jamesgauer.com (James Gauer)</author>
      <description>
        <![CDATA[Topped by cantilevering walls of folded aluminum, a bold addition opens up this Louisville museum to its surroundings.]]>
      </description>
      <guid>http://www.architecturalrecord.com/articles/11647</guid>
      <pubDate>Sun, 01 May 2016 08:00:00 -0400</pubDate>
      <link>https://www.architecturalrecord.com/articles/11647-speed-art-museum-by-why-architecture</link>
      <enclosure url="https://www.architecturalrecord.com/ext/resources/Issues/2016/May/1605-Architecture-Creativity-wHY-Louisville-Speed-Art-Museum-01.webp?t=1462825291" type="image/jpeg" length="95499"/>
      <media:content url="https://www.architecturalrecord.com/ext/resources/Issues/2016/May/1605-Architecture-Creativity-wHY-Louisville-Speed-Art-Museum-01.webp?t=1462825291" type="image/jpeg" medium="image" fileSize="95499">
        <media:description type="plain">
	Speed Art Museum

	The boxy, aluminum-sheathed galleries of the second and third levels, slightly askew, sit atop the glass-clad ground-level spaces, which are accessed from a plaza open to a main boulevard in one direction and the nearby university campus in the other.

	Photo © Rafael Gamo</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/Issues/2016/May/1605-Architecture-Creativity-wHY-Louisville-Speed-Art-Museum-02.webp?t=1461600884" type="image/jpeg" medium="image" fileSize="83489">
        <media:description type="plain">
	Speed Art Museum

	The aluminum and glass facade of the addition matches the champagne color of the original building’s limestone walls.

	Photo © Rafael Gamo
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/Issues/2016/May/1605-Architecture-Creativity-wHY-Louisville-Speed-Art-Museum-03.webp?t=1461600900" type="image/jpeg" medium="image" fileSize="90024">
        <media:description type="plain">
	Speed Art Museum

	The insulated glazing units are fritted in a wavy pattern to give a sense of depth and provide additional light control to the lobby.

	Photo © Rafael Gamo
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/Issues/2016/May/1605-Architecture-Creativity-wHY-Louisville-Speed-Art-Museum-04.webp?t=1461600913" type="image/jpeg" medium="image" fileSize="29980">
        <media:description type="plain">
	Speed Art Museum

	wHY developed the pattern for the folding aluminum panels of the addition’s facades by taking profiles of the classical moldings from the original building and combining them horizontally.

	Image courtesy wHY Architecture
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/Issues/2016/May/1605-Architecture-Creativity-wHY-Louisville-Speed-Art-Museum-05.webp?t=1462825423" type="image/jpeg" medium="image" fileSize="112437">
        <media:description type="plain">
	Speed Art Museum

	Contemporary galleries are vast open-plan volumes scaled for rotating exhibits of large pieces, and feature white oak floors and board-formed concrete walls at the elevator core.

	Photo © Rafael Gamo</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/Issues/2016/May/1605-Architecture-Creativity-wHY-Louisville-Speed-Art-Museum-06.webp?t=1461600938" type="image/jpeg" medium="image" fileSize="227654">
        <media:description type="plain">
	Speed Art Museum

	Contemporary galleries are vast open-plan volumes scaled for rotating exhibits of large pieces, and feature white oak floors and board-formed concrete walls at the elevator core.

	Photo © Rafael Gamo
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/Issues/2016/May/1605-Architecture-Creativity-wHY-Louisville-Speed-Art-Museum-07.webp?t=1461600951" type="image/jpeg" medium="image" fileSize="144805">
        <media:description type="plain">
	Speed Art Museum

	The axially planned ground floor, clad almost entirely in glass, reorients the institution to engage the city.

	Photo © Rafael Gamo
</media:description>
      </media:content>
    </item>
    <item>
      <title>Critique: 2015 Chicago Architecture Biennial</title>
      <description>
        <![CDATA[<p>Chicago&#39;s first biennial speaks to sustainability, social justice, and the public realm.</p>
]]>
      </description>
      <guid>1511-chicago-architecture-biennial.asp</guid>
      <pubDate>Sun, 15 Nov 2015 23:30:00 -0500</pubDate>
      <link>https://www.architecturalrecord.com/articles/10089-critique-2015-chicago-architecture-biennial</link>
      <enclosure url="https://www.architecturalrecord.com/ext/resources/Issues/2015/Nov15/2_Steve_Hall.webp?t=1447960366" type="image/jpeg" length="658124"/>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/critique/2015/images/11/1511-Chicago-Architecture-Biennial-1.webp?t=1450318661" type="image/jpeg" medium="image" fileSize="68095">
        <media:title type="plain">The Chicago Cultural Center is the epicenter of the Biennial. </media:title>
        <media:description type="plain">Critique: Chicago Architecture BiennialThe Chicago Cultural Center is the epicenter of the Biennial. Photo © Steve Hall/Hedrich Blessing </media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/critique/2015/images/11/1511-Chicago-Architecture-Biennial-2.webp?t=1450318661" type="image/jpeg" medium="image" fileSize="94321">
        <media:title type="plain">Projects within its doors include SO-IL's &lt;em&gt;Passage&lt;/em&gt;, which emboldens a narrow ramp with pointed metal archways.</media:title>
        <media:description type="plain">Critique: Chicago Architecture BiennialProjects within its doors include SO-IL's Passage, which emboldens a narrow ramp with pointed metal archways.Photo © Steve Hall/Hedrich Blessing </media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/critique/2015/images/11/1511-Chicago-Architecture-Biennial-3.webp?t=1450318661" type="image/jpeg" medium="image" fileSize="108230">
        <media:title type="plain">Sou Fujimoto's &lt;em&gt;Architecture is Everywhere&lt;/em&gt;, which recontextualizes ordinary objects.  </media:title>
        <media:description type="plain">Critique: Chicago Architecture BiennialSou Fujimoto's Architecture is Everywhere, which recontextualizes ordinary objects.  Photo © Steve Hall/Hedrich Blessing </media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/critique/2015/images/11/1511-Chicago-Architecture-Biennial-4.webp?t=1450318661" type="image/jpeg" medium="image" fileSize="99828">
        <media:title type="plain">The same room hosts MOS Architects' &lt;em&gt;House No. 11 (Corridor House)&lt;/em&gt;. </media:title>
        <media:description type="plain">Critique: Chicago Architecture BiennialThe same room hosts MOS Architects' House No. 11 (Corridor House). Photo © Steve Hall/Hedrich Blessing </media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/critique/2015/images/11/1511-Chicago-Architecture-Biennial-5.webp?t=1450318661" type="image/jpeg" medium="image" fileSize="62277">
        <media:title type="plain">MIT's Self-Assembly Lab, Gramazio Kohler Research, and ETH Zurich designed an algorithm to guide a robotic arm through a 3-D 'rock-printing' process. </media:title>
        <media:description type="plain">Critique: Chicago Architecture BiennialMIT's Self-Assembly Lab, Gramazio Kohler Research, and ETH Zurich designed an algorithm to guide a robotic arm through a 3-D 'rock-printing' process. Photo © Steve Hall/Hedrich Blessing </media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/critique/2015/images/11/1511-Chicago-Architecture-Biennial-6.webp?t=1450318661" type="image/jpeg" medium="image" fileSize="94437">
        <media:title type="plain">Vo Trong Nghia built a transportable house supported by steel beams for residents of Vietnam's Mekong Delta.</media:title>
        <media:description type="plain">Critique: Chicago Architecture BiennialVo Trong Nghia built a transportable house supported by steel beams for residents of Vietnam's Mekong Delta.Photo © Steve Hall/Hedrich Blessing </media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/critique/2015/images/11/1511-Chicago-Architecture-Biennial-7.webp?t=1450318661" type="image/jpeg" medium="image" fileSize="110877">
        <media:title type="plain">Selgascano and Helloeverything designed &lt;em&gt;Casa A&lt;/em&gt;, whose bold interchangeable panels can adapt to a range of climatic conditions.</media:title>
        <media:description type="plain">Critique: Chicago Architecture BiennialSelgascano and Helloeverything designed Casa A, whose bold interchangeable panels can adapt to a range of climatic conditions.Photo © Steve Hall/Hedrich Blessing </media:description>
      </media:content>
    </item>
    <item>
      <title>Interview with James P. Cramer: Top Architecture Schools of 2016</title>
      <description>
        <![CDATA[<p>
	In an interview accompanying the 2016 rankings, RECORD asked James P. Cramer, editor in chief of the publication DesignIntelligence (DI) and the chairman of the Design Futures Council, to address these and other changes he sees confronting architectural education today.</p>]]>
      </description>
      <guid>interview-with-james-p-cramer.asp</guid>
      <pubDate>Sat, 14 Nov 2015 00:00:00 -0500</pubDate>
      <link>https://www.architecturalrecord.com/articles/5942-interview-with-james-p-cramer-top-architecture-schools-of-2016</link>
      <enclosure url="https://www.architecturalrecord.com/ext/resources/Issues/2015/Nov15/UT-undergrad-2.webp?t=1447974920" type="image/png" length="1005074"/>
    </item>
    <item>
      <title>Making Places: Public Spaces in Chicago</title>
      <author></author>
      <description>
        <![CDATA[<p>
	Every night, as I walk along the Chicago Riverwalk to my commuter train, I witness scenes that were unthinkable a year ago: young office workers sipping drinks at a packed wine bar, big powerboats tied up at dockside, clusters of kayaks scooting along the water.&nbsp;</p>]]>
      </description>
      <guid>1510-chicago-past-present-future-making-places.asp</guid>
      <pubDate>Fri, 16 Oct 2015 12:00:00 -0400</pubDate>
      <link>https://www.architecturalrecord.com/articles/10078-making-places-public-spaces-in-chicago</link>
      <enclosure url="https://www.architecturalrecord.com/ext/resources/Issues/2015/October15/CHICAGO-Past-Present-Future-Making-Places-Main.webp?t=1448034583" type="image/jpeg" length="144407"/>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2015/images/10/1510-CHICAGO-Past-Present-Future-Making-Places-1.webp?t=1450318607" type="image/jpeg" medium="image" fileSize="237048">
        <media:title type="plain">Designed and built by Sasaki Associates, Ross Barney Architects, and Alfred Benesch engineers, the Riverwalk will stretch 1-1/4 miles to Lake Michigan upon completion.</media:title>
        <media:description type="plain">RiverwalkSasaki Associates, Ross Barney Architects, and Alfred Benesch &amp;amp; CompanyChicagoDesigned and built by Sasaki Associates, Ross Barney Architects, and Alfred Benesch engineers, the Riverwalk will stretch 1-1/4 miles to Lake Michigan upon completion.Photo © Iwan Baan</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2015/images/10/1510-CHICAGO-Past-Present-Future-Making-Places-2.webp?t=1450318607" type="image/jpeg" medium="image" fileSize="106545">
        <media:title type="plain">Designed and built by Sasaki Associates, Ross Barney Architects, and Alfred Benesch engineers, the Riverwalk will stretch 1-1/4 miles to Lake Michigan upon completion.</media:title>
        <media:description type="plain">RiverwalkSasaki Associates, Ross Barney Architects, and Alfred Benesch &amp;amp; CompanyChicagoDesigned and built by Sasaki Associates, Ross Barney Architects, and Alfred Benesch engineers, the Riverwalk will stretch 1-1/4 miles to Lake Michigan upon completion.Photo © Iwan Baan</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2015/images/10/1510-CHICAGO-Past-Present-Future-Making-Places-3.webp?t=1450318607" type="image/jpeg" medium="image" fileSize="225999">
        <media:title type="plain">Designed and built by Sasaki Associates, Ross Barney Architects, and Alfred Benesch engineers, the Riverwalk will stretch 1-1/4 miles to Lake Michigan upon completion.</media:title>
        <media:description type="plain">RiverwalkSasaki Associates, Ross Barney Architects, and Alfred Benesch &amp;amp; CompanyChicagoDesigned and built by Sasaki Associates, Ross Barney Architects, and Alfred Benesch engineers, the Riverwalk will stretch 1-1/4 miles to Lake Michigan upon completion.Photo © Iwan Baan</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2015/images/10/1510-CHICAGO-Past-Present-Future-Making-Places-12.webp?t=1450318607" type="image/jpeg" medium="image" fileSize="157667">
        <media:title type="plain">Designed and built by Sasaki Associates, Ross Barney Architects, and Alfred Benesch engineers, the Riverwalk will stretch 1-1/4 miles to Lake Michigan upon completion.</media:title>
        <media:description type="plain">RiverwalkSasaki Associates, Ross Barney Architects, and Alfred Benesch &amp;amp; CompanyChicagoDesigned and built by Sasaki Associates, Ross Barney Architects, and Alfred Benesch engineers, the Riverwalk will stretch 1-1/4 miles to Lake Michigan upon completion.Photo © Iwan Baan</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2015/images/10/1510-CHICAGO-Past-Present-Future-Making-Places-13.webp?t=1450318607" type="image/jpeg" medium="image" fileSize="137764">
        <media:title type="plain">Designed and built by Sasaki Associates, Ross Barney Architects, and Alfred Benesch engineers, the Riverwalk will stretch 1-1/4 miles to Lake Michigan upon completion.</media:title>
        <media:description type="plain">RiverwalkSasaki Associates, Ross Barney Architects, and Alfred Benesch &amp;amp; CompanyChicagoDesigned and built by Sasaki Associates, Ross Barney Architects, and Alfred Benesch engineers, the Riverwalk will stretch 1-1/4 miles to Lake Michigan upon completion.Photo © Iwan Baan</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2015/images/10/1510-CHICAGO-Past-Present-Future-Making-Places-4.webp?t=1450318607" type="image/jpeg" medium="image" fileSize="206084">
        <media:title type="plain">A local oasis, this 2.7-mile trail lifts commuters, cyclists, and joggers above urban congestion, offering a practical, landscaped route for running errands and getting around.</media:title>
        <media:description type="plain">The 606Collins Engineers, Michael Van Valkenburgh Associates, and Frances WhiteheadChicagoA local oasis, this 2.7-mile trail lifts commuters, cyclists, and joggers above urban congestion, offering a practical, landscaped route for running errands and getting around.Photo © Iwan Baan</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2015/images/10/1510-CHICAGO-Past-Present-Future-Making-Places-5.webp?t=1450318607" type="image/jpeg" medium="image" fileSize="150291">
        <media:title type="plain">A local oasis, this 2.7-mile trail lifts commuters, cyclists, and joggers above urban congestion, offering a practical, landscaped route for running errands and getting around.</media:title>
        <media:description type="plain">The 606Collins Engineers, Michael Van Valkenburgh Associates, and Frances WhiteheadChicagoA local oasis, this 2.7-mile trail lifts commuters, cyclists, and joggers above urban congestion, offering a practical, landscaped route for running errands and getting around.Photo © Iwan Baan</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2015/images/10/1510-CHICAGO-Past-Present-Future-Making-Places-14.webp?t=1450318607" type="image/jpeg" medium="image" fileSize="105660">
        <media:title type="plain">A local oasis, this 2.7-mile trail lifts commuters, cyclists, and joggers above urban congestion, offering a practical, landscaped route for running errands and getting around.</media:title>
        <media:description type="plain">The 606Collins Engineers, Michael Van Valkenburgh Associates, and Frances WhiteheadChicagoA local oasis, this 2.7-mile trail lifts commuters, cyclists, and joggers above urban congestion, offering a practical, landscaped route for running errands and getting around.Photo © Iwan Baan</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2015/images/10/1510-CHICAGO-Past-Present-Future-Making-Places-15.webp?t=1450318607" type="image/jpeg" medium="image" fileSize="106929">
        <media:title type="plain">A local oasis, this 2.7-mile trail lifts commuters, cyclists, and joggers above urban congestion, offering a practical, landscaped route for running errands and getting around.</media:title>
        <media:description type="plain">The 606Collins Engineers, Michael Van Valkenburgh Associates, and Frances WhiteheadChicagoA local oasis, this 2.7-mile trail lifts commuters, cyclists, and joggers above urban congestion, offering a practical, landscaped route for running errands and getting around.Photo © Iwan Baan</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2015/images/10/1510-CHICAGO-Past-Present-Future-Making-Places-6.webp?t=1450318607" type="image/jpeg" medium="image" fileSize="201932">
        <media:title type="plain">Michael Van Valkenburgh Associates transformed the space east of Millennium Park into a vibrant haven for recreation. Designed with intersecting areas for passive recreation and active play, the park </media:title>
        <media:description type="plain">Maggie Daley ParkMichael Van Valkenburgh AssociatesChicagoMichael Van Valkenburgh Associates transformed the space east of Millennium Park into a vibrant haven for recreation. Designed with intersecting areas for passive recreation and active play, the park features a rock-climbing wall and a swirling ice-skating ribbon, as well as ample space for picnics.Photo © Iwan Baan</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2015/images/10/1510-CHICAGO-Past-Present-Future-Making-Places-7.webp?t=1450318607" type="image/jpeg" medium="image" fileSize="101042">
        <media:title type="plain">Michael Van Valkenburgh Associates transformed the space east of Millennium Park into a vibrant haven for recreation. Designed with intersecting areas for passive recreation and active play, the park </media:title>
        <media:description type="plain">Maggie Daley ParkMichael Van Valkenburgh AssociatesChicagoMichael Van Valkenburgh Associates transformed the space east of Millennium Park into a vibrant haven for recreation. Designed with intersecting areas for passive recreation and active play, the park features a rock-climbing wall and a swirling ice-skating ribbon, as well as ample space for picnics.Photo © Iwan Baan</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2015/images/10/1510-CHICAGO-Past-Present-Future-Making-Places-16.webp?t=1450318607" type="image/jpeg" medium="image" fileSize="114977">
        <media:title type="plain">SmithGroupJJR, Studio Gang Architects, and the U.S. Army Corps of Engineers have recreated natural habitats to welcome wildlife on a site once occupied by a small airport. This newly opened outdoor sp</media:title>
        <media:description type="plain">Maggie Daley ParkMichael Van Valkenburgh AssociatesChicagoSmithGroupJJR, Studio Gang Architects, and the U.S. Army Corps of Engineers have recreated natural habitats to welcome wildlife on a site once occupied by a small airport. This newly opened outdoor space, in view of McCormick Place and Soldier Field, is an escape from Chicago's mainland rush.Photo © Iwan Baan</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2015/images/10/1510-CHICAGO-Past-Present-Future-Making-Places-17.webp?t=1450318607" type="image/jpeg" medium="image" fileSize="137353">
        <media:title type="plain">SmithGroupJJR, Studio Gang Architects, and the U.S. Army Corps of Engineers have recreated natural habitats to welcome wildlife on a site once occupied by a small airport. This newly opened outdoor sp</media:title>
        <media:description type="plain">Maggie Daley ParkMichael Van Valkenburgh AssociatesChicagoSmithGroupJJR, Studio Gang Architects, and the U.S. Army Corps of Engineers have recreated natural habitats to welcome wildlife on a site once occupied by a small airport. This newly opened outdoor space, in view of McCormick Place and Soldier Field, is an escape from Chicago's mainland rush.Photo © Iwan Baan</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2015/images/10/1510-CHICAGO-Past-Present-Future-Making-Places-18.webp?t=1450318607" type="image/jpeg" medium="image" fileSize="70721">
        <media:title type="plain">SmithGroupJJR, Studio Gang Architects, and the U.S. Army Corps of Engineers have recreated natural habitats to welcome wildlife on a site once occupied by a small airport. This newly opened outdoor sp</media:title>
        <media:description type="plain">Maggie Daley ParkMichael Van Valkenburgh AssociatesChicagoSmithGroupJJR, Studio Gang Architects, and the U.S. Army Corps of Engineers have recreated natural habitats to welcome wildlife on a site once occupied by a small airport. This newly opened outdoor space, in view of McCormick Place and Soldier Field, is an escape from Chicago's mainland rush.Photo © Iwan Baan</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2015/images/10/1510-CHICAGO-Past-Present-Future-Making-Places-19.webp?t=1450318607" type="image/jpeg" medium="image" fileSize="75687">
        <media:title type="plain">SmithGroupJJR, Studio Gang Architects, and the U.S. Army Corps of Engineers have recreated natural habitats to welcome wildlife on a site once occupied by a small airport. This newly opened outdoor sp</media:title>
        <media:description type="plain">Maggie Daley ParkMichael Van Valkenburgh AssociatesChicagoSmithGroupJJR, Studio Gang Architects, and the U.S. Army Corps of Engineers have recreated natural habitats to welcome wildlife on a site once occupied by a small airport. This newly opened outdoor space, in view of McCormick Place and Soldier Field, is an escape from Chicago's mainland rush.Photo © Iwan Baan</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2015/images/10/1510-CHICAGO-Past-Present-Future-Making-Places-8.webp?t=1450318607" type="image/jpeg" medium="image" fileSize="125727">
        <media:title type="plain">SmithGroupJJR, Studio Gang Architects, and the U.S. Army Corps of Engineers have recreated natural habitats to welcome wildlife on a site once occupied by a small airport. This newly opened outdoor sp</media:title>
        <media:description type="plain">Northerly IslandSmith GroupJJR, Studio Gang Architects, and the U.S. Army Corps of EngineersChicagoSmithGroupJJR, Studio Gang Architects, and the U.S. Army Corps of Engineers have recreated natural habitats to welcome wildlife on a site once occupied by a small airport. This newly opened outdoor space, in view of McCormick Place and Soldier Field, is an escape from Chicago's mainland rush.Photo © Iwan Baan</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2015/images/10/1510-CHICAGO-Past-Present-Future-Making-Places-9.webp?t=1450318607" type="image/jpeg" medium="image" fileSize="221754">
        <media:title type="plain">SmithGroupJJR, Studio Gang Architects, and the U.S. Army Corps of Engineers have recreated natural habitats to welcome wildlife on a site once occupied by a small airport. This newly opened outdoor sp</media:title>
        <media:description type="plain">Northerly IslandSmith GroupJJR, Studio Gang Architects, and the U.S. Army Corps of EngineersChicagoSmithGroupJJR, Studio Gang Architects, and the U.S. Army Corps of Engineers have recreated natural habitats to welcome wildlife on a site once occupied by a small airport. This newly opened outdoor space, in view of McCormick Place and Soldier Field, is an escape from Chicago's mainland rush.Photo © Iwan Baan</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2015/images/10/1510-CHICAGO-Past-Present-Future-Making-Places-10.webp?t=1450318607" type="image/jpeg" medium="image" fileSize="166181">
        <media:title type="plain">A mile-long path winds around the park for bikers, bird watchers, and other explorers to experience the island's serene stretches of lakefront.</media:title>
        <media:description type="plain">Northerly IslandSmith GroupJJR, Studio Gang Architects, and the U.S. Army Corps of EngineersChicagoA mile-long path winds around the park for bikers, bird watchers, and other explorers to experience the island's serene stretches of lakefront.Photo © Iwan Baan</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2015/images/10/1510-CHICAGO-Past-Present-Future-Making-Places-11.webp?t=1450318607" type="image/jpeg" medium="image" fileSize="164493">
        <media:title type="plain">A mile-long path winds around the park for bikers, bird watchers, and other explorers to experience the island's serene stretches of lakefront.</media:title>
        <media:description type="plain">Northerly IslandSmith GroupJJR, Studio Gang Architects, and the U.S. Army Corps of EngineersChicagoA mile-long path winds around the park for bikers, bird watchers, and other explorers to experience the island's serene stretches of lakefront.Photo © Iwan Baan</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2015/images/10/1510-CHICAGO-Past-Present-Future-Making-Places-20.webp?t=1450318607" type="image/jpeg" medium="image" fileSize="99520">
        <media:title type="plain">Making Places: Public Spaces in Chicago</media:title>
        <media:description type="plain">Northerly IslandSmith GroupJJR, Studio Gang Architects, and the U.S. Army Corps of EngineersChicagoPhoto © Iwan Baan</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2015/images/10/1510-CHICAGO-Past-Present-Future-Making-Places-21.webp?t=1450318607" type="image/jpeg" medium="image" fileSize="104544">
        <media:title type="plain">Making Places: Public Spaces in Chicago</media:title>
        <media:description type="plain">Northerly IslandSmith GroupJJR, Studio Gang Architects, and the U.S. Army Corps of EngineersChicagoPhoto © Iwan Baan</media:description>
      </media:content>
    </item>
    <item>
      <title>Sheltering Chicago</title>
      <author></author>
      <description>
        <![CDATA[<p>
	In 1993, 12-year-old Rachella Thompson and 13-year-old Kimberly Davis sat down with a fistful of Magic Markers to reimagine where they lived&mdash;a 10-story high-rise in the Cabrini-Green Homes, one of Chicago&rsquo;s most troubled housing projects.</p>]]>
      </description>
      <guid>1510-chicago-past-present-future-public-housing-in-chicago.asp</guid>
      <pubDate>Fri, 16 Oct 2015 12:00:00 -0400</pubDate>
      <link>https://www.architecturalrecord.com/articles/10079-sheltering-chicago</link>
      <enclosure url="https://www.architecturalrecord.com/ext/resources/Issues/2015/October15/CHICAGO-Past-Present-Sheltering-Chicago-1.webp?t=1448033374" type="image/jpeg" length="161642"/>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2015/images/10/1510-CHICAGO-Past-Present-Sheltering-Chicago-1.webp?t=1474036487" type="image/jpeg" medium="image" fileSize="161642">
        <media:description type="plain">
	Chicago's Cabrini-Green Homes, located on the city's Near North Side, had a combination of towers and low-rise townhouses. At its peak, the complex housed nearly 15,000 residents.

	 

	Photo © Chicago History Museum/Getty Images
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2015/images/10/1510-CHICAGO-Past-Present-Sheltering-Chicago-2.webp?t=1474036504" type="image/jpeg" medium="image" fileSize="163622">
        <media:description type="plain">
	The Robert Taylor Homes occupied a 2-mile stretch on Chicago's South Side.

	 

	Photo © Robert Maass/CORBIS
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2015/images/10/1510-CHICAGO-Past-Present-Sheltering-Chicago-3.webp?t=1474036521" type="image/jpeg" medium="image" fileSize="98283">
        <media:description type="plain">
	In spite of their troubles, the city's housing projects fostered a tight-knit community, as seen here in the 1970s on the basketball courts.

	 

	Photo © Robert Abbott Sengstacke/Getty Images
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2015/images/10/1510-CHICAGO-Past-Present-Sheltering-Chicago-4.webp?t=1474036562" type="image/jpeg" medium="image" fileSize="134000">
        <media:description type="plain">
	The Robert Taylor Homes were bordered by the Dan Ryan Expressway to the west and State Street to the east in Chicago's Bronzeville neighborhood, pictured here in the mid-1990s.

	 

	Photo © Patricia Evans
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2015/images/10/1510-CHICAGO-Past-Present-Sheltering-Chicago-5.webp?t=1474036580" type="image/jpeg" medium="image" fileSize="131999">
        <media:description type="plain">
	Cabrini-Green's last tower was demolished in 2011 under the CHA's Plan for Transformation to make room for low-rise residential communities.

	 

	Photo © Richie Dieserheft, Flickr
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2015/images/10/1510-CHICAGO-Past-Present-Sheltering-Chicago-6.webp?t=1474036598" type="image/jpeg" medium="image" fileSize="125623">
        <media:description type="plain">
	The last of the Jane Addams Homes, one of Chicago's first public-housing projects and part of the larger ABLA homes on the city's Near West Side, was spared, and it will be transformed into the new National Public Housing Museum, to preserve the memory of the destroyed buildings and serve as a monument to those who lived there.

	 

	Photo © Anna Fixsen
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2015/images/10/1510-CHICAGO-Past-Present-Sheltering-Chicago-7.webp?t=1474036639" type="image/jpeg" medium="image" fileSize="135002">
        <media:description type="plain">
	Today, neat lines of rowhouses, such as this complex designed by Pappageorge Haymes Partners, occupy the project's site. Called Basecamp River North, this development includes 48 market-rate rowhouses plus two condos (not pictured), which, when completed later this year, will have a mix of CHA housing and for-sale units as a part of the Chicago Community Land Trust, a city-run affordable-home-ownership program.

	 

	Photo © Anna Fixsen
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2015/images/10/1510-CHICAGO-Past-Present-Sheltering-Chicago-8.webp?t=1474036652" type="image/jpeg" medium="image" fileSize="130020">
        <media:description type="plain">
	Landon Bone Baker Architects has designed mixedincome projects for the former Cabrini-Green site, now called Parkside of Old Town and for the Robert Taylor Homes former site, now called Legends South.

	 

	Image courtesy Landon Bone Baker Architects
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2015/images/10/1510-CHICAGO-Past-Present-Sheltering-Chicago-9.webp?t=1474036665" type="image/jpeg" medium="image" fileSize="114120">
        <media:description type="plain">
	Legend South's third phase takes cues from the traditional six-flat homes of the South Side.

	 

	Image courtesy Landon Bone Baker Architects
</media:description>
      </media:content>
    </item>
    <item>
      <title>Interview with Stanley Tigerman</title>
      <description>
        <![CDATA[<p>Stanley Tigerman has died at age 88. RECORD remembers the &quot;Mr. Chicago,&quot; revisiting a 2015 interview with the architect about his hometown and its place in architectural culture.</p>]]>
      </description>
      <guid>1510-chicago-past-present-future-stanley-tigerman.asp</guid>
      <pubDate>Fri, 16 Oct 2015 12:00:00 -0400</pubDate>
      <link>https://www.architecturalrecord.com/articles/10080-interview-with-stanley-tigerman</link>
      <enclosure url="https://www.architecturalrecord.com/ext/resources/archives/features/2015/images/10/1510-CHICAGO-Past-Present-Future-Mr-Chicago-2.webp?t=1450318608" type="image/jpeg" length="49398"/>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2015/images/10/1510-CHICAGO-Past-Present-Future-Mr-Chicago-1.webp?t=1450318608" type="image/jpeg" medium="image" fileSize="131798">
        <media:title type="plain">Symbolism permeates Tigerman's Illinois Holocaust Museum and Education Center in Skokie (2009).</media:title>
        <media:description type="plain">Q&amp;amp;A with Stanley TigermanSymbolism permeates Tigerman's Illinois Holocaust Museum and Education Center in Skokie (2009).Image courtesy Tigerman McCurry Architects </media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2015/images/10/1510-CHICAGO-Past-Present-Future-Mr-Chicago-2.webp?t=1450318608" type="image/jpeg" medium="image" fileSize="49398">
        <media:title type="plain">Stanley Tigerman shows his model for the Pacific Garden Mission, Chicago's oldest rescue center for the homeless, in 2006, a year before it opened. </media:title>
        <media:description type="plain">Q&amp;amp;A with Stanley TigermanStanley Tigerman shows his model for the Pacific Garden Mission, Chicago's oldest rescue center for the homeless, in 2006, a year before it opened. Photo © William Zbaren  </media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2015/images/10/1510-CHICAGO-Past-Present-Future-Mr-Chicago-3.webp?t=1450318608" type="image/jpeg" medium="image" fileSize="136617">
        <media:title type="plain">The Educare Center in Chicago, built adjacent to the Robert Taylor Homes (2000), reflects Tigerman's interest in a playful vernacular.</media:title>
        <media:description type="plain">Q&amp;amp;A with Stanley TigermanThe Educare Center in Chicago, built adjacent to the Robert Taylor Homes (2000), reflects Tigerman's interest in a playful vernacular.Image courtesy Tigerman McCurry Architects</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2015/images/10/1510-CHICAGO-Past-Present-Future-Mr-Chicago-4.webp?t=1450318608" type="image/jpeg" medium="image" fileSize="105401">
        <media:title type="plain">In 1977, the State of the Art of Architecture conference at the Graham Foundation brought together such young renegades as Charles Jencks, Margaret McCurry, and Stanley Tigerman.</media:title>
        <media:description type="plain">Q&amp;amp;A with Stanley TigermanIn 1977, the State of the Art of Architecture conference at the Graham Foundation brought together such young renegades as Charles Jencks, Margaret McCurry, and Stanley Tigerman.Image courtesy The Graham Foundation For Advanced Studies In The Fine Arts</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2015/images/10/1510-CHICAGO-Past-Present-Future-Mr-Chicago-5.webp?t=1559668288" type="image/jpeg" medium="image" fileSize="101116">
        <media:description type="plain">Robert Stern and Richard Meier

 

Image courtesy The Graham Foundation for Advanced Studies In The Fine Arts
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2015/images/10/1510-CHICAGO-Past-Present-Future-Mr-Chicago-6.webp?t=1450318608" type="image/jpeg" medium="image" fileSize="96851">
        <media:title type="plain">In 1978, Tigerman created his iconic collage showing Mies's Crown Hall sinking like the Titanic into Lake Michigan.</media:title>
        <media:description type="plain">Q&amp;amp;A with Stanley TigermanIn 1978, Tigerman created his iconic collage showing Mies's Crown Hall sinking like the Titanic into Lake Michigan.Image courtesy Art Institute of Chicago</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2015/images/10/1510-CHICAGO-Past-Present-Future-Mr-Chicago-7.webp?t=1450318608" type="image/jpeg" medium="image" fileSize="142315">
        <media:title type="plain">The State of Art of Architecture symposium at the Graham Foundation for Advanced Studies in the Fine Arts, Chicago, October 1977.</media:title>
        <media:description type="plain">Q&amp;amp;A with Stanley TigermanThe State of Art of Architecture symposium at the Graham Foundation for Advanced Studies in the Fine Arts, Chicago, October 1977.Photo: Courtesy The Graham Foundation for Advanced Studies in the Fine Arts.</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2015/images/10/1510-CHICAGO-Past-Present-Future-Mr-Chicago-8.webp?t=1450318608" type="image/jpeg" medium="image" fileSize="129684">
        <media:title type="plain">The State of Art of Architecture symposium at the Graham Foundation for Advanced Studies in the Fine Arts, Chicago, October 1977; Helmut Jahn (left), Stuart Cohen (right).</media:title>
        <media:description type="plain">Q&amp;amp;A with Stanley TigermanThe State of Art of Architecture symposium at the Graham Foundation for Advanced Studies in the Fine Arts, Chicago, October 1977; Helmut Jahn (left), Stuart Cohen (right).Photo: Courtesy The Graham Foundation for Advanced Studies in the Fine Arts.</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2015/images/10/1510-CHICAGO-Past-Present-Future-Mr-Chicago-9.webp?t=1450318608" type="image/jpeg" medium="image" fileSize="128175">
        <media:title type="plain">The State of Art of Architecture symposium at the Graham Foundation, Chicago, October 1977; Timothy Vreeland, standing, James Stirling center.</media:title>
        <media:description type="plain">Q&amp;amp;A with Stanley TigermanThe State of Art of Architecture symposium at the Graham Foundation, Chicago, October 1977; Timothy Vreeland, standing, James Stirling center.Photo: Courtesy The Graham Foundation for Advanced Studies in the Fine Arts.</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2015/images/10/1510-CHICAGO-Past-Present-Future-Mr-Chicago-10.webp?t=1450318608" type="image/jpeg" medium="image" fileSize="126386">
        <media:title type="plain">The State of Art of Architecture symposium at the Graham Foundation, Chicago, October 1977; (left to right) Peter Eisenman,  Stanley Tigerman, William Turnbull, James Stirling, Ben Weese, and Timothy </media:title>
        <media:description type="plain">Q&amp;amp;A with Stanley TigermanThe State of Art of Architecture symposium at the Graham Foundation, Chicago, October 1977; (left to right) Peter Eisenman,  Stanley Tigerman, William Turnbull, James Stirling, Ben Weese, and Timothy Vreeland.Photo: Courtesy The Graham Foundation for Advanced Studies in the Fine Arts.</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2015/images/10/1510-CHICAGO-Past-Present-Future-Mr-Chicago-11.webp?t=1450318608" type="image/jpeg" medium="image" fileSize="125480">
        <media:title type="plain">The State of Art of Architecture symposium at the Graham Foundation, Chicago, October 1977; Stanley Tigerman (left), Charles Jencks (right).</media:title>
        <media:description type="plain">Q&amp;amp;A with Stanley TigermanThe State of Art of Architecture symposium at the Graham Foundation, Chicago, October 1977; Stanley Tigerman (left), Charles Jencks (right).Photo: Courtesy The Graham Foundation for Advanced Studies in the Fine Arts.</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2015/images/10/1510-CHICAGO-Past-Present-Future-Mr-Chicago-12.webp?t=1450318608" type="image/jpeg" medium="image" fileSize="150512">
        <media:title type="plain">The State of Art of Architecture symposium at the Graham Foundation, Chicago, October 1977; Thomas Beebe (left), Charles Jencks (right).</media:title>
        <media:description type="plain">Q&amp;amp;A with Stanley TigermanThe State of Art of Architecture symposium at the Graham Foundation, Chicago, October 1977; Thomas Beebe (left), Charles Jencks (right).Photo: Courtesy The Graham Foundation for Advanced Studies in the Fine Arts.</media:description>
      </media:content>
    </item>
    <item>
      <title>Take It from the Top</title>
      <author></author>
      <description>
        <![CDATA[<p>
	Since entering office, Chicago Mayor Rahm Emanuel (third from right) has stepped into a surge of public-space revivals, including the opening of the 606 trail in June. Chicago&rsquo;s Rahm Emanuel had big&mdash;no, huge&mdash;shoes to fill when he took office in 2011. His predecessor, Richard M. Daley, was straight out of central casting&mdash;scion of a legendary Chicago mayor, more street-smart than book-smart, but nonetheless a visionary who vowed to make his once-polluted Rust Belt burg &ldquo;the greenest city in America.&rdquo;&nbsp;</p>]]>
      </description>
      <guid>1510-chicago-past-present-future-take-it-from-the-top.asp</guid>
      <pubDate>Fri, 16 Oct 2015 12:00:00 -0400</pubDate>
      <link>https://www.architecturalrecord.com/articles/10081-take-it-from-the-top</link>
      <enclosure url="https://www.architecturalrecord.com/ext/resources/Issues/2015/October15/CHICAGO-Past-Present-Future-Take-It-from-the-Top-1.webp?t=1448034277" type="image/jpeg" length="203761"/>
      <media:content url="https://www.architecturalrecord.com/ext/resources/Issues/2015/October15/CHICAGO-Past-Present-Future-Take-It-from-the-Top-1.webp?t=1448034277" type="image/jpeg" medium="image" fileSize="203761">
        <media:title type="plain">Chicago Mayor Rahm Emanuel</media:title>
        <media:description type="plain">
	Photo © Walter Mitchell/City of Chicago</media:description>
      </media:content>
    </item>
    <item>
      <title>Chicago: The Place Between</title>
      <description>
        <![CDATA[<p>
	A modern masterpiece collides with a literary gem&mdash;that&#39;s Chicago. Crown Hall, with two of its four plate girders visible. At its dedication in April 1956, Eero Saarinen called Ludwig Mies van der Rohe&rsquo;s crisp, exquisite S.R. Crown Hall &ldquo;a serene temple of the present.&rdquo;&nbsp;</p>]]>
      </description>
      <guid>1510-chicago-past-present-future-the-place-between.asp</guid>
      <pubDate>Fri, 16 Oct 2015 12:00:00 -0400</pubDate>
      <link>https://www.architecturalrecord.com/articles/10082-chicago-the-place-between</link>
      <enclosure url="https://www.architecturalrecord.com/ext/resources/Issues/2015/October15/CHICAGO-Past-Present-Future-The-Place-Between-main.webp?t=1448034660" type="image/jpeg" length="93594"/>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2015/images/10/1510-CHICAGO-Past-Present-Future-The-Place-Between-1.webp?t=1456418198" type="image/jpeg" medium="image" fileSize="122015">
        <media:title type="plain">Crown Hall, with two of its four plate girders visible.</media:title>
        <media:description type="plain">
	Photo © William Zbaren
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2015/images/10/1510-CHICAGO-Past-Present-Future-The-Place-Between-2.webp?t=1456418256" type="image/jpeg" medium="image" fileSize="158265">
        <media:title type="plain">The atrium of the block-long, block-wide Mecca in 1944.</media:title>
        <media:description type="plain">
	Photo © Gordon Coster/The Life Picture Collection/Getty Images
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2015/images/10/1510-CHICAGO-Past-Present-Future-The-Place-Between-3.webp?t=1456418289" type="image/jpeg" medium="image" fileSize="73391">
        <media:title type="plain">Chicago: The Place Between</media:title>
      </media:content>
    </item>
    <item>
      <title>High Time: Chicago Skyscrapers</title>
      <description>
        <![CDATA[<p>
	Everyone knows that Chicago is the birthplace of the skyscraper. And it is true&mdash;depending on how you define the building type. As Carol Willis points out in Form Follows Finance: Skyscrapers and Skylines in New York and Chicago, if you go by the technological innovations of the elevator and the metal frame, then Chicago was first, but if height matters most, it was New York.&nbsp;</p>]]>
      </description>
      <guid>1510-chicago-past-present-future-high-time.asp</guid>
      <pubDate>Fri, 16 Oct 2015 12:00:00 -0400</pubDate>
      <link>https://www.architecturalrecord.com/articles/10077-high-time-chicago-skyscrapers</link>
      <enclosure url="https://www.architecturalrecord.com/ext/resources/news/2015/November/1510-CHICAGO-Past-Present-Future-High-Time-1.webp?t=1487264650" type="image/jpeg" length="104508"/>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2015/images/10/1510-CHICAGO-Past-Present-Future-High-Time-1.webp?t=1456418600" type="image/jpeg" medium="image" fileSize="104508">
        <media:title type="plain">Home Insurance Building</media:title>
        <media:description type="plain">
	William Le Baron Jenney's Home Insurance Building (1884) is often called the world's first skyscraper by those who consider a metal-frame structure the qualifying condition. It was demolished in 1931.

	Photo courtesy Ryerson And Burnham Archives, The Art Institute Of Chicago
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2015/images/10/1510-CHICAGO-Past-Present-Future-High-Time-2.webp?t=1456418630" type="image/jpeg" medium="image" fileSize="83437">
        <media:title type="plain">Masonic Temple</media:title>
        <media:description type="plain">
	The steel-frame Masonic Temple of Burnham &amp;amp; Root climbed to 302 feet in 1892, briefly becoming the world's tallest tower. It was demolished in 1939.

	Photo courtesy Library of Congress
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2015/images/10/1510-CHICAGO-Past-Present-Future-High-Time-3.webp?t=1456418666" type="image/jpeg" medium="image" fileSize="128798">
        <media:title type="plain">Wrigley Building and Tribune Tower</media:title>
        <media:description type="plain">
	The Wrigley Building (left in photo) by Graham, Anderson, Probst &amp;amp; White (1921) and the Tribune Tower (at right) by Howells &amp;amp; Hood (1925) loom over the Chicago River. When they were first constructed, they briefly broke height records at 425 and 462 feet.

	Photo courtesy Ryerson and Burnham Archives, The Art Institute of Chicago
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2015/images/10/1510-CHICAGO-Past-Present-Future-High-Time-4.webp?t=1456418705" type="image/jpeg" medium="image" fileSize="116023">
        <media:title type="plain">860-880 Lake Shore Drive</media:title>
        <media:description type="plain">
	In 1951, Ludwig Mies van der Rohe refined the Chicago steel frame in the elegant 860-880 Lake Shore Drive, followed by 900-910 North Lake Shore Drive in 1955.

	Photo courtesy Library of Congress
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2015/images/10/1510-CHICAGO-Past-Present-Future-High-Time-5.webp?t=1456418727" type="image/jpeg" medium="image" fileSize="166832">
        <media:title type="plain">Marina City</media:title>
        <media:description type="plain">
	But Bertrand Goldberg Associates brought in a height record with Marina City in 1964. A stark departure from steel, its rounded, reinforced--concrete towers climbed to 587 feet'the tallest concrete towers in the world at the time.

	Photo courtesy Carol M. Highsmith/America Collection, Library of Congress
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2015/images/10/1510-CHICAGO-Past-Present-Future-High-Time-6.webp?t=1456418764" type="image/jpeg" medium="image" fileSize="106233">
        <media:title type="plain">Willis Tower</media:title>
        <media:description type="plain">
	Skidmore, Owings &amp;amp; Merrill's Willis Tower (originally Sears Tower), completed in 1970, snatched the record for tallest building in the world at 1,454 feet (1,730 feet to the tip of its antennae) and 108 stories. It held that title for almost 25 years but is now the twelfth-tallest in the world—and second-tallest in the U.S.

	Photo courtesy SkyDeck Chicago
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2015/images/10/1510-CHICAGO-Past-Present-Future-High-Time-7.webp?t=1456418788" type="image/jpeg" medium="image" fileSize="95172">
        <media:title type="plain">Aqua Tower</media:title>
        <media:description type="plain">
	The billowing edges of Studio Gang's Aqua Tower of 2010 point to the beginning of a new age for Chicago's skyscrapers.

	Photo © Steven Hall/Hedrich Blessing
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2015/images/10/1510-CHICAGO-Past-Present-Future-High-Time-8.webp?t=1450318607" type="image/jpeg" medium="image" fileSize="55442">
        <media:title type="plain">Rendering of Studio Gang's Wanda Vista</media:title>
        <media:description type="plain">High Time: Chicago SkyscrapersRendering of Studio Gang's Wanda VistaImage courtesy Studio Gang </media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2015/images/10/1510-CHICAGO-Past-Present-Future-High-Time-9.webp?t=1456418831" type="image/jpeg" medium="image" fileSize="56548">
        <media:title type="plain">130 North Franklin Street</media:title>
        <media:description type="plain">
	A rendering of Krueck + Sexton's 130 North Franklin Street.

	Image courtesy Krueck+Sexton
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2015/images/10/1510-CHICAGO-Past-Present-Future-High-Time-10.webp?t=1456418862" type="image/jpeg" medium="image" fileSize="50166">
        <media:title type="plain">151 North Franklin Street</media:title>
        <media:description type="plain">
	John Ronan Architects' 151 North Franklin Street promises more evanescent additions to the skyline, but not at record-breaking heights.

	Image courtesy John Ronan Architects
</media:description>
      </media:content>
    </item>
    <item>
      <title>Chicago's Next Generation</title>
      <description>
        <![CDATA[<p>
	Chicago&#39;s Next Generation The inaugural Chicago Architecture Biennial (October 3, 2015 through January 3, 2016) is a global event. With over 60 firms or studios featured&mdash;representing more than 30 countries across six continents&mdash;it is also drawing attendees from all over the world. Titled The State of the Art of Architecture, the exhibition, curated by Sarah Herda and Joseph Grima, reaches beyond the national conversation to generate a larger discussion about the future of the built environment.</p>]]>
      </description>
      <guid>1510-chicago-past-present-future-chicagos-next-generation.asp</guid>
      <pubDate>Fri, 16 Oct 2015 00:00:00 -0400</pubDate>
      <link>https://www.architecturalrecord.com/articles/10076-chicagos-next-generation</link>
      <enclosure url="https://www.architecturalrecord.com/ext/resources/Static_Images/1510-CHICAGO-Past-Present-Future-Chicagos-Next-Generation-Newmeyer-Hicks-Main_2.webp?t=1453482728" type="image/jpeg" length="386268"/>
    </item>
    <item>
      <title>Ania Jaworska</title>
      <description>
        <![CDATA[<p>
	A show of Polish-born architect Ania Jaworska&rsquo;s work is currently on view at the Museum of Contemporary Art Chicago (MCA), running in tangent with the Biennial through January 31, 2016.</p>]]>
      </description>
      <guid>1510-chicago-past-present-future-chicagos-next-generation-ania-jaworska.asp</guid>
      <pubDate>Thu, 15 Oct 2015 14:00:00 -0400</pubDate>
      <link>https://www.architecturalrecord.com/articles/10067-ania-jaworska</link>
      <enclosure url="https://www.architecturalrecord.com/ext/resources/Static_Images/1510-CHICAGO-Past-Present-Future-Chicagos-Next-Generation-Jaworska-main.webp?t=1453384858" type="image/jpeg" length="61504"/>
      <media:content url="https://www.architecturalrecord.com/ext/resources/Static_Images/1510-CHICAGO-Past-Present-Future-Chicagos-Next-Generation-Jaworska-main.webp?t=1453384858" type="image/jpeg" medium="image" fileSize="61504">
        <media:title type="plain">Ania Jaworska</media:title>
        <media:description type="plain">Through Wooden Column on Fire and two sculptures spelling out 'Here' and 'Hi', Jaworska explores the communicative aspects of iconic and monumental architectural elements.</media:description>
      </media:content>
    </item>
    <item>
      <title>Conor O'Shea</title>
      <description>
        <![CDATA[<p>
	Operating on the fringes of architecture, landscape design, and planning, Conor O&rsquo;Shea&rsquo;s firm, Hinterlands Urbanism and Landscape, takes a high-level look at exurban areas surrounding cities. Founded in January, the one-man-shop&rsquo;s work focuses on these hinterlands&mdash;places just beyond the borders of major urban centers like Chicago&mdash;and is almost entirely speculative.&nbsp;</p>]]>
      </description>
      <guid>1510-chicago-past-present-future-chicagos-next-generation-conor-oshea.asp</guid>
      <pubDate>Thu, 15 Oct 2015 14:00:00 -0400</pubDate>
      <link>https://www.architecturalrecord.com/articles/10068-conor-oshea</link>
      <enclosure url="https://www.architecturalrecord.com/ext/resources/Static_Images/1510-CHICAGO-Past-Present-Future-Chicagos-Next-Generation-OShea-main_1.webp?t=1453482075" type="image/jpeg" length="504444"/>
    </item>
    <item>
      <title>Grant Gibson</title>
      <description>
        <![CDATA[<p>
	&ldquo;We tend to relate and connect to other people through stories. We can find ways of using narrative to help us empathize with one another,&rdquo; says architect and UIC instructor Grant Gibson. &ldquo;I thought my firm needed to be rooted in a premise that understood and advocated for that.&rdquo;&nbsp;</p>]]>
      </description>
      <guid>1510-chicago-past-present-future-chicagos-next-generation-grant-gibson.asp</guid>
      <pubDate>Thu, 15 Oct 2015 14:00:00 -0400</pubDate>
      <link>https://www.architecturalrecord.com/articles/10069-grant-gibson</link>
      <enclosure url="https://www.architecturalrecord.com/ext/resources/Static_Images/1510-CHICAGO-Past-Present-Future-Chicagos-Next-Generation-Gibson-main_1.webp?t=1453481734" type="image/jpeg" length="376533"/>
    </item>
    <item>
      <title>Kelly Bair</title>
      <description>
        <![CDATA[<p>
	After spending more than a decade in L.A. working for boutique design firms, on projects ranging from set design to startup offices, Kelly Bair, 38, moved to Chicago four years ago to take a tenure-track teaching position at UIC.&nbsp;</p>]]>
      </description>
      <guid>1510-chicago-past-present-future-chicagos-next-generation-kelly-bair.asp</guid>
      <pubDate>Thu, 15 Oct 2015 14:00:00 -0400</pubDate>
      <link>https://www.architecturalrecord.com/articles/10070-kelly-bair</link>
      <enclosure url="https://www.architecturalrecord.com/ext/resources/Static_Images/1510-CHICAGO-Past-Present-Future-Chicagos-Next-Generation-Bair-main_1.webp?t=1453481971" type="image/jpeg" length="320663"/>
    </item>
    <item>
      <title>Allison Newmeyer and Stewart Hicks</title>
      <description>
        <![CDATA[<p>
	&nbsp;The firm&rsquo;s 2011 speculative project Farmland World is a chain of agro-resorts-cum-theme parks that allow guests to work on a real farm. For its contribution to the Biennial, Design With Company (Dw/Co.) is entering its own late&mdash;very late&mdash;scheme for Chicago&rsquo;s Harold Washington Library Competition, which was held in 1987.&nbsp;</p>]]>
      </description>
      <guid>1510-chicago-past-present-future-chicagos-next-generation-newmeyer-hicks.asp</guid>
      <pubDate>Thu, 15 Oct 2015 14:00:00 -0400</pubDate>
      <link>https://www.architecturalrecord.com/articles/10073-allison-newmeyer-and-stewart-hicks</link>
      <enclosure url="https://www.architecturalrecord.com/ext/resources/Static_Images/1510-CHICAGO-Past-Present-Future-Chicagos-Next-Generation-Newmeyer-Hicks-Main_1.webp?t=1453481159" type="image/jpeg" length="386268"/>
    </item>
    <item>
      <title>Paul Preissner</title>
      <description>
        <![CDATA[<p>
	Paul Preissner, 41, recently made a couple of round, flat-pack tables out of mint-colored Corian. &ldquo;It was the cheapest way of producing furniture with one of the most expensive materials,&rdquo; says the architect, who was experimenting with the process to help out a friend who runs MakeTime, a company that lets designers share time on computer numerical control (CNC) machines.&nbsp;</p>]]>
      </description>
      <guid>1510-chicago-past-present-future-chicagos-next-generation-paul-preissner.asp</guid>
      <pubDate>Thu, 15 Oct 2015 14:00:00 -0400</pubDate>
      <link>https://www.architecturalrecord.com/articles/10074-paul-preissner</link>
      <enclosure url="https://www.architecturalrecord.com/ext/resources/Static_Images/1510-CHICAGO-Past-Present-Future-Chicagos-Next-Generation-Preissner-main_1.webp?t=1453481400" type="image/jpeg" length="120799"/>
    </item>
    <item>
      <title>Sean Lally</title>
      <description>
        <![CDATA[<p>
	&nbsp;Like many architects, Sean Lally is concerned about climate change and how his profession can help address the immense environmental pressures bearing down on the globe&mdash;he just has a very singular vision for the solution. With a background in landscape architecture, Lally, 41, is pursuing a field of design in which steel, wood, and concrete are replaced by energy: electromagnetic, thermodynamic, acoustic, chemical.&nbsp;</p>]]>
      </description>
      <guid>1510-chicago-past-present-future-chicagos-next-generation-sean-lally.asp</guid>
      <pubDate>Thu, 15 Oct 2015 14:00:00 -0400</pubDate>
      <link>https://www.architecturalrecord.com/articles/10075-sean-lally</link>
      <enclosure url="https://www.architecturalrecord.com/ext/resources/Static_Images/1510-CHICAGO-Past-Present-Future-Chicagos-Next-Generation-Lally-main_1.webp?t=1453481595" type="image/jpeg" length="379194"/>
    </item>
    <item>
      <title>Chicago's Next Generation: Christopher Marcinkoski and Andrew Moddrell</title>
      <description>
        <![CDATA[Two time zones and 700 miles may separate Christopher Marcinkoski and Andrew Moddrell, but that doesn't prevent the founders of PORT Urbanism from collaborating on research and large-scale public projects.]]>
      </description>
      <guid>1510-chicago-past-present-future-chicagos-next-generation-marcinkoski-moddrell.asp</guid>
      <pubDate>Thu, 15 Oct 2015 00:00:00 -0400</pubDate>
      <link>https://www.architecturalrecord.com/articles/10072-chicagos-next-generation-christopher-marcinkoski-and-andrew-moddrell</link>
      <enclosure url="https://www.architecturalrecord.com/ext/resources/Static_Images/1510-CHICAGO-Past-Present-Future-Chicagos-Next-Generation-Marcinkoski-Moddrell-main_1.webp?t=1580768253" type="image/jpeg" length="429064"/>
    </item>
    <item>
      <title>All in a Day's Work</title>
      <description>
        <![CDATA[<p>
	The workplace is an ever-evolving design challenge. With continuous upgrades in technology, advances in telecommunications and rising costs of commercial real estate, space for individual employees keeps shrinking&#39;whether for assistants or executives. The average allotment per office worker fell from 225 square feet in 2010 to 176 square feet in 2012, and these days can go as low as 60 square feet.&nbsp;</p>]]>
      </description>
      <guid>1508.asp</guid>
      <pubDate>Sun, 16 Aug 2015 12:00:00 -0400</pubDate>
      <link>https://www.architecturalrecord.com/articles/11214-all-in-a-days-work</link>
      <enclosure url="https://www.architecturalrecord.com/ext/resources/Issues/2015/Nov15/AR_DED_CM.webp?t=1577127485" type="image/png" length="39061"/>
    </item>
    <item>
      <title>CLS Architetti Studio in Chiesa San Paolo Converso</title>
      <description>
        <![CDATA[<p>
	The Milanese firm of CLS Architetti, founded in 1993 by Giovanna Cornelio, Massimiliano Locatelli, and Annamaria Scevola, has carved out a reputation for a modish modernismo style. Its portfolio includes fashion boutiques, offices, showrooms, apartments, and the Lia Rumma Contemporary Art Gallery in Milan (2009).&nbsp;</p>]]>
      </description>
      <guid>1508-cls-architetti-milan.asp</guid>
      <pubDate>Sun, 16 Aug 2015 12:00:00 -0400</pubDate>
      <link>https://www.architecturalrecord.com/articles/7355-cls-architetti-studio-in-chiesa-san-paolo-converso</link>
      <enclosure url="https://www.architecturalrecord.com/ext/resources/Issues/2015/Aug15/CLS-Architetti-Milan.webp?t=1447956181" type="image/jpeg" length="105822"/>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/projects/Building_Types_Study/Office_Buildings/2015/images/CLS-Architetti-Milan-1.webp?t=1455048045" type="image/jpeg" medium="image" fileSize="65791">
        <media:title type="plain">CLS Architetti Studio</media:title>
        <media:description type="plain">
	Late last year, the Milanese firm CLS Architetti moved its offices into a deconsecrated 16th century church, San Paolo Converso.

	 

	Photo © Ruy Texeira
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/projects/Building_Types_Study/Office_Buildings/2015/images/CLS-Architetti-Milan-2.webp?t=1455048061" type="image/jpeg" medium="image" fileSize="50283">
        <media:title type="plain">CLS Architetti Studio</media:title>
        <media:description type="plain">
	CLS inserted a four-story black-steel frame in the rear to solve the problem.

	 

	Photo © Ruy Texeira
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/projects/Building_Types_Study/Office_Buildings/2015/images/CLS-Architetti-Milan-3.webp?t=1455048076" type="image/jpeg" medium="image" fileSize="47319">
        <media:title type="plain">CLS Architetti Studio</media:title>
        <media:description type="plain">
	Fifty architects and designers work in and around the open structure, which allows them various perspectives on the encrusted walls and ceilings in the 47-foot-high space. The architects worked with a lighting manufacturer to insert neon tubes on dimmers into the scaffolding.

	 

	Photo © Ruy Texeira
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/projects/Building_Types_Study/Office_Buildings/2015/images/CLS-Architetti-Milan-4.webp?t=1455048092" type="image/jpeg" medium="image" fileSize="58238">
        <media:title type="plain">CLS Architetti Studio</media:title>
        <media:description type="plain">
	Known for its frescos by Antonio and Vincenzo Campi, the church-as-landlord had one sacrosanct requirement of the new tenant: not to touch the walls.

	 

	Photo © Ruy Texeira
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/projects/Building_Types_Study/Office_Buildings/2015/images/CLS-Architetti-Milan-5.webp?t=1455048110" type="image/jpeg" medium="image" fileSize="79414">
        <media:title type="plain">CLS Architetti Studio</media:title>
        <media:description type="plain">
	Image courtesy CLS Architetti
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/projects/Building_Types_Study/Office_Buildings/2015/images/CLS-Architetti-Milan-6.webp?t=1455048125" type="image/jpeg" medium="image" fileSize="108004">
        <media:title type="plain">CLS Architetti Studio</media:title>
        <media:description type="plain">
	Image courtesy CLS Architetti
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/projects/Building_Types_Study/Office_Buildings/2015/images/CLS-Architetti-Milan-7.webp?t=1455048142" type="image/jpeg" medium="image" fileSize="72031">
        <media:title type="plain">CLS Architetti Studio</media:title>
        <media:description type="plain">
	Image courtesy CLS Architetti
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/projects/Building_Types_Study/Office_Buildings/2015/images/CLS-Architetti-Milan-8.webp?t=1455048184" type="image/jpeg" medium="image" fileSize="75981">
        <media:title type="plain">CLS Architetti Studio</media:title>
        <media:description type="plain">
	Image courtesy CLS Architetti
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/projects/Building_Types_Study/Office_Buildings/2015/images/CLS-Architetti-Milan-9.webp?t=1455048199" type="image/jpeg" medium="image" fileSize="80486">
        <media:title type="plain">CLS Architetti Studio</media:title>
        <media:description type="plain">
	Image courtesy CLS Architetti
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/projects/Building_Types_Study/Office_Buildings/2015/images/CLS-Architetti-Milan-10.webp?t=1455048448" type="image/jpeg" medium="image" fileSize="94065">
        <media:title type="plain">CLS Architetti Studio</media:title>
        <media:description type="plain">
	Image courtesy CLS Architetti
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/projects/Building_Types_Study/Office_Buildings/2015/images/CLS-Architetti-Milan-11.webp?t=1455048464" type="image/jpeg" medium="image" fileSize="30891">
        <media:title type="plain">CLS Architetti Studio</media:title>
        <media:description type="plain">
	Image courtesy CLS Architetti
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/projects/Building_Types_Study/Office_Buildings/2015/images/CLS-Architetti-Milan-12.webp?t=1455048480" type="image/jpeg" medium="image" fileSize="32243">
        <media:title type="plain">CLS Architetti Studio</media:title>
        <media:description type="plain">
	Image courtesy CLS Architetti
</media:description>
      </media:content>
    </item>
    <item>
      <title>Cepezed</title>
      <description>
        <![CDATA[<p>
	The Dutch firm Cepezed Architects, founded in 1973, is known for its quick-assembly, on-site construction with factory-made elements. From 1999 until just recently, it occupied a glass and steel building it had designed that demonstrated the firm&#39;s commitment to a modernist method of fabrication.&nbsp;</p>]]>
      </description>
      <guid>1508-cepezed-delft-the-netherlands.asp</guid>
      <pubDate>Sun, 16 Aug 2015 12:00:00 -0400</pubDate>
      <link>https://www.architecturalrecord.com/articles/7356-cepezed</link>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/projects/Building_Types_Study/Office_Buildings/2015/images/Cepezed-Delft-the-Netherlands-1.webp?t=1455048561" type="image/jpeg" medium="image" fileSize="65833">
        <media:title type="plain">Cepezed</media:title>
        <media:description type="plain">
	As it expanded, the architectural firm Cepezed decided to relocate to a 40,370-square-foot landmark complex of three neo'Dutch Renaissance brick structures in Delft.

	 

	Photo © Jannes Linders
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/projects/Building_Types_Study/Office_Buildings/2015/images/Cepezed-Delft-the-Netherlands-2.webp?t=1455048577" type="image/jpeg" medium="image" fileSize="63946">
        <media:title type="plain">Cepezed</media:title>
        <media:description type="plain">
	The architects rebuilt the annex using glass and steel to provide additional meeting rooms.

	 

	Photo © Jannes Linders
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/projects/Building_Types_Study/Office_Buildings/2015/images/Cepezed-Delft-the-Netherlands-3.webp?t=1455048594" type="image/jpeg" medium="image" fileSize="90699">
        <media:title type="plain">Cepezed</media:title>
        <media:description type="plain">
	The firm moved into the largest of the early 20th-century buildings, originally workshops for a technical university, where light Polonceau trusses are exposed in the dramatic 52-foot-high space.

	 

	Photo © Jannes Linders
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/projects/Building_Types_Study/Office_Buildings/2015/images/Cepezed-Delft-the-Netherlands-4.webp?t=1455048612" type="image/jpeg" medium="image" fileSize="61154">
        <media:title type="plain">Cepezed</media:title>
        <media:description type="plain">
	Photo © Jannes Linders
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/projects/Building_Types_Study/Office_Buildings/2015/images/Cepezed-Delft-the-Netherlands-5.webp?t=1455048628" type="image/jpeg" medium="image" fileSize="37337">
        <media:title type="plain">Cepezed</media:title>
        <media:description type="plain">
	Photo © Jannes Linders
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/projects/Building_Types_Study/Office_Buildings/2015/images/Cepezed-Delft-the-Netherlands-6.webp?t=1455048651" type="image/jpeg" medium="image" fileSize="110170">
        <media:title type="plain">Cepezed</media:title>
        <media:description type="plain">
	Image courtesy Cepezed Architects
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/projects/Building_Types_Study/Office_Buildings/2015/images/Cepezed-Delft-the-Netherlands-7.webp?t=1455048785" type="image/jpeg" medium="image" fileSize="120202">
        <media:title type="plain">Cepezed</media:title>
        <media:description type="plain">
	Image courtesy Cepezed Architects
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/projects/Building_Types_Study/Office_Buildings/2015/images/Cepezed-Delft-the-Netherlands-8.webp?t=1455048694" type="image/jpeg" medium="image" fileSize="78532">
        <media:title type="plain">Cepezed</media:title>
        <media:description type="plain">
	Image courtesy Cepezed Architects
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/projects/Building_Types_Study/Office_Buildings/2015/images/Cepezed-Delft-the-Netherlands-9.webp?t=1455048711" type="image/jpeg" medium="image" fileSize="107210">
        <media:title type="plain">Cepezed</media:title>
        <media:description type="plain">
	Image courtesy Cepezed Architects
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/projects/Building_Types_Study/Office_Buildings/2015/images/Cepezed-Delft-the-Netherlands-10.webp?t=1455048736" type="image/jpeg" medium="image" fileSize="111267">
        <media:title type="plain">Cepezed</media:title>
        <media:description type="plain">
	Image courtesy Cepezed Architects
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/projects/Building_Types_Study/Office_Buildings/2015/images/Cepezed-Delft-the-Netherlands-11.webp?t=1455048750" type="image/jpeg" medium="image" fileSize="102257">
        <media:title type="plain">Cepezed</media:title>
        <media:description type="plain">
	Image courtesy Cepezed Architects
</media:description>
      </media:content>
    </item>
    <item>
      <title>Fata Morgana</title>
      <description>
        <![CDATA[<p>Named for the visual phenomenon of a mirage suspended just above the horizon, the installation Fata Morgana by Brooklyn-based artist Teresita Fern&aacute;ndez hovers above New York&#39;s Madison Square Park.</p>]]>
      </description>
      <guid>1508-fata-morgana.asp</guid>
      <pubDate>Sun, 16 Aug 2015 12:00:00 -0400</pubDate>
      <link>https://www.architecturalrecord.com/articles/6659-fata-morgana</link>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/snapshot/2015/images/08/1508-Fata-Morgana-1.webp?t=1476971013" type="image/jpeg" medium="image" fileSize="82837">
        <media:description type="plain">The 2015 installation Fata Morgana by Teresita Fern'ndez hangs above Madison Square Park.

 

Photo © by Elisabeth Bernstein, © Teresita Fern'ndez, Courtesy the artist, Lehmann Maupin, and Anthony Meier Fine Arts
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/snapshot/2015/images/08/1508-Fata-Morgana-2.webp?t=1476971025" type="image/jpeg" medium="image" fileSize="149969">
        <media:description type="plain">The 2015 installation Fata Morgana by Teresita Fern'ndez hangs above Madison Square Park.

 

Photo © by Elisabeth Bernstein, © Teresita Fern'ndez, Courtesy the artist, Lehmann Maupin, and Anthony Meier Fine Arts
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/snapshot/2015/images/08/1508-Fata-Morgana-3.webp?t=1476971037" type="image/jpeg" medium="image" fileSize="160061">
        <media:description type="plain">The 2015 installation Fata Morgana by Teresita Fern'ndez hangs above Madison Square Park.

 

Photo © by Elisabeth Bernstein, © Teresita Fern'ndez, Courtesy the artist, Lehmann Maupin, and Anthony Meier Fine Arts
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/snapshot/2015/images/08/1508-Fata-Morgana-4.webp?t=1476971048" type="image/jpeg" medium="image" fileSize="83796">
        <media:description type="plain">The 2015 installation Fata Morgana by Teresita Fern'ndez hangs above Madison Square Park.

 

Photo © by Elisabeth Bernstein, © Teresita Fern'ndez, Courtesy the artist, Lehmann Maupin, and Anthony Meier Fine Arts
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/snapshot/2015/images/08/1508-Fata-Morgana-5.webp?t=1476971060" type="image/jpeg" medium="image" fileSize="86158">
        <media:description type="plain">The 2015 installation Fata Morgana by Teresita Fern'ndez hangs above Madison Square Park.

 

Photo © by Elisabeth Bernstein, © Teresita Fern'ndez, Courtesy the artist, Lehmann Maupin, and Anthony Meier Fine Arts
</media:description>
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