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    <title>Berman Horn Studio</title>
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      <title>Maysville</title>
      <author>Lentzl@bnpmedia.com (Linda C. Lentz)</author>
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        <![CDATA[<p>
	More than 600 miles separate Maysville, Kentucky, from its New York City namesake, a trendy watering hole west of Madison Square Park.</p>
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      <guid>1311-maysville-berman-horn-studio.asp</guid>
      <pubDate>Fri, 15 Nov 2013 23:30:00 -0500</pubDate>
      <link>https://www.architecturalrecord.com/articles/7689-maysville</link>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/projects/lighting/2013/images/11/Maysville-Berman-Horn-Studio-1.webp?t=1450318990" type="image/jpeg" medium="image" fileSize="289422">
        <media:title type="plain">The ceiling matrix), designed by the architects, was based on aerial views of Kentucky cornfields. Made of Mylar-backed oiled craft paper on steel frames, the 18-inchhigh shades are spaced 4 inches ap</media:title>
        <media:description type="plain">MaysvilleBerman Horn StudioNew York CityThe ceiling matrix), designed by the architects, was based on aerial views of Kentucky cornfields. Made of Mylar-backed oiled craft paper on steel frames, the 18-inchhigh shades are spaced 4 inches apart to allow for sprinklers and maintenance.Photo © Kristine Larsen</media:description>
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        <media:title type="plain">The private dining area (left) features a wall grid inset with a playful mix of mirrors and windows. These either reflect the barrel shades within the room or provide glimpses of the ceiling grid&amp;mdas</media:title>
        <media:description type="plain">MaysvilleBerman Horn StudioNew York CityThe private dining area (left) features a wall grid inset with a playful mix of mirrors and windows. These either reflect the barrel shades within the room or provide glimpses of the ceiling grid—and action—in the main dining space next door (slide 3), where a similar peek-a-boo effect is achieved using gilded frames.Photo © Kristine Larsen</media:description>
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        <media:title type="plain">The private dining area (slide 2) features a wall grid inset with a playful mix of mirrors and windows. These either reflect the barrel shades within the room or provide glimpses of the ceiling grid&amp;m</media:title>
        <media:description type="plain">MaysvilleBerman Horn StudioNew York CityThe private dining area (slide 2) features a wall grid inset with a playful mix of mirrors and windows. These either reflect the barrel shades within the room or provide glimpses of the ceiling grid—and action—in the main dining space next door (left), where a similar peek-a-boo effect is achieved using gilded frames.Photo © Kristine Larsen</media:description>
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        <media:title type="plain">Maysville</media:title>
        <media:description type="plain">MaysvilleBerman Horn StudioNew York CityPhoto © Kristine Larsen</media:description>
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      <title>Char No. 4</title>
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	Smith Street, in Brooklyn, New York&rsquo;s Carroll Gardens neighborhood, has evolved over the course of the past decade from a rugged urban commercial strip peppered with family shoe stores, bodegas, and windowless Italian social clubs, to the area&rsquo;s restaurant row, playing host to a mix of both serious and theme-heavy establishments, from top-ranked restaurants run by ambitious chefs to a tiki bar named the Zombie Hut.</p>
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      <pubDate>Wed, 19 Aug 2009 00:00:00 -0400</pubDate>
      <link>https://www.architecturalrecord.com/articles/7804-char-no-4</link>
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