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    <title>Studio O+A</title>
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      <title>Kimball's Refreshed Showroom Reflects Changing Market</title>
      <description>
        <![CDATA[<p>Kimball, an office-furniture manufacturer, collaborated with Studio O+A to create open spaces and showcase a variety of vignettes.&nbsp;</p>]]>
      </description>
      <guid>http://www.architecturalrecord.com/articles/13532</guid>
      <pubDate>Fri, 01 Jun 2018 08:00:00 -0400</pubDate>
      <link>https://www.architecturalrecord.com/articles/13532-kimballs-refreshed-showroom-reflects-changing-market</link>
      <enclosure url="https://www.architecturalrecord.com/ext/resources/Static_Pages/SNAP/2018/May-June/A-Showcase-Workplace/A-Showcase-Workplace-01.webp?t=1530815991" type="image/jpeg" length="99981"/>
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        <media:description type="plain">In Kimball’s refreshed Park Avenue South showroom, Studio O+A opened up sightlines and implemented a modern, industrial material palette.

Photo © Garrett Rowlan</media:description>
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      <media:content url="https://www.architecturalrecord.com/ext/resources/Static_Pages/SNAP/2018/May-June/A-Showcase-Workplace/A-Showcase-Workplace-02.webp?t=1530815942" type="image/jpeg" medium="image" fileSize="104620">
        <media:description type="plain">Canopy, a flexible workstation was built for use by the staff and added to the company’s line of products.

Photo © Garrett Rowlan
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      <media:content url="https://www.architecturalrecord.com/ext/resources/Static_Pages/SNAP/2018/May-June/A-Showcase-Workplace/A-Showcase-Workplace-03.webp?t=1530815970" type="image/jpeg" medium="image" fileSize="72350">
        <media:description type="plain">Kimball’s fiXt shelving, storage furniture, and tables—as well as modified ceiling-mounted versions—feature prominently throughout the space.

Photo © Garrett Rowlan
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      <title>SNAP Interviews Studio O+A</title>
      <description>
        <![CDATA[<p>Verda Alexander and Primo Orpilla are cofounders of Studio O+A.</p>]]>
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      <guid>http://www.architecturalrecord.com/articles/12916</guid>
      <pubDate>Tue, 10 Oct 2017 06:00:00 -0400</pubDate>
      <link>https://www.architecturalrecord.com/articles/12916-snap-interviews-studio-oa</link>
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      <title>Interiors: PacBell Building</title>
      <description>
        <![CDATA[<p>
	A soaring symbol of San Francisco&rsquo;s past, 140 New Montgomery&mdash;also known as the PacBell Building&mdash;has become a hub for some of the Bay Area&rsquo;s most forward-looking companies.</p>]]>
      </description>
      <guid>http://www.architecturalrecord.com/articles/11481</guid>
      <pubDate>Mon, 01 Feb 2016 09:00:00 -0500</pubDate>
      <link>https://www.architecturalrecord.com/articles/11481-interiors-pacbell-building</link>
      <enclosure url="https://www.architecturalrecord.com/ext/resources/Issues/2016/February/Alibaba-San-Francisco-01-resized.webp?t=1454341550" type="image/jpeg" length="409490"/>
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        <media:title type="plain">Alibaba</media:title>
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	Nowhere is the transition from ornamental to austere better illustrated than in the kitchen of Alibaba’s new office, where the decorative ceiling meets raw concrete and exposed pipes. Hardwood plywood edges of the cabinetry are left exposed. Marble surfaces the table and countertops.

	Photo © Jasper Sanidad</media:description>
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        <media:title type="plain">Alibaba</media:title>
        <media:description type="plain">
	Alibaba occupies the penthouse of the 1925 PacBell building, a former ballroom, which retains much of its ornate Art Deco detailing, particularly the elaborate hand-painted molded-plaster ceiling.

	Photo © Jasper Sanidad
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        <media:title type="plain">Alibaba</media:title>
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	Perimeter walls feature exposed brick. Fairly standard materials are used through-out—Carrara marble on kitchen surfaces and the reception desk, subtly striated carpeting over concrete portions of the floor.

	Photo © Jasper Sanidad
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      <media:content url="https://www.architecturalrecord.com/ext/resources/Issues/2016/February/Alibaba-San-Francisco-04.webp?t=1453818785" type="image/jpeg" medium="image" fileSize="302283">
        <media:title type="plain">Alibaba</media:title>
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	The pecan wood O+A selected for con- ference room doors and wall paneling keys in with the orange that is the Alibaba signature color.

	Photo © Jasper Sanidad
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      <media:content url="https://www.architecturalrecord.com/ext/resources/Issues/2016/February/Alibaba-San-Francisco-05.webp?t=1453818828" type="image/jpeg" medium="image" fileSize="535483">
        <media:title type="plain">Alibaba</media:title>
        <media:description type="plain">
	The pecan wood O+A selected for con- ference room doors and wall paneling keys in with the orange that is the Alibaba signature color.

	Photo © Jasper Sanidad
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/Issues/2016/February/Alibaba-San-Francisco-06.webp?t=1453818868" type="image/jpeg" medium="image" fileSize="193906">
        <media:title type="plain">Alibaba</media:title>
        <media:description type="plain">
	The pecan wood O+A selected for con- ference room doors and wall paneling keys in with the orange that is the Alibaba signature color.

	Photo © Jasper Sanidad
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/Issues/2016/February/Alibaba-San-Francisco-07.webp?t=1453818911" type="image/jpeg" medium="image" fileSize="248337">
        <media:title type="plain">Alibaba</media:title>
        <media:description type="plain">
	Alibaba occupies the penthouse of the 1925 PacBell building, a former ballroom, which retains much of its ornate Art Deco detailing, particularly the elaborate hand-painted molded-plaster ceiling.

	Photo © Jasper Sanidad
</media:description>
      </media:content>
    </item>
    <item>
      <title>QUID</title>
      <author>Lentzl@bnpmedia.com (Linda C. Lentz)</author>
      <description>
        <![CDATA[<p>
	Imaginative Environments and surface patterning are essential for the offices of &#39;ber-hip high-tech companies where youthful, creative employees work long hours.&nbsp;</p>
]]>
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      <guid>flights-of-fancy-5.asp</guid>
      <pubDate>Sun, 16 Oct 2011 12:00:00 -0400</pubDate>
      <link>https://www.architecturalrecord.com/articles/8275-quid</link>
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	QUID

	 

	Interior Designer and artist Verda Alexander worked with the Studio O+A graphic design team to develop a wallcovering for the Quid entry hall and reception area that reflects the company's analytic mapping studies.

	 

	Image courtesy Studio O+A
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        <media:description type="plain">
	QUID

	 

	Interior Designer and artist Verda Alexander worked with the Studio O+A graphic design team to develop a wallcovering for the Quid entry hall and reception area that reflects the company's analytic mapping studies.

	 

	Image courtesy Studio O+A</media:description>
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        <media:description type="plain">
	QUID

	Interior Designer and artist Verda Alexander worked with the Studio O+A graphic design team to develop a wallcovering for the Quid entry hall and reception area that reflects the company's analytic mapping studies.

	 

	Image courtesy Studio O+A</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/projects/recordinteriors/2011/images/FlightsofFancy/QUID-4.webp?t=1462472366" type="image/jpeg" medium="image" fileSize="113624">
        <media:description type="plain">
	QUID

	 

	The mostly paperless library has walls surfaced with a wallcovering dubbed 'Books' designed by U.K.-based designer Deborah Bowness, and wing chairs covered in vintage route signs used on British buses (britishroutesigndesigns.com).

	 

	Image courtesy Studio O+A</media:description>
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      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/projects/recordinteriors/2011/images/FlightsofFancy/QUID-5.webp?t=1462472383" type="image/jpeg" medium="image" fileSize="20248">
        <media:description type="plain">
	QUID

	 

	A Studio O+A-designed conference table also reflects Quid's global business.

	 

	Image courtesy Studio O+A</media:description>
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        <media:description type="plain">
	QUID

	 

	Image courtesy Studio O+A
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    <item>
      <title>Flights of Fancy</title>
      <author>Lentzl@bnpmedia.com (Linda C. Lentz)</author>
      <description>
        <![CDATA[<p>
	Many Architects shun the notion of decoration&mdash;less is more and all that.</p>
]]>
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      <guid>flights-of-fancy-1.asp</guid>
      <pubDate>Sun, 16 Oct 2011 12:00:00 -0400</pubDate>
      <link>https://www.architecturalrecord.com/articles/8271-flights-of-fancy</link>
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        <media:title type="plain">Flights of Fancy</media:title>
        <media:description type="plain">University Metro StationKarim RashidNaples, ItalyPhotography © Iwan Baan</media:description>
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        <media:title type="plain">Flights of Fancy</media:title>
        <media:description type="plain">University Metro StationKarim RashidNaples, ItalyPhotography © Iwan Baan</media:description>
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        <media:title type="plain">Flights of Fancy</media:title>
        <media:description type="plain">University Metro StationKarim RashidNaples, ItalyPhotography © Iwan Baan</media:description>
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        <media:title type="plain">Flights of Fancy</media:title>
        <media:description type="plain">University Metro StationKarim RashidNaples, ItalyPhotography © Iwan Baan</media:description>
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        <media:title type="plain">Flights of Fancy</media:title>
        <media:description type="plain">University Metro StationKarim RashidNaples, ItalyPhotography © Iwan Baan</media:description>
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        <media:description type="plain">University Metro StationKarim RashidNaples, ItalyPhotography © Iwan Baan</media:description>
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        <media:title type="plain">Flights of Fancy</media:title>
        <media:description type="plain">University Metro StationKarim RashidNaples, ItalyPhotography © Iwan Baan</media:description>
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        <media:description type="plain">University Metro StationKarim RashidNaples, ItalyPhotography © Iwan Baan</media:description>
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