https://www.architecturalrecord.com/rss/1664 en-us http://www.architecturalrecord.com/articles/16189 Fri, 14 Apr 2023 00:00:00 -0400 https://www.architecturalrecord.com/articles/16189-fearon-hays-matagouri-house-fuses-with-the-craggy-terrain-of-new-zealands-south-island http://www.architecturalrecord.com/articles/14660 Wed, 03 Jun 2020 00:00:00 -0400 https://www.architecturalrecord.com/articles/14660-wall-fabrics-20-by-fearon-hay-architects Wall-Fabrics-01-B.jpg A darkened steel staircase leads to a lower level storage area. Photo © Michelle Weir A glazed chapel for an Anglican church in Auckland, New Zealand, gleams under a gilt canopy.

]]> http://www.architecturalrecord.com/articles/13001 Tue, 03 Oct 2017 08:00:00 -0400 https://www.architecturalrecord.com/articles/13001-bishop-selwyn-chapel-by-fearon-hay-architects The chapel is part of a campus that includes a white wood gothic church dating to 1888, and a redbrick church built in 1939, to which the chapel is attached. The cross is by Neil Dawson. Photo © Patrick Reynolds Fearon Hay Architects designed a swooping canopy with a gold-leaf ceiling over a glass-enclosed chapel for the Holy Trinity Cathedral Auckland in Parnell, a suburb of the New Zealand city. Photo © Patrick Reynolds A narrow, glazed roof supported by structural glass beams links the gold-finished canopy of the chapel with the cathedral’s chancel of 1939. Photo © Patrick Reynolds The glass along the south end of the chapel can be opened to provide an unhampered view and access to the garden and columbarium beyond. Photo © Patrick Reynolds Glass panels framed in bronze enclose the space on three sides. Photo © Patrick Reynolds Image courtesy Fearon Hay Architects Image courtesy Fearon Hay Architects Image courtesy Fearon Hay Architects 1309-wall-fabrics-fearon-hay-architects.asp Mon, 16 Sep 2013 00:00:00 -0400 https://www.architecturalrecord.com/articles/8294-wall-fabrics-by-fearon-hay-architects Unlike those of conventional warehouses, administrative spaces at Wall Fabrics are open to the production floor via thin panels of glass trimmed in rosewood. Because of this transparency, bolts of the Wall FabricsFearon Hay ArchitectsAuckland, New ZealandUnlike those of conventional warehouses, administrative spaces at Wall Fabrics are open to the production floor via thin panels of glass trimmed in rosewood. Because of this transparency, bolts of the product—textiles in an array of patterns and colors—become part of the aesthetic for the entire industrial space.Photo © Jackie Meiring These pivoting doors keep machinery noise out of the office area while maintaining a visual link between support and production spaces. Wall FabricsFearon Hay ArchitectsAuckland, New ZealandThese pivoting doors keep machinery noise out of the office area while maintaining a visual link between support and production spaces. Photo © Jackie Meiring The exposed beams and rough concrete floors of the original structure remain intact, with the glass panels that divide the offices from the warehouse being Fearon Hay’s only major insertion. Wall FabricsFearon Hay ArchitectsAuckland, New ZealandThe exposed beams and rough concrete floors of the original structure remain intact, with the glass panels that divide the offices from the warehouse being Fearon Hay’s only major insertion.Photo © Jackie Meiring Wall Fabrics Wall FabricsFearon Hay ArchitectsAuckland, New ZealandImage courtesy Fearon Hay Architects