<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0" xmlns:media="http://search.yahoo.com/mrss/">
  <channel>
    <title>Architecture and Money</title>
    <description>
      <![CDATA[<p>
&nbsp;</p>
Not so long ago, architects were struggling to keep their heads above water during the recession. Now huge investments in key sectors have led to a boom in design and construction. Is all this new money good for architects—and for architecture?]]>
    </description>
    <link>https://www.architecturalrecord.com/rss/1986</link>
    <language>en-us</language>
    <item>
      <title>Money Changes Everything</title>
      <description>
        <![CDATA[<p>
	Architecture is a cyclical business. Just five years ago, the industry was down in the depths, and now the profession, by most measures, is rebounding.&nbsp;</p>]]>
      </description>
      <guid>1505.asp</guid>
      <pubDate>Sat, 16 May 2015 12:00:00 -0400</pubDate>
      <link>https://www.architecturalrecord.com/articles/11211-money-changes-everything</link>
      <enclosure url="https://www.architecturalrecord.com/ext/resources/Issues/2015/Nov15/AR_DED_CM.webp?t=1577127485" type="image/png" length="39061"/>
    </item>
    <item>
      <title>Continuing Education: Architects Give Back</title>
      <description>
        <![CDATA[Through corporate foundations, architecture firms are funding students' research travel. But does supporting design education require a nonprofit structure?]]>
      </description>
      <guid>1505-architects-give-back.asp</guid>
      <pubDate>Sat, 16 May 2015 12:00:00 -0400</pubDate>
      <link>https://www.architecturalrecord.com/articles/6869-continuing-education-architects-give-back</link>
      <enclosure url="https://www.architecturalrecord.com/ext/resources/Issues/2015/May15/1505-Architects-Give-Back-main.webp?t=1455558020" type="image/jpeg" length="129370"/>
      <media:content url="https://www.architecturalrecord.com/ext/resources/Issues/2015/May15/1505-Architects-Give-Back-main.webp?t=1455558020" type="image/jpeg" medium="image" fileSize="129370">
        <media:title type="plain">Architects Give Back</media:title>
        <media:description type="plain">
	Through his family trust, London-based architect John McAslan has initiated projects like the development of new schools and teacher-training centers in Malawi; the facilities were subsequently designed by John McAslan + Partners and Arup.

	Image courtesy John McAslan + Partners
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/Issues/2015/May15/1505-Architects-Give-Back-300px.webp?t=1455558040" type="image/jpeg" medium="image" fileSize="28365">
        <media:title type="plain">Architects Give Back</media:title>
        <media:description type="plain">
	Mikel Beaumont studied in the Mekong Delta as part of NBBJâ€™s 26-year-old traveling fellowship program.

	Photo courtesy Evan Conroy/NBBJ
</media:description>
      </media:content>
    </item>
    <item>
      <title>Continuing Education: How to Make Money</title>
      <author></author>
      <description>
        <![CDATA[<p>
	While bottom-feeding architects are as old as the profession itself, the business challenges facing most mainstream firms are unprecedented.</p>]]>
      </description>
      <guid>1505-how-to-make-money.asp</guid>
      <pubDate>Sat, 16 May 2015 12:00:00 -0400</pubDate>
      <link>https://www.architecturalrecord.com/articles/6870-continuing-education-how-to-make-money</link>
      <enclosure url="https://www.architecturalrecord.com/ext/resources/Issues/2015/May15/1505-How-to-Make-Money-1.webp?t=1447961578" type="image/jpeg" length="93591"/>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/practice/2015/images/1505-How-to-Make-Money-1.webp?t=1453928096" type="image/jpeg" medium="image" fileSize="93591">
        <media:title type="plain">How to Make Money</media:title>
        <media:description type="plain">
	Pickard Chilton maintains that its buildings deliver a higher return. Last year, its 300 North LaSalle, a Chicago office tower completed in 2009, sold for a reported $850 million—a record for an office building in that city.

	 

	Photo © Scott McDonald/Hedrich Blessing
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/practice/2015/images/1505-How-to-Make-Money-2.webp?t=1453928115" type="image/jpeg" medium="image" fileSize="108264">
        <media:title type="plain">How to Make Money</media:title>
        <media:description type="plain">
	Gluck+ says design-build reduces construction-phase inefficiencies. On the Cary Leeds Center—a nearly complete clubhouse for a nonprofit that offers tennis lessons and tutoring to New York children—the approach helped the firm avoid costly change orders.

	 

	Image courtesy Gluck+
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/practice/2015/images/1505-How-to-Make-Money-3.webp?t=1453928133" type="image/jpeg" medium="image" fileSize="150162">
        <media:title type="plain">How to Make Money</media:title>
        <media:description type="plain">
	Among Marmol Radziner’s many design-build projects is a Beverly Hills house for an investment advisor. The firm recently launched a residential-development unit and will do everything from buying the land to marketing the completed houses.

	 

	Photo © Barry Schwartz
</media:description>
      </media:content>
    </item>
    <item>
      <title>Continuing Education: Is Bigger Better?</title>
      <description>
        <![CDATA[Last year, Los Angeles'based AECOM merged with engineering giant URS and became a firm with $19 billion in revenues and 100,000 employees.]]>
      </description>
      <guid>1505-is-bigger-better.asp</guid>
      <pubDate>Sat, 16 May 2015 12:00:00 -0400</pubDate>
      <link>https://www.architecturalrecord.com/articles/6871-continuing-education-is-bigger-better</link>
      <enclosure url="https://www.architecturalrecord.com/ext/resources/Issues/2015/May15/1505-Is-Bigger-Better-300px.webp?t=1453481779" type="image/jpeg" length="43904"/>
    </item>
    <item>
      <title>Top 10 Business Tips for Architects</title>
      <author></author>
      <description>
        <![CDATA[To accompany his story on how architects can make money, the writer developed a list of handy recommendations.]]>
      </description>
      <guid>1505-top-10-business-tips-for-architects.asp</guid>
      <pubDate>Sat, 16 May 2015 12:00:00 -0400</pubDate>
      <link>https://www.architecturalrecord.com/articles/6874-top-10-business-tips-for-architects</link>
    </item>
    <item>
      <title>Top Travel Fellowships for Young Designers</title>
      <description>
        <![CDATA[In our May 2015 issue, RECORD reported on architecture firms that have established foundations to fund travel research for aspiring architects.]]>
      </description>
      <guid>1505-top-travel-fellowships-for-young-designers.asp</guid>
      <pubDate>Sat, 16 May 2015 12:00:00 -0400</pubDate>
      <link>https://www.architecturalrecord.com/articles/6875-top-travel-fellowships-for-young-designers</link>
    </item>
    <item>
      <title>Top 10 Big-Ticket Buildings</title>
      <description>
        <![CDATA[<p>
	These projects are ranked on the basis of hard construction costs (including labor and materials, but excluding equipment, land, and design fees). Construction for these projects started between January 1, 2013, and February 28, 2015.</p>]]>
      </description>
      <guid>1505-top-10-big-ticket-buildings.asp</guid>
      <pubDate>Sat, 16 May 2015 12:00:00 -0400</pubDate>
      <link>https://www.architecturalrecord.com/articles/5921-top-10-big-ticket-buildings</link>
      <enclosure url="https://www.architecturalrecord.com/ext/resources/Issues/2015/May15/Top-10-Big-Ticket-Buildings-Apple-Campus-1.webp?t=1448036671" type="image/jpeg" length="130328"/>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2015/images/05/1505-Top-10-Big-Ticket-Buildings-Apple-Campus-1.webp?t=1455558165" type="image/jpeg" medium="image" fileSize="130328">
        <media:title type="plain">Top 10 Big-Ticket Buildings</media:title>
        <media:description type="plain">
	Project: Apple Campus 2;

	Cost: $2.5 billion;

	Architect: Foster + Partners;

	Location: Cupertino, CA
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2015/images/05/1505-Top-10-Big-Ticket-Buildings-Airport-Terminal-2.webp?t=1455558198" type="image/jpeg" medium="image" fileSize="47023">
        <media:title type="plain">Top 10 Big-Ticket Buildings</media:title>
        <media:description type="plain">
	Project: Salt Lake City International Airport Terminal Redevelopment Program;

	Cost: $1.8 billion;

	Architect: HOK;

	Location: Salt Lake City
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2015/images/05/1505-Top-10-Big-Ticket-Buildings-California-Pacific-Medical-Center-3.webp?t=1455558219" type="image/jpeg" medium="image" fileSize="85376">
        <media:title type="plain">Top 10 Big-Ticket Buildings</media:title>
        <media:description type="plain">
	Project: California Pacific Medical Center Van Ness and Geary Campus Hospital for Sutter Health;

	Cost: $980 million;

	Architect: SmithGroupJJR;

	Location: San Francisco
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2015/images/05/1505-Top-10-Big-Ticket-Buildings-4.webp?t=1455558237" type="image/jpeg" medium="image" fileSize="107864">
        <media:title type="plain">Top 10 Big-Ticket Buildings</media:title>
        <media:description type="plain">
	Project: Nordstrom Tower;

	Cost: $957 million;

	Architect: Adrian Smith + Gordon Gill Architecture;

	Location: New York City
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2015/images/05/1505-Top-10-Big-Ticket-Buildings-New-Atlanta-Stadium-5.webp?t=1455558255" type="image/jpeg" medium="image" fileSize="79357">
        <media:title type="plain">Top 10 Big-Ticket Buildings</media:title>
        <media:description type="plain">
	Project: New Atlanta Stadium;

	Cost: $948 million;

	Architects: HOK, TVSA, Goode Van Slyke Architecture, Stanley Beaman &amp;amp; Sears;

	Location: Atlanta
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2015/images/05/1505-Top-10-Big-Ticket-Buildings-Comcast-Innovation-and-Technology-Center-6.webp?t=1455558293" type="image/jpeg" medium="image" fileSize="33647">
        <media:title type="plain">Top 10 Big-Ticket Buildings</media:title>
        <media:description type="plain">
	Project: Comcast Innovation and Technology Center;

	Cost: $931 million;

	Architects: Foster + Partners, Kendall/Heaton Associates, Gensler, Daroff Design;

	Location: Philadelphia
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2015/images/05/1505-Top-10-Big-Ticket-Buildings-MGM-National-Harbor-Casino-7.webp?t=1455558312" type="image/jpeg" medium="image" fileSize="104983">
        <media:title type="plain">Top 10 Big-Ticket Buildings</media:title>
        <media:description type="plain">
	Project: MGM National Harbor Casino;

	Cost: $925 million

	Architects: HKS, SmithGroupJJR, Hamilton-Anderson Associates;

	Location: Oxon Hill, MD
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2015/images/05/1505-Top-10-Big-Ticket-Buildings-8.webp?t=1455558330" type="image/jpeg" medium="image" fileSize="16816">
        <media:title type="plain">Top 10 Big-Ticket Buildings</media:title>
        <media:description type="plain">
	Project: High Performance Computing Center II;

	Cost: $861 million;

	Design-Builder: Hensel Phelps/Kiewit;

	Location: Fort Meade, MD
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2015/images/05/1505-Top-10-Big-Ticket-Buildings-53W53-9.webp?t=1455558352" type="image/jpeg" medium="image" fileSize="39041">
        <media:title type="plain">Top 10 Big-Ticket Buildings</media:title>
        <media:description type="plain">
	Project: 53W53; Cost: $861 million;

	Architects: Ateliers Jean Nouvel, Adamson Associates Architects, SLCE Architects, The Office of Thierry W Despont;

	Location: New York City

	 

	Rendering courtesy Hayes Davidson for Hines
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2015/images/05/1505-Top-10-Big-Ticket-Buildings-New-Stanford-Hospital-10.webp?t=1455558373" type="image/jpeg" medium="image" fileSize="75677">
        <media:title type="plain">Top 10 Big-Ticket Buildings</media:title>
        <media:description type="plain">
	Project: New Stanford Hospital;

	Cost: $830 million;

	Architects: Rafael Vi'oly Architects, Lee, Burkhart, Liu;

	Location: Palo Alto, CA

	 

	Rendering courtesy Rafael Vi'oly Architects
</media:description>
      </media:content>
    </item>
    <item>
      <title>Public-Private Partnerships</title>
      <author></author>
      <description>
        <![CDATA[<p>
	If all goes as planned, Midtown Manhattan will soon add a high-rise to its skyline substantially taller than the Empire State Building.</p>]]>
      </description>
      <guid>1505-blurred-lines.asp</guid>
      <pubDate>Sat, 16 May 2015 12:00:00 -0400</pubDate>
      <link>https://www.architecturalrecord.com/articles/5914-public-private-partnerships</link>
      <enclosure url="https://www.architecturalrecord.com/ext/resources/Issues/2015/May15/Blurred-Lines-1.webp?t=1448035825" type="image/jpeg" length="125986"/>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2015/images/05/1505-Blurred-Lines-1.webp?t=1455559749" type="image/jpeg" medium="image" fileSize="125986">
        <media:title type="plain">Blurred Lines</media:title>
        <media:description type="plain">
	One Vanderbilt, a 64-story tower designed by KPF may rise beside New York's Grand Central Terminal in exchange for civic improve'ments such as a commuter waiting room (at the tower's base) and pedestrianizing the street.

	 

	Image courtesy KPF
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2015/images/05/1505-Blurred-Lines-2.webp?t=1455559767" type="image/jpeg" medium="image" fileSize="63427">
        <media:title type="plain">Blurred Lines</media:title>
        <media:description type="plain">
	One Vanderbilt's tapering design protects Chrysler Building views as seen from Bryant Park.

	 

	Image courtesy KPF
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2015/images/05/1505-Blurred-Lines-3.webp?t=1455559784" type="image/jpeg" medium="image" fileSize="120526">
        <media:title type="plain">Blurred Lines</media:title>
        <media:description type="plain">
	In Austin, Texas, the Waller Creek restoration project, by Michael Van Valkenburgh Associates and Thomas Phifer &amp;amp; Partners, will connect existing parks and add new ones.

	 

	Image courtesy Michael Van Valkenburgh Associates and Thomas Phifer &amp;amp; Partners
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2015/images/05/1505-Blurred-Lines-4.webp?t=1455559807" type="image/jpeg" medium="image" fileSize="69314">
        <media:title type="plain">Blurred Lines</media:title>
        <media:description type="plain">
	In Manhattan, the Diller von Furstenberg Foundation plans to finance Pier 55, a $130 million park and performance space designed by Heatherwick Studio.

	 

	Image courtesy Pier 55 Inc. / Heatherwick Studio
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2015/images/05/1505-Blurred-Lines-5.webp?t=1455559827" type="image/jpeg" medium="image" fileSize="63182">
        <media:title type="plain">Blurred Lines</media:title>
        <media:description type="plain">
	A Whole Foods Market and Public School 59, both designed by SOM, were part of a public-private partnership in Manhattan.

	 

	Photo © Eduard Hueber
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2015/images/05/1505-Blurred-Lines-6.webp?t=1455559846" type="image/jpeg" medium="image" fileSize="74335">
        <media:title type="plain">Blurred Lines</media:title>
        <media:description type="plain">
	The Exploratorium's new home on piers 15 and 17 in San Francisco, designed by EHDD, includes a glass pavilion with an observatory.

	 

	Photo © Bruce Damonte
</media:description>
      </media:content>
    </item>
    <item>
      <title>Collector's Edition: Chateau La Coste</title>
      <description>
        <![CDATA[<p>
	It&#39;s not often that art, architecture, and wine-making come together as a cultural statement. Unless, of course it occurs in France, which prides itself on its own special savoir vivre. Ironically, the person behind this sensual conjunction at Chateau La Coste in Provence, where a winery has been enlivened with works of architecture and sculpture, is an Irishman, Patrick (Paddy) McKillen.</p>]]>
      </description>
      <guid>1505-chateau-lacoste.asp</guid>
      <pubDate>Sat, 16 May 2015 12:00:00 -0400</pubDate>
      <link>https://www.architecturalrecord.com/articles/5915-collectors-edition-chateau-la-coste</link>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2015/images/05/1505-Chateau-Lacoste-1.webp?t=1455560704" type="image/jpeg" medium="image" fileSize="83321">
        <media:title type="plain">Chateau La Coste</media:title>
        <media:description type="plain">
	The V-shaped structure juts out over a shallow pond where Louise Bourgeois's 'Crouching Spider 6695' (2003) hovers.

	 

	Photo © Alan Karchmer
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2015/images/05/1505-Chateau-Lacoste-2.webp?t=1455560724" type="image/jpeg" medium="image" fileSize="119126">
        <media:title type="plain">Chateau La Coste</media:title>
        <media:description type="plain">
	The owner of Ch'teau La Coste, Patrick McKillen, asked Tadao Ando to figure out how to welcome visitors to the architecture and sculpture park and winery. Completed in 2011, Ando's discreet gateway directs guests to his art center.

	 

	Photo © Alan Karchmer
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2015/images/05/1505-Chateau-Lacoste-3.webp?t=1455560743" type="image/jpeg" medium="image" fileSize="68203">
        <media:title type="plain">Chateau La Coste</media:title>
        <media:description type="plain">
	Walkways with benches extend from Ando's poured-in-place concrete art center into the verdant landscape.

	 

	Photo © Alan Karchmer
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2015/images/05/1505-Chateau-Lacoste-4.webp?t=1455560762" type="image/jpeg" medium="image" fileSize="114428">
        <media:title type="plain">Chateau La Coste</media:title>
        <media:description type="plain">
	Nearby, Jean Nouvel designed two barrel-vaulted structures in 2008 that are connected underground. They employ a gravity-flow production process for the biodynamically grown grapes.

	 

	Photo © Alan Karchmer
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2015/images/05/1505-Chateau-Lacoste-5.webp?t=1455560785" type="image/jpeg" medium="image" fileSize="89635">
        <media:title type="plain">Chateau La Coste</media:title>
        <media:description type="plain">
	Ando discovered an old stone building nestled in a grove of trees and restored it in 2011 for a chapel enclosed with glass.

	 

	Photo © Alan Karchmer
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2015/images/05/1505-Chateau-Lacoste-6.webp?t=1455560818" type="image/jpeg" medium="image" fileSize="80603">
        <media:title type="plain">Chateau La Coste</media:title>
        <media:description type="plain">
	The Ch'teau acquired Frank Gehry's Serpentine Gallery pavilion in 2008 after it had been exhibited in London.

	 

	Photo © Alan Karchmer
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2015/images/05/1505-Chateau-Lacoste-7.webp?t=1455560836" type="image/jpeg" medium="image" fileSize="122495">
        <media:title type="plain">Chateau La Coste</media:title>
        <media:description type="plain">
	The Ch'teau acquired Frank Gehry's Serpentine Gallery pavilion in 2008 after it had been exhibited in London.

	 

	Photo © Alan Karchmer
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2015/images/05/1505-Chateau-Lacoste-8.webp?t=1455560860" type="image/jpeg" medium="image" fileSize="106207">
        <media:title type="plain">Chateau La Coste</media:title>
        <media:description type="plain">
	Designed for concerts, it is now surrounded by a grassy amphitheater. The Ch'teau also purchased two prefab structures that Jean Prouv' created in 1945 for refugee housing and placed them to face each other across a pool.

	 

	Photo © Alan Karchmer
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2015/images/05/1505-Chateau-Lacoste-11.webp?t=1455560880" type="image/jpeg" medium="image" fileSize="70215">
        <media:title type="plain">Chateau La Coste</media:title>
        <media:description type="plain">
	Ch'teau La Coste, Arts Center

	 

	Photo © Alan Karchmer
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2015/images/05/1505-Chateau-Lacoste-12.webp?t=1455560896" type="image/jpeg" medium="image" fileSize="60657">
        <media:title type="plain">Chateau La Coste</media:title>
        <media:description type="plain">
	Ch'teau La Coste, Arts Center

	 

	Photo © Alan Karchmer
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2015/images/05/1505-Chateau-Lacoste-13.webp?t=1455560914" type="image/jpeg" medium="image" fileSize="81343">
        <media:title type="plain">Chateau La Coste</media:title>
        <media:description type="plain">
	Ch'teau La Coste, Arts Center

	 

	Photo © Alan Karchmer
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2015/images/05/1505-Chateau-Lacoste-14.webp?t=1455560932" type="image/jpeg" medium="image" fileSize="110197">
        <media:title type="plain">Chateau La Coste</media:title>
        <media:description type="plain">
	Ch'teau La Coste, Chapel

	 

	Photo © Alan Karchmer
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2015/images/05/1505-Chateau-Lacoste-15.webp?t=1455560946" type="image/jpeg" medium="image" fileSize="118737">
        <media:title type="plain">Chateau La Coste</media:title>
        <media:description type="plain">
	Ch'teau La Coste, Serpentine Pavilion 2008

	 

	Photo © Alan Karchmer
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2015/images/05/1505-Chateau-Lacoste-16.webp?t=1455560961" type="image/jpeg" medium="image" fileSize="106584">
        <media:title type="plain">Chateau La Coste</media:title>
        <media:description type="plain">
	Ch'teau La Coste, Art and Architecture Library

	 

	Photo © Alan Karchmer
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2015/images/05/1505-Chateau-Lacoste-9.webp?t=1455560978" type="image/jpeg" medium="image" fileSize="59545">
        <media:title type="plain">Chateau La Coste</media:title>
        <media:description type="plain">
	Ch'teau La Coste, Arts Center model

	 

	Image courtesy Ch'teau La Coste
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2015/images/05/1505-Chateau-Lacoste-17.webp?t=1455560997" type="image/jpeg" medium="image" fileSize="53051">
        <media:title type="plain">Chateau La Coste</media:title>
        <media:description type="plain">
	Ch'teau La Coste, Arts Center model

	 

	Image courtesy Ch'teau La Coste
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2015/images/05/1505-Chateau-Lacoste-18.webp?t=1455561013" type="image/jpeg" medium="image" fileSize="123204">
        <media:title type="plain">Chateau La Coste</media:title>
        <media:description type="plain">
	Ch'teau La Coste, site plan

	 

	Image courtesy Ch'teau La Coste
</media:description>
      </media:content>
    </item>
    <item>
      <title>Mega Patron</title>
      <description>
        <![CDATA[<p>
	Eli Broad has his name on several buildings by high-profile architects, including The Broad in Los Angeles by Diller Scofidio + Renfro, opening this fall.</p>]]>
      </description>
      <guid>1505-mega-patron-eli-broad.asp</guid>
      <pubDate>Sat, 16 May 2015 12:00:00 -0400</pubDate>
      <link>https://www.architecturalrecord.com/articles/5916-mega-patron</link>
      <enclosure url="https://www.architecturalrecord.com/ext/resources/Issues/2015/May15/Eli-Broad.webp?t=1448035632" type="image/jpeg" length="32420"/>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2015/images/05/1505-Mega-Patron-Eli-Broad-1.webp?t=1455558727" type="image/jpeg" medium="image" fileSize="32420">
        <media:title type="plain">Mega Patron</media:title>
        <media:description type="plain">
	After building two separate billion-dollar businesses, Eli Broad (pictured here inside The Broad in Los Angeles during construction) turned his attention to giving.

	 

	Photo © Ryan Miller
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2015/images/05/1505-Mega-Patron-The-Broad-2.webp?t=1455558751" type="image/jpeg" medium="image" fileSize="77158">
        <media:title type="plain">Mega Patron</media:title>
        <media:description type="plain">
	Eli Broad has his name on several buildings by high-profile architects, including The Broad in Los Angeles by Diller Scofidio + Renfro, opening this fall.

	 

	Photo © Iwan Baan
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2015/images/05/1505-Mega-Patron-The-Broad-Contemporary-Art-Museum-3.webp?t=1455558770" type="image/jpeg" medium="image" fileSize="78544">
        <media:title type="plain">Mega Patron</media:title>
        <media:description type="plain">
	The Broad Contemporary Art Museum at LACMA by Renzo Piano.

	 

	Photo © 2008 Museum Associates/LACMA
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2015/images/05/1505-Mega-Patron-Eli-and-Edythe-Broad-Art-Museum-4.webp?t=1455558789" type="image/jpeg" medium="image" fileSize="90369">
        <media:title type="plain">Mega Patron</media:title>
        <media:description type="plain">
	The Eli and Edythe Broad Art Museum at Michigan State University by Zaha Hadid.

	 

	Photo © Brad Feinknopf
</media:description>
      </media:content>
    </item>
    <item>
      <title>The High Life</title>
      <author></author>
      <description>
        <![CDATA[<p>
	As you traverse the streets of Midtown Manhattan, the new skyscraper known as 432 Park Avenue pops in and out of view unexpectedly, hidden behind the Waldorf-Astoria at one moment, then looming menacingly over Lever House&#39;a giant watchtower of blindingly white concrete with the proportions of an elongated toothpaste box stood on end.&nbsp;</p>]]>
      </description>
      <guid>1505-the-high-life.asp</guid>
      <pubDate>Sat, 16 May 2015 12:00:00 -0400</pubDate>
      <link>https://www.architecturalrecord.com/articles/5919-the-high-life</link>
      <enclosure url="https://www.architecturalrecord.com/ext/resources/Issues/2015/May15/The-High-Life-1.webp?t=1448035513" type="image/jpeg" length="100443"/>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2015/images/05/1505-The-High-Life-1.webp?t=1456429088" type="image/jpeg" medium="image" fileSize="100443">
        <media:title type="plain">The High Life</media:title>
        <media:description type="plain">
	Renderings of Rafael Viñoly's 432 Park in the cityscape.

	 

	Image courtesy DBox for CIM Group, Macklowe Properties
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2015/images/05/1505-The-High-Life-2.webp?t=1455558887" type="image/jpeg" medium="image" fileSize="46932">
        <media:title type="plain">The High Life</media:title>
        <media:description type="plain">
	Rendering of exterior

	 

	Image courtesy DBox for CIM Group, Macklowe Properties
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2015/images/05/1505-The-High-Life-3.webp?t=1455558903" type="image/jpeg" medium="image" fileSize="50381">
        <media:title type="plain">The High Life</media:title>
        <media:description type="plain">
	Rendering of restaurant

	 

	Image courtesy DBox for CIM Group, Macklowe Properties
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2015/images/05/1505-The-High-Life-4.webp?t=1455558923" type="image/jpeg" medium="image" fileSize="31853">
        <media:title type="plain">The High Life</media:title>
        <media:description type="plain">
	Rendering of a bathroom

	 

	Image courtesy DBox for CIM Group, Macklowe Properties
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2015/images/05/1505-The-High-Life-5.webp?t=1455558938" type="image/jpeg" medium="image" fileSize="51418">
        <media:title type="plain">The High Life</media:title>
        <media:description type="plain">
	Rendering of a living room

	 

	Image courtesy DBox for CIM Group, Macklowe Properties
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2015/images/05/1505-The-High-Life-6.webp?t=1455558958" type="image/jpeg" medium="image" fileSize="39814">
        <media:title type="plain">The High Life</media:title>
        <media:description type="plain">
	Rendering of a breakfast bar

	 

	Image courtesy DBox for CIM Group, Macklowe Properties
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2015/images/05/1505-The-High-Life-7.webp?t=1455558987" type="image/jpeg" medium="image" fileSize="82161">
        <media:title type="plain">The High Life</media:title>
        <media:description type="plain">
	SHoP's 111 West 57th with One West 57th by Portzamparc (to the left and right in photo, respectively).

	 

	Image courtesy SHoP Architects
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2015/images/05/1505-The-High-Life-8.webp?t=1455559011" type="image/jpeg" medium="image" fileSize="72029">
        <media:title type="plain">The High Life</media:title>
        <media:description type="plain">
	Rendering of facade detail

	 

	Image courtesy SHoP Architects
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2015/images/05/1505-The-High-Life-9.webp?t=1455559029" type="image/jpeg" medium="image" fileSize="40661">
        <media:title type="plain">The High Life</media:title>
        <media:description type="plain">
	Rendering of helipad

	 

	Image courtesy Extell Development Corporation
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2015/images/05/1505-The-High-Life-10.webp?t=1455559048" type="image/jpeg" medium="image" fileSize="136252">
        <media:title type="plain">The High Life</media:title>
        <media:description type="plain">
	Rendering of helipad

	 

	Image courtesy Evan Joseph
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2015/images/05/1505-The-High-Life-11.webp?t=1455559071" type="image/jpeg" medium="image" fileSize="60916">
        <media:title type="plain">The High Life</media:title>
        <media:description type="plain">
	Rendering of helipad

	 

	Image courtesy Zaha Hadid Architects
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2015/images/05/1505-The-High-Life-12.webp?t=1455559088" type="image/jpeg" medium="image" fileSize="114899">
        <media:title type="plain">The High Life</media:title>
        <media:description type="plain">
	Rendering of helipad

	 

	Image courtesy Zaha Hadid Architects
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2015/images/05/1505-The-High-Life-13.webp?t=1455559107" type="image/jpeg" medium="image" fileSize="43618">
        <media:title type="plain">The High Life</media:title>
        <media:description type="plain">
	Rendering of balcony

	 

	Image courtesy Zaha Hadid Architects
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2015/images/05/1505-The-High-Life-14.webp?t=1455559125" type="image/jpeg" medium="image" fileSize="51265">
        <media:title type="plain">The High Life</media:title>
        <media:description type="plain">
	Rendering of pool

	 

	Image courtesy Zaha Hadid Architects
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2015/images/05/1505-The-High-Life-16.webp?t=1455559146" type="image/jpeg" medium="image" fileSize="33136">
        <media:title type="plain">The High Life</media:title>
        <media:description type="plain">
	Floor-to-ceiling glass with sweeping views of the city and beyond are a major amenity of the supertalls.

	 

	Image © MIR, courtesy Perkins+Will
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2015/images/05/1505-The-High-Life-17.webp?t=1455559163" type="image/jpeg" medium="image" fileSize="71323">
        <media:title type="plain">The High Life</media:title>
        <media:description type="plain">
	Floor-to-ceiling glass with sweeping views of the city and beyond are a major amenity of the supertalls.

	 

	Image © MIR, courtesy Perkins+Will
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2015/images/05/1505-The-High-Life-18.webp?t=1455559180" type="image/jpeg" medium="image" fileSize="80829">
        <media:title type="plain">The High Life</media:title>
        <media:description type="plain">
	Artist's rendering of the future skyline of Manhattan.

	 

	Image courtesy New York YIMBY
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2015/images/05/1505-The-High-Life-19.webp?t=1455559216" type="image/jpeg" medium="image" fileSize="54372">
        <media:title type="plain">The High Life</media:title>
        <media:description type="plain">
	Artist's rendering of the future skyline of Manhattan.

	 

	Image courtesy New York YIMBY
</media:description>
      </media:content>
    </item>
  </channel>
</rss>
