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    <title>Spotlight on Brazil</title>
    <description>
      <![CDATA[South America's largest country has long been home to a rich Modernist heritage. But under its 20-year military dictatorship and a later economic boom, that legacy was often obscured in the public realm. Now, as Brazil faces a slowing economy and pockets of civic discontent, it is stepping onto the global stage with next month's World Cup and the Summer Olympics in 2016. RECORD looks at the contemporary scene for design, planning, and infrastructure—and the opportunities and challenges for both local and international architects.]]>
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    <item>
      <title>Learning to Samba</title>
      <description>
        <![CDATA[<p>
	Occupying nearly half of the South American landmass and containing more than 50 percent of the continent&#39;s population, Brazil seems at first glance to be a market ripe for foreign architects.&nbsp;</p>]]>
      </description>
      <guid>1405-learning-to-samba.asp</guid>
      <pubDate>Fri, 16 May 2014 12:00:00 -0400</pubDate>
      <link>https://www.architecturalrecord.com/articles/5857-learning-to-samba</link>
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        <media:title type="plain">Iber' Carmargo Foundation</media:title>
        <media:description type="plain">
	Pritzker Prize' winning Portuguese architect 'lvaro Siza designed the Iber' Camargo Foundation in Porto Alegre, which opened in 2008.
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      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2014/Spotlight-on-Brazil/images/Learning-to-Samba-2.webp?t=1456771550" type="image/jpeg" medium="image" fileSize="51861">
        <media:title type="plain">Iber' Carmargo Foundation</media:title>
        <media:description type="plain">
	Le Corbusier helped oversee the Ministry of Education and Health Building in Rio, designed by a team including L'cio Costa and Affonso Eduardo Reidy, completed in 1943.
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2014/Spotlight-on-Brazil/images/Learning-to-Samba-3.webp?t=1456771561" type="image/jpeg" medium="image" fileSize="28013">
        <media:title type="plain">Iber' Carmargo Foundation</media:title>
        <media:description type="plain">
	Gensler has established itself in Brazil by working for tech companies such as Facebook and Intel, but it is also working on projects like a Wyndham hotel.

	Image courtesy Gensler
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      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2014/Spotlight-on-Brazil/images/Learning-to-Samba-4.webp?t=1456771574" type="image/jpeg" medium="image" fileSize="41048">
        <media:title type="plain">Iber' Carmargo Foundation</media:title>
        <media:description type="plain">
	AECOM won the job to design the master plan for the 2016 Olympic and Paralympic Park in Rio de Janeiro.

	 

	Image courtesy AECOM
</media:description>
      </media:content>
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        <media:title type="plain">Iber' Carmargo Foundation</media:title>
        <media:description type="plain">
	Davis Brody Bond worked with Levisky Arquitetos to turn a brownfield site in S'o Paulo into Victor Civita Plaza, where a wood deck sits above the contaminated soil.

	 

	Image courtesy Davis Brody Bond
</media:description>
      </media:content>
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        <media:title type="plain">Iber' Carmargo Foundation</media:title>
        <media:description type="plain">
	Working for the developer WTorre, Arquitectonica designed WTorre Plaza and the JK Iguatemi shopping mall in S'o Paulo.

	 

	Image courtesy Daniel Ducci
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2014/Spotlight-on-Brazil/images/Learning-to-Samba-7.webp?t=1456771615" type="image/jpeg" medium="image" fileSize="38771">
        <media:title type="plain">Iber' Carmargo Foundation</media:title>
        <media:description type="plain">
	]Inspired by Roberto Burle Marx's beach promenade, with its wavy-patterned pavers, Diller Scofidio + Renfro designed the Museum of Image and Sound in Rio as a vertical boulevard.

	 

	Image courtesy Diller Scofidio + Renfro
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      </media:content>
    </item>
    <item>
      <title>Lina Bo Bardi: Architect for the ages</title>
      <description>
        <![CDATA[<p>
	With the centenary of her birth this year, Italian-born Brazilian architect Lina Bo Bardi (1914&ndash;1992) is finally receiving the overdue international recognition she deserves.</p>]]>
      </description>
      <guid>1405-lina-bo-bardi.asp</guid>
      <pubDate>Fri, 16 May 2014 12:00:00 -0400</pubDate>
      <link>https://www.architecturalrecord.com/articles/5858-lina-bo-bardi-architect-for-the-ages</link>
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        <media:title type="plain">Lina Bo Bardi</media:title>
        <media:description type="plain">
	Lina Bo Bardi in the living room of her São Paulo home, Casa de Vidro, in 1991.

	 

	Photo © Nelson Kon
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2014/Spotlight-on-Brazil/images/Lina-Bo-Bardi-1.webp?t=1456771714" type="image/jpeg" medium="image" fileSize="45988">
        <media:title type="plain">Lina Bo Bardi</media:title>
        <media:description type="plain">
	Art workshops in S'o Paulo's SESC Pompeia Leisure Center occupy former industrial sheds.

	 

	Photo © Nelson Kon
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2014/Spotlight-on-Brazil/images/Lina-Bo-Bardi-2.webp?t=1456771729" type="image/jpeg" medium="image" fileSize="24949">
        <media:title type="plain">Lina Bo Bardi</media:title>
        <media:description type="plain">
	In 1986, Bo Bardi transformed a 1920s-era steel-barrel factory into the SESC Pompeia Leisure Center in São Paulo.

	 

	Photo © Nelson Kon
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2014/Spotlight-on-Brazil/images/Lina-Bo-Bardi-3.webp?t=1456771743" type="image/jpeg" medium="image" fileSize="39949">
        <media:title type="plain">Lina Bo Bardi</media:title>
        <media:description type="plain">
	The Museu de Arte de São Paulo, completed in 1968, comprises a 245-foot-long span above a public plaza along Avenida Paulista.

	 

	Photo © Nelson Kon
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      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2014/Spotlight-on-Brazil/images/Lina-Bo-Bardi-4.webp?t=1456771803" type="image/jpeg" medium="image" fileSize="77857">
        <media:title type="plain">Lina Bo Bardi</media:title>
        <media:description type="plain">
	Bo Bardi completed Casa de Vidro—the architect’s first built work—for herself and her husband in 1952. Located in São Paulo’s Morumbi neighborhood, the house rests on 10 columns and surrounds a courtyard.

	 

	Photo © Nelson Kon
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        <media:title type="plain">Lina Bo Bardi</media:title>
        <media:description type="plain">
	The Italian manufacturer Arper reissued Bo Bardi’s 1951 Bowl Chair late last year.

	 

	Photo © Nelson Kon
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2014/Spotlight-on-Brazil/images/Lina-Bo-Bardi-6.webp?t=1456771839" type="image/jpeg" medium="image" fileSize="12057">
        <media:title type="plain">Lina Bo Bardi</media:title>
        <media:description type="plain">
	Bo Bardi, who refused to furnish with sofas, designed a wood and canvas foldable chair in 1948.

	 

	Photo © Nelson Kon
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      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2014/Spotlight-on-Brazil/images/Lina-Bo-Bardi-8.webp?t=1456771860" type="image/jpeg" medium="image" fileSize="25836">
        <media:title type="plain">Lina Bo Bardi</media:title>
        <media:description type="plain">
	Completed in 1958, the Valéria P. Cirell House in São Paulo (a short walk from Bo Bardi’s own home) consists of two connected volumes surrounded by verandas. Inside, a tree trunk acts as a beam to support a mezzanine level, accessible by a spiral stair.

	 

	Photo © Nelson Kon
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      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2014/Spotlight-on-Brazil/images/Lina-Bo-Bardi-7.webp?t=1456772179" type="image/jpeg" medium="image" fileSize="34173">
        <media:title type="plain">Lina Bo Bardi</media:title>
        <media:description type="plain">
	A cylindrical guesthouse, La Torracia, was completed in 1964.

	 

	Photo © Nelson Kon
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2014/Spotlight-on-Brazil/images/Lina-Bo-Bardi-9.webp?t=1456772195" type="image/jpeg" medium="image" fileSize="54138">
        <media:title type="plain">Lina Bo Bardi</media:title>
        <media:description type="plain">
	In 1987, the city of Salvador commissioned Bo Bardi to revitalize a cluster of derelict buildings along a hillside. She maintained some of the existing structures and adapted them to create the Ladeira da Misericórdia Housing and Commercial Complex. The development included the Coati Restaurant, with its ribbed concrete motif.

	 

	Photo © Nelson Kon
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      </media:content>
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        <media:title type="plain">Lina Bo Bardi</media:title>
        <media:description type="plain">
	Bo Bardi completed another project, Cerrado Church, in the state of Minas Gerais, in 1982. Rather than design a single structure, the architect created three separate volumes to house a chapel, clergy house, and community hall.

	 

	Photo © Zeuler R. M. DE A. Lima
</media:description>
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    </item>
    <item>
      <title>Pedro Rivera</title>
      <author></author>
      <description>
        <![CDATA[<p>
	Pedro Rivera is a graduate of the architecture program at the Federal University in his native Rio de Janeiro.</p>]]>
      </description>
      <guid>1405-pedro-rivera.asp</guid>
      <pubDate>Fri, 16 May 2014 12:00:00 -0400</pubDate>
      <link>https://www.architecturalrecord.com/articles/5860-pedro-rivera</link>
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        <media:title type="plain">Pedro Rivera</media:title>
        <media:description type="plain">
	Pedro Rivera is a graduate of the architecture program at the Federal University in his native Rio de Janeiro. In 2008, with colleague Pedro Évora, he founded RUA Arquitetos in Rio. He is also a director of Studio-X Rio, part of Columbia University’s network of laboratories dedicated to rethinking the future of cities.

	 

	Photo © Tiago Petrik
</media:description>
      </media:content>
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        <media:title type="plain">Pedro Rivera</media:title>
        <media:description type="plain">
	A discussion at Rivera's Studio-X lab at Pra'a Tiradentes in downtown Rio.

	 

	Photo © Rua Arquitetos
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2014/Spotlight-on-Brazil/images/Pedro-Rivera-Jongo-da-Serrinha.webp?t=1456771328" type="image/jpeg" medium="image" fileSize="27856">
        <media:title type="plain">Pedro Rivera</media:title>
        <media:description type="plain">
	A proposal for the headquarters of nonprofit organization Jongo Da Serrinha will transform a warehouse into an education and cultural center in the Morro da Serrinha favela.

	 

	Photo © Photo © Rua Arquitetos
</media:description>
      </media:content>
    </item>
    <item>
      <title>Spotlight on Brazil</title>
      <author></author>
      <description>
        <![CDATA[<p>
	These are exciting times in Brazil. Next month, the country will host a party of global proportions when 12 of its cities stage soccer&#39;s World Cup.&nbsp;</p>]]>
      </description>
      <guid>1405-spotlight-on-brazil.asp</guid>
      <pubDate>Fri, 16 May 2014 12:00:00 -0400</pubDate>
      <link>https://www.architecturalrecord.com/articles/5862-spotlight-on-brazil</link>
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        <media:title type="plain">Brazil World Cup</media:title>
        <media:description type="plain">
	For the Museu de Arte do Rio, Bernardes &amp;amp; Jacobsen Arquitetura designed an undulating canopy to unite three buildings from different eras in downtown Rio de Janeiro.

	 

	Photo © Sergio Moraes/Reuters
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2014/Spotlight-on-Brazil/images/Museu-de-Arte-Do-Rio-2.webp?t=1456770657" type="image/jpeg" medium="image" fileSize="21450">
        <media:title type="plain">Brazil World Cup</media:title>
        <media:description type="plain">
	For the Museu de Arte do Rio, Bernardes &amp;amp; Jacobsen Arquitetura designed an undulating canopy to unite three buildings from different eras in downtown Rio de Janeiro.

	 

	Photo © Sergio Moraes/Reuters
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2014/Spotlight-on-Brazil/images/Estadio-Mineirao.webp?t=1456770689" type="image/jpeg" medium="image" fileSize="17499">
        <media:title type="plain">Brazil World Cup</media:title>
        <media:description type="plain">
	The Estadio Castel'o was renovated to host the FIFA World Cup 2014. Vigliecca &amp;amp; Associados overhauled the 1970s structure, which is located in Fortaleza.

	 

	Photo © Leonardo Finotti
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2014/Spotlight-on-Brazil/images/Estadio-Castelo.webp?t=1456770672" type="image/jpeg" medium="image" fileSize="13016">
        <media:title type="plain">Brazil World Cup</media:title>
        <media:description type="plain">
	The Estadio Mineir'o was renovated to host the FIFA World Cup 2014. Working with a schematic design by GPA&amp;amp;A and GMP, BCMF Arquitetos adapted this 1960s-era stadium in Belo Horizonte.

	 

	Photo © Leonardo Finotti
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2014/Spotlight-on-Brazil/images/Performing-Arts-Center-1.webp?t=1456770703" type="image/jpeg" medium="image" fileSize="49702">
        <media:title type="plain">Brazil World Cup</media:title>
        <media:description type="plain">
	In downtown São Paulo, local firm Brasil Arquitetura surrounded a historic conservatory with a plaza and a set of board-formed concrete buildings that contain Praça das Artes, a performing-arts center.

	 

	Photo © Leonardo Finotti
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2014/Spotlight-on-Brazil/images/Performing-Arts-Center-2.webp?t=1456770720" type="image/jpeg" medium="image" fileSize="23068">
        <media:title type="plain">Brazil World Cup</media:title>
        <media:description type="plain">
	In downtown São Paulo, local firm Brasil Arquitetura surrounded a historic conservatory with a plaza and a set of board-formed concrete buildings that contain Praça das Artes, a performing-arts center.

	 

	Photo © Leonardo Finotti
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2014/Spotlight-on-Brazil/images/Performing-Arts-Center-3.webp?t=1456770735" type="image/jpeg" medium="image" fileSize="31634">
        <media:title type="plain">Brazil World Cup</media:title>
        <media:description type="plain">
	In downtown São Paulo, local firm Brasil Arquitetura surrounded a historic conservatory with a plaza and a set of board-formed concrete buildings that contain Praça das Artes, a performing-arts center.

	 

	Photo © Leonardo Finotti
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2014/Spotlight-on-Brazil/images/Jardim-Edite-Social-Housing.webp?t=1456770753" type="image/jpeg" medium="image" fileSize="46592">
        <media:title type="plain">Brazil World Cup</media:title>
        <media:description type="plain">
	Last year, MMBB, in partnership with H+F Arquitetos, transformed a São Paulo favela into the Jardim Edite social housing. The complex, which houses more than 250 families, consists of three 17-story towers alongside two five-story blocks.

	 

	Photo © Leonardo Finotti
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2014/Spotlight-on-Brazil/images/The-Brasiliana-library-1.webp?t=1456770769" type="image/jpeg" medium="image" fileSize="26088">
        <media:title type="plain">Brazil World Cup</media:title>
        <media:description type="plain">
	The Brasiliana Library, designed by Rodrigo Mindlin Loeb Arquitetura and Eduardo Riesenkampf de Almeida for the University of São Paulo campus in 2013, houses one of the largest private book collections in the world.

	 

	Photo © Leonardo Finotti
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2014/Spotlight-on-Brazil/images/The-Brasiliana-library-2.webp?t=1456770786" type="image/jpeg" medium="image" fileSize="43178">
        <media:title type="plain">Brazil World Cup</media:title>
        <media:description type="plain">
	The Brasiliana Library, designed by Rodrigo Mindlin Loeb Arquitetura and Eduardo Riesenkampf de Almeida for the University of São Paulo campus in 2013, houses one of the largest private book collections in the world.

	 

	Photo © Leonardo Finotti
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2014/Spotlight-on-Brazil/images/The-Brasiliana-library-3.webp?t=1456770801" type="image/jpeg" medium="image" fileSize="22858">
        <media:title type="plain">Brazil World Cup</media:title>
        <media:description type="plain">
	The Brasiliana Library, designed by Rodrigo Mindlin Loeb Arquitetura and Eduardo Riesenkampf de Almeida for the University of São Paulo campus in 2013, houses one of the largest private book collections in the world.

	 

	Photo © Nelson Kon
</media:description>
      </media:content>
    </item>
    <item>
      <title>Angelo Bucci</title>
      <author></author>
      <description>
        <![CDATA[<p>
	Angelo Bucci has run the SPBR office in S&#39;o Paulo since 2003. He became one of the most prominent members of the young generation of architects to emerge following the end of Brazil&#39;s military dictatorship after he won, along with lvaro Puntoni and Jos Oswaldo Vilela&#39;s public competition to design the Brazil pavilion at the 1992 Seville Expo, one of the first major civic projects following the return of democracy. For political reasons, the pavilion was not built.</p>]]>
      </description>
      <guid>1405-angelo-bucci.asp</guid>
      <pubDate>Fri, 16 May 2014 12:00:00 -0400</pubDate>
      <link>https://www.architecturalrecord.com/articles/5852-angelo-bucci</link>
    </item>
    <item>
      <title>Arthur Casas</title>
      <author></author>
      <description>
        <![CDATA[<p>
	Arthur Casas is a graduate of the renowned architectural program at Mackenzie University in S&atilde;o Paulo and an heir to the city&#39;s Modernist traditions. While he is one of Brazil&#39;s most sought-after residential designers, his work also includes larger multi&#39;family, commercial, and institutional projects.&nbsp;</p>]]>
      </description>
      <guid>1405-arthur-casas.asp</guid>
      <pubDate>Fri, 16 May 2014 12:00:00 -0400</pubDate>
      <link>https://www.architecturalrecord.com/articles/5853-arthur-casas</link>
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        <media:title type="plain">Arthur Casas</media:title>
        <media:description type="plain">
	Arthur Casas is a graduate of the renowned architectural program at Mackenzie University in São Paulo and an heir to the city’s Modernist traditions. While he is one of Brazil’s most sought-after residential designers, his work also includes larger multi­family, commercial, and institutional projects.

	 

	Photo © Ancar Barcalla
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2014/Spotlight-on-Brazil/images/Arthur-Casas-Mistral-Wine-Store.webp?t=1456772626" type="image/jpeg" medium="image" fileSize="21846">
        <media:title type="plain">Arthur Casas</media:title>
        <media:description type="plain">
	Mistral wine store in São Paulo takes its cues from undulating wood-lath walls.

	 

	Photo © Fernando Guerra
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2014/Spotlight-on-Brazil/images/Arthur-Casas-Casa-Itu.webp?t=1456772646" type="image/jpeg" medium="image" fileSize="23794">
        <media:title type="plain">Arthur Casas</media:title>
        <media:description type="plain">
	A private house, Casa Itu, abuts a small lake outside the city.

	 

	Photo © Fernando Guerra
</media:description>
      </media:content>
    </item>
    <item>
      <title>Exercise in Design</title>
      <author></author>
      <description>
        <![CDATA[<p>
	Tucked between lushly vegetated sand dunes and the Atlantic Ocean, the M&atilde;e Luiza favela spills out from the fringes of Natal, a city of 800,000 people in northeastern Brazil.&nbsp;</p>]]>
      </description>
      <guid>1405-exercise-in-design.asp</guid>
      <pubDate>Fri, 16 May 2014 12:00:00 -0400</pubDate>
      <link>https://www.architecturalrecord.com/articles/5854-exercise-in-design</link>
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        <media:title type="plain">Herzog &amp; de Meuron</media:title>
        <media:description type="plain">
	Herzog &amp;amp; de Meuron shapes a welcome recreation center in a tight-knit favela community.

	 

	Photo © Iwan Baan
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2014/Spotlight-on-Brazil/images/Excercise-in-Design-2.webp?t=1456773064" type="image/jpeg" medium="image" fileSize="29840">
        <media:title type="plain">Herzog &amp; de Meuron</media:title>
        <media:description type="plain">
	Inside this gymnasium, integrated concrete seating that can accommodate up to 420 fans lines the perimeter of an indoor athletic field.

	 

	Photo © Iwan Baan
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2014/Spotlight-on-Brazil/images/Excercise-in-Design-3.webp?t=1456773322" type="image/jpeg" medium="image" fileSize="31023">
        <media:title type="plain">Herzog &amp; de Meuron</media:title>
        <media:description type="plain">
	Specially developed concrete block allows for permeable, see-through walls.

	 

	Photo © Iwan Baan
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2014/Spotlight-on-Brazil/images/Excercise-in-Design-4.webp?t=1456773338" type="image/jpeg" medium="image" fileSize="41295">
        <media:title type="plain">Herzog &amp; de Meuron</media:title>
        <media:description type="plain">
	A peaked roof of insulated corrugated aluminum spreads out above the entire structure. The panels overlap, letting in ocean breezes, but keeping rain out.

	 

	Photo © Iwan Baan
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/archives/features/2014/Spotlight-on-Brazil/images/Excercise-in-Design-5.webp?t=1456773356" type="image/jpeg" medium="image" fileSize="53956">
        <media:title type="plain">Herzog &amp; de Meuron</media:title>
        <media:description type="plain">
	Arena do Morro, a pro bono project by Herzog &amp;amp; de Meuron, occupies a wedge-shaped site between sand dunes and ocean in the M'e Luiza favela in Natal, Brazil.

	 

	Photo © Iwan Baan
</media:description>
      </media:content>
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