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    <title>Field Operations</title>
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      <title>Lever Architecture and Field Operations Marries the Pastoral to the Corporate for NBCUniversal’s L.A. Campus</title>
      <description>
        <![CDATA[Within a reimagined Hollywood headquarters, the founders of The LADG question architecture’s role to render safe the interaction between industry and humanity.]]>
      </description>
      <guid>http://www.architecturalrecord.com/articles/17305</guid>
      <pubDate>Mon, 13 Jan 2025 00:31:12 -0500</pubDate>
      <link>https://www.architecturalrecord.com/articles/17305-lever-architecture-and-field-operations-marries-the-pastoral-to-the-corporate-for-nbcuniversals-la-campus</link>
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      <title>Field Operations Tackles A 'Wild and Strange" Park on Staten Island</title>
      <description>
        <![CDATA[One of five ongoing landscape interventions in the Freshkills Park masterplan, North Park transforms a sprawling former municipal landfill into open public space.]]>
      </description>
      <guid>http://www.architecturalrecord.com/articles/16670</guid>
      <pubDate>Mon, 08 Jan 2024 00:04:00 -0500</pubDate>
      <link>https://www.architecturalrecord.com/articles/16670-field-operations-tackles-a-wild-and-strange-park-on-staten-island</link>
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      <title>Manhattan Gains an Elevated Pedestrian Path Linking the High Line with Moynihan Train Hall</title>
      <description>
        <![CDATA[<p>Designed by SOM and James Corner Field Operations, the dual-bridge High Line – Moynihan Connector marks the latest chapter in the ongoing development of the Far West Side.</p>]]>
      </description>
      <guid>http://www.architecturalrecord.com/articles/16339</guid>
      <pubDate>Fri, 23 Jun 2023 08:21:03 -0400</pubDate>
      <link>https://www.architecturalrecord.com/articles/16339-manhattan-gains-an-elevated-pedestrian-path-linking-the-high-line-with-moynihan-train-hall</link>
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      <title>Dallas Museum of Art Announces Shortlist for International Design Competition</title>
      <description>
        <![CDATA[The six newly announced finalist teams will participate in a public forum in May ahead of showcasing their plans to revamp the Texas institution at an exhibition this summer.]]>
      </description>
      <guid>http://www.architecturalrecord.com/articles/16230</guid>
      <pubDate>Thu, 27 Apr 2023 17:27:28 -0400</pubDate>
      <link>https://www.architecturalrecord.com/articles/16230-dallas-museum-of-art-announces-shortlist-for-international-design-competition</link>
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        <media:description type="plain">Dallas Museum of Art (in July 2015), edited. Photo by Michael Barera, CC BY-SA 4.0, https: creativecommons.org licenses by-sa 4.0, via Wikimedia Commons</media:description>
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      <media:content url="https://www.architecturalrecord.com/ext/resources/news/2023/April/Dallas-Museum-of-Art/Dallas-Museum-of-Art-Finalists-1.webp?t=1682963058" type="image/jpeg" medium="image" fileSize="393621">
        <media:title type="plain">Dallas-Museum-of-Art-Finalists-1.jpg</media:title>
        <media:description type="plain">Dallas Museum of Art. Photo by arcticpenguin, via Flickr</media:description>
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      <title>OMA Completes “Yin and Yang” Towers on the Brooklyn Waterfront</title>
      <description>
        <![CDATA[The residential project for Brookfield comprises two buildings that juxtapose setbacks with improbable cantilevers.]]>
      </description>
      <guid>http://www.architecturalrecord.com/articles/15987</guid>
      <pubDate>Mon, 19 Dec 2022 13:32:52 -0500</pubDate>
      <link>https://www.architecturalrecord.com/articles/15987-oma-completes-yin-and-yang-towers-on-the-brooklyn-waterfront</link>
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        <media:description type="plain">OMA's project in Brooklyn's Greenpoint neighborhood consists of two high-rises with a seven-story midrise sandwiched between them. Photo by Jason O'Rear</media:description>
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      <media:content url="https://www.architecturalrecord.com/ext/resources/news/2022/December/OMA-Greenpoint/OMA-Greenpoint-1.webp?t=1671472887" type="image/jpeg" medium="image" fileSize="213384">
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        <media:description type="plain">There are four cantilevers of 24 feet each on the Eagle tower. Photo by Jason O'Rear</media:description>
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      <media:content url="https://www.architecturalrecord.com/ext/resources/news/2022/December/OMA-Greenpoint/OMA-Greenpoint-3.webp?t=1671472897" type="image/webp" medium="image" fileSize="145356">
        <media:title type="plain">OMA-Greenpoint-3.webp</media:title>
        <media:description type="plain">Eight by eight feet windows offer commanding views from the apartments. Photo by John Cole</media:description>
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      <media:content url="https://www.architecturalrecord.com/ext/resources/news/2022/December/OMA-Greenpoint/OMA-Greenpoint-4.webp?t=1671473841" type="image/webp" medium="image" fileSize="112398">
        <media:title type="plain">OMA-Greenpoint-4.webp</media:title>
        <media:description type="plain">Generous amenity spaces feature ceiling heights of up to 30 feet. Photo by Jason O'Rear</media:description>
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      <title>Nicollet Mall in Minneapolis</title>
      <description>
        <![CDATA[<p>At the heart of the Minnesota mall, pedestrians might gather, find respite, or take a selfie underneath the LEDs.</p>]]>
      </description>
      <guid>http://www.architecturalrecord.com/articles/14200</guid>
      <pubDate>Mon, 12 Aug 2019 09:00:00 -0400</pubDate>
      <link>https://www.architecturalrecord.com/articles/14200-nicollet-mall-in-minneapolis</link>
      <enclosure url="https://www.architecturalrecord.com/ext/resources/Issues/2019/08-August/Lighting/Nicollet-Mall/1908-OutdoorLighting-Nicolet-Mall-01.webp?t=1564409134" type="image/jpeg" length="127207"/>
      <media:content url="https://www.architecturalrecord.com/ext/resources/Issues/2019/08-August/Lighting/Nicollet-Mall/1908-OutdoorLighting-Nicolet-Mall-01.webp?t=1564409134" type="image/jpeg" medium="image" fileSize="127207">
        <media:description type="plain">The design team created welcoming public spaces: a reading “room” (shown) with floor-lamp-style fixtures, and a two-block-long mirror-topped trellis outlined with light.

Photo © John Muggenborg</media:description>
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      <media:content url="https://www.architecturalrecord.com/ext/resources/Issues/2019/08-August/Lighting/Nicollet-Mall/1908-OutdoorLighting-Nicolet-Mall-02.webp?t=1564409053" type="image/jpeg" medium="image" fileSize="132986">
        <media:description type="plain">The design team created welcoming public spaces: a reading “room” with floor-lamp-style fixtures, and a two-block-long mirror-topped trellis (shown) outlined with light.

Photo © John Muggenborg
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      <media:content url="https://www.architecturalrecord.com/ext/resources/Issues/2019/08-August/Lighting/Nicollet-Mall/1908-OutdoorLighting-Nicolet-Mall-03.webp?t=1564409086" type="image/jpeg" medium="image" fileSize="76314">
        <media:description type="plain">Street poles feature color-changing beacons, small floodlights, and sculptural lanterns.

Photo © John Muggenborg
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      <media:content url="https://www.architecturalrecord.com/ext/resources/Issues/2019/08-August/Lighting/Nicollet-Mall/1908-OutdoorLighting-Nicolet-Mall-04.webp?t=1564409123" type="image/jpeg" medium="image" fileSize="60608">
        <media:description type="plain">Photo © John Muggenborg
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    <item>
      <title>Lush Hillock and Public-Art Plinth Culminate NYC’s High Line</title>
      <description>
        <![CDATA[<p>The Spur has just opened on the south edge of Hudson Yards.</p>]]>
      </description>
      <guid>http://www.architecturalrecord.com/articles/14130</guid>
      <pubDate>Fri, 07 Jun 2019 09:00:00 -0400</pubDate>
      <link>https://www.architecturalrecord.com/articles/14130-lush-hillock-and-public-art-plinth-culminate-nycs-high-line</link>
      <enclosure url="https://www.architecturalrecord.com/ext/resources/news/2019/06-June/High-Line-Updated/High-Line-01.webp?t=1559866736" type="image/jpeg" length="172136"/>
      <media:content url="https://www.architecturalrecord.com/ext/resources/news/2019/06-June/High-Line-Updated/High-Line-01.webp?t=1559866736" type="image/jpeg" medium="image" fileSize="172136">
        <media:description type="plain">“Brick House” by Simone Leigh, is a monumental bronze bust of an African-American woman presiding above the traffic-clogged cacophony of 10th Avenue.

Photo © Timothy Schenck</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/news/2019/06-June/High-Line-Updated/High-Line-02.webp?t=1559866784" type="image/jpeg" medium="image" fileSize="190049">
        <media:description type="plain">A passage through the piers culminates in a mass of trees planted on a steeply sloped hillock. As it continues, it slices through the hillock, walled by thick sheets of weathering steel.

Photo © Timothy Schenck
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/news/2019/06-June/High-Line-Updated/High-Line-03.webp?t=1559866818" type="image/jpeg" medium="image" fileSize="35849">
        <media:description type="plain">Delicate wood-floored balconies project over the sidewalk below, offering kaleidoscopic views of the surroundings and a look back along the original High Line.

Photo © Liz Ligon
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/news/2019/06-June/High-Line-Updated/High-Line-04.webp?t=1559866873" type="image/jpeg" medium="image" fileSize="105450">
        <media:description type="plain">The monumental broze bust sits in a surprisingly welcome open plaza.

Photo © Liz Ligon
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/news/2019/06-June/High-Line-Updated/High-Line-05.webp?t=1559866899" type="image/jpeg" medium="image" fileSize="109038">
        <media:description type="plain">The entire 1.4-mile park, with its elevated vistas of the surrounding city, draws millions of visitors every year to the improbable wild garden planted on the old viaduct.

Photo © Liz Ligon
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    <item>
      <title>Shelby Farms Park by James Corner Field Operations and Marlon Blackwell Architects</title>
      <description>
        <![CDATA[<p>A central grouping of buildings creates a gateway and support system for 4,500 acres of parkland in Memphis.</p>]]>
      </description>
      <guid>http://www.architecturalrecord.com/articles/13576</guid>
      <pubDate>Wed, 01 Aug 2018 08:00:00 -0400</pubDate>
      <link>https://www.architecturalrecord.com/articles/13576-shelby-farms-park-by-james-corner-field-operations-and-marlon-blackwell-architects</link>
      <enclosure url="https://www.architecturalrecord.com/ext/resources/Issues/2018/August/Building-Type-Studies/Shelby-Farms-Park/1808-James-Corner-Field-Operations-Marlon-Blackwell-Architects-Memphis-Shelby-Farms-Park-01.webp?t=1532615654" type="image/jpeg" length="468459"/>
      <media:content url="https://www.architecturalrecord.com/ext/resources/Issues/2018/August/Building-Type-Studies/Shelby-Farms-Park/1808-James-Corner-Field-Operations-Marlon-Blackwell-Architects-Memphis-Shelby-Farms-Park-01.webp?t=1532615654" type="image/jpeg" medium="image" fileSize="468459">
        <media:description type="plain">As the final piece of a transformative master plan for the larger nature and recreation area, the 275-acre Heart of the Park developed as a procession of structures along the expanded Hyde Lake.

Photo © Timothy Hursley</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/Issues/2018/August/Building-Type-Studies/Shelby-Farms-Park/1808-James-Corner-Field-Operations-Marlon-Blackwell-Architects-Memphis-Shelby-Farms-Park-02.webp?t=1533143654" type="image/jpeg" medium="image" fileSize="468988">
        <media:description type="plain">Photo © Timothy Hursley</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/Issues/2018/August/Building-Type-Studies/Shelby-Farms-Park/1808-James-Corner-Field-Operations-Marlon-Blackwell-Architects-Memphis-Shelby-Farms-Park-03.webp?t=1532615411" type="image/jpeg" medium="image" fileSize="347199">
        <media:description type="plain">A picnic pavilion is little more than a standing-seam roof on a steel frame.

Photo © Timothy Hursley
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/Issues/2018/August/Building-Type-Studies/Shelby-Farms-Park/1808-James-Corner-Field-Operations-Marlon-Blackwell-Architects-Memphis-Shelby-Farms-Park-04.webp?t=1532615438" type="image/jpeg" medium="image" fileSize="394831">
        <media:description type="plain">For the boathouse, aluminum bar grating forms a ventilated vitrine for kayaks.

Photo © Timothy Hursley
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/Issues/2018/August/Building-Type-Studies/Shelby-Farms-Park/1808-James-Corner-Field-Operations-Marlon-Blackwell-Architects-Memphis-Shelby-Farms-Park-05.webp?t=1532615465" type="image/jpeg" medium="image" fileSize="355767">
        <media:description type="plain">The same material clads the visitors center, exposing the structure above the cantilever, which shades a deep porch.

Photo © Timothy Hursley
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/Issues/2018/August/Building-Type-Studies/Shelby-Farms-Park/1808-James-Corner-Field-Operations-Marlon-Blackwell-Architects-Memphis-Shelby-Farms-Park-06.webp?t=1533143676" type="image/jpeg" medium="image" fileSize="383223">
        <media:description type="plain">Aluminum bar grating clads the visitors center, exposing the structure above the cantilever, which shades a deep porch.

Photo © Timothy Hursley
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/Issues/2018/August/Building-Type-Studies/Shelby-Farms-Park/1808-James-Corner-Field-Operations-Marlon-Blackwell-Architects-Memphis-Shelby-Farms-Park-07.webp?t=1532615508" type="image/jpeg" medium="image" fileSize="431077">
        <media:description type="plain">Visitors exercise on and around Hyde Lake.

Photo © Timothy Hursley
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/Issues/2018/August/Building-Type-Studies/Shelby-Farms-Park/1808-James-Corner-Field-Operations-Marlon-Blackwell-Architects-Memphis-Shelby-Farms-Park-08.webp?t=1532615545" type="image/jpeg" medium="image" fileSize="294790">
        <media:description type="plain">All the new buildings function as porches. The metal-clad and cypress-lined stage pavilion provides shade even when it is not hosting events for audiences as large as 20,000 on the lakeside lawn.

Photo © Timothy Hursley
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/Issues/2018/August/Building-Type-Studies/Shelby-Farms-Park/1808-James-Corner-Field-Operations-Marlon-Blackwell-Architects-Memphis-Shelby-Farms-Park-09.webp?t=1532615572" type="image/jpeg" medium="image" fileSize="403900">
        <media:description type="plain">The building that holds the Kitchen restaurant and event space employs the same materials, as well as stone, for its spacious open-air dining room.

Photo © Timothy Hursley
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/Issues/2018/August/Building-Type-Studies/Shelby-Farms-Park/1808-James-Corner-Field-Operations-Marlon-Blackwell-Architects-Memphis-Shelby-Farms-Park-10.webp?t=1533313201" type="image/jpeg" medium="image" fileSize="68572">
        <media:title type="plain">1808-James-Corner-Field-Operations-Marlon-Blackwell-Architects-Memphis-Shelby-Farms-Park-10.jpg</media:title>
        <media:description type="plain">Photo © Timothy Hursley</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/Issues/2018/August/Building-Type-Studies/Shelby-Farms-Park/1808-James-Corner-Field-Operations-Marlon-Blackwell-Architects-Memphis-Shelby-Farms-Park-11.webp?t=1533313239" type="image/jpeg" medium="image" fileSize="83745">
        <media:title type="plain">1808-James-Corner-Field-Operations-Marlon-Blackwell-Architects-Memphis-Shelby-Farms-Park-11.jpg</media:title>
        <media:description type="plain">Photo © Timothy Hursley</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/Issues/2018/August/Building-Type-Studies/Shelby-Farms-Park/1808-James-Corner-Field-Operations-Marlon-Blackwell-Architects-Memphis-Shelby-Farms-Park-12.webp?t=1533313265" type="image/jpeg" medium="image" fileSize="88076">
        <media:title type="plain">1808-James-Corner-Field-Operations-Marlon-Blackwell-Architects-Memphis-Shelby-Farms-Park-12.jpg</media:title>
        <media:description type="plain">Photo © Timothy Hursley</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/Issues/2018/August/Building-Type-Studies/Shelby-Farms-Park/1808-James-Corner-Field-Operations-Marlon-Blackwell-Architects-Memphis-Shelby-Farms-Park-13.webp?t=1533313290" type="image/jpeg" medium="image" fileSize="60091">
        <media:title type="plain">1808-James-Corner-Field-Operations-Marlon-Blackwell-Architects-Memphis-Shelby-Farms-Park-13.jpg</media:title>
        <media:description type="plain">Photo © Timothy Hursley</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/Issues/2018/August/Building-Type-Studies/Shelby-Farms-Park/1808-James-Corner-Field-Operations-Marlon-Blackwell-Architects-Memphis-Shelby-Farms-Park-14.webp?t=1533313317" type="image/jpeg" medium="image" fileSize="198455">
        <media:title type="plain">1808-James-Corner-Field-Operations-Marlon-Blackwell-Architects-Memphis-Shelby-Farms-Park-14.jpg</media:title>
        <media:description type="plain">Photo © Timothy Hursley</media:description>
      </media:content>
    </item>
    <item>
      <title>Domino Park by James Corner Field Operations</title>
      <author></author>
      <description>
        <![CDATA[<p>A waterfront park on the site of an abandoned sugar factory pumps up a once barren post-industrial neighborhood in New York.</p>]]>
      </description>
      <guid>http://www.architecturalrecord.com/articles/13586</guid>
      <pubDate>Wed, 01 Aug 2018 07:59:00 -0400</pubDate>
      <link>https://www.architecturalrecord.com/articles/13586-domino-park-by-james-corner-field-operations</link>
      <enclosure url="https://www.architecturalrecord.com/ext/resources/Issues/2018/August/Building-Type-Studies/Domino-Park/1808-James-Corner-Field-Operations-Brooklyn-New-York-Domino-Park-04.webp?t=1532980527" type="image/jpeg" length="633364"/>
      <media:content url="https://www.architecturalrecord.com/ext/resources/Issues/2018/August/Building-Type-Studies/Domino-Park/1808-James-Corner-Field-Operations-Brooklyn-New-York-Domino-Park-01.webp?t=1532980567" type="image/jpeg" medium="image" fileSize="242043">
        <media:description type="plain">Inaccessible to New Yorkers for over a century, the erstwhile Domino Sugar plant’s sweeping waterfront now connects to the neighborhood. JCFO transformed the once dilapidated pier into a quarter-mile long esplanade anchored by the original 1882 refinery building.

Photo © Daniel Levin</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/Issues/2018/August/Building-Type-Studies/Domino-Park/1808-James-Corner-Field-Operations-Brooklyn-New-York-Domino-Park-02.webp?t=1532980470" type="image/jpeg" medium="image" fileSize="632164">
        <media:description type="plain">Salvaged factory artifacts are woven into the fabric of the park, which features nearly 175 different species of trees.

Photo © Daniel Levin
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/Issues/2018/August/Building-Type-Studies/Domino-Park/1808-James-Corner-Field-Operations-Brooklyn-New-York-Domino-Park-03.webp?t=1532980506" type="image/jpeg" medium="image" fileSize="409939">
        <media:description type="plain">The park is rooted in the site’s industrial past. Two gantry cranes signal the park’s presence and serve as the base of an elevated promenade, a reference to the catwalks connecting the original factory buildings.

Photo © Daniel Levin
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/Issues/2018/August/Building-Type-Studies/Domino-Park/1808-James-Corner-Field-Operations-Brooklyn-New-York-Domino-Park-04.webp?t=1532980527" type="image/jpeg" medium="image" fileSize="633364">
        <media:description type="plain">The walkway is supported by steel columns from the demolished Raw Sugar Warehouse.

Photo © Daniel Levin
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/Issues/2018/August/Building-Type-Studies/Domino-Park/1808-James-Corner-Field-Operations-Brooklyn-New-York-Domino-Park-05.webp?t=1532980551" type="image/jpeg" medium="image" fileSize="80651">
        <media:description type="plain">Image courtesy James Corner Field Operations
</media:description>
      </media:content>
    </item>
    <item>
      <title>Williamsburg’s New Domino Park Opens This Weekend</title>
      <author></author>
      <description>
        <![CDATA[<p>The much-anticipated park, designed by James Corner Field Operations, will open six acres of the Brooklyn waterfront to the public.</p>]]>
      </description>
      <guid>http://www.architecturalrecord.com/articles/13479</guid>
      <pubDate>Wed, 06 Jun 2018 11:56:00 -0400</pubDate>
      <link>https://www.architecturalrecord.com/articles/13479-williamsburgs-new-domino-park-opens-this-weekend</link>
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        <media:description type="plain">Photo © Daniel Levin</media:description>
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        <media:description type="plain">Photo © Daniel Levin
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        <media:description type="plain">Photo © Daniel Levin
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        <media:description type="plain">Photo © Daniel Levin
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/news/2018/06-June/Domino-Park/Domino-Sugar-05.webp?t=1528300174" type="image/jpeg" medium="image" fileSize="78806">
        <media:description type="plain">Photo © Daniel Levin
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/news/2018/06-June/Domino-Park/Domino-Sugar-06.webp?t=1528300200" type="image/jpeg" medium="image" fileSize="68558">
        <media:description type="plain">Photo © Daniel Levin
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/news/2018/06-June/Domino-Park/Domino-Sugar-07.webp?t=1528300230" type="image/jpeg" medium="image" fileSize="131358">
        <media:description type="plain">Photo © Daniel Levin
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      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/news/2018/06-June/Domino-Park/Domino-Sugar-08.webp?t=1528300246" type="image/jpeg" medium="image" fileSize="67572">
        <media:description type="plain">Photo © Daniel Levin
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        <media:description type="plain">Photo © Daniel Levin
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      <title>Dark-Sky Design: The High Line</title>
      <author>goncharj@bnpmedia.com (Joann Gonchar, FAIA)</author>
      <description>
        <![CDATA[<p>
	&ldquo;The idea was to create a ribbon in the middle of the canyon,&rdquo; says Herv&eacute; Descottes, principal of L&rsquo;Observatoire International, about the High Line project.</p>]]>
      </description>
      <guid>http://www.architecturalrecord.com/articles/11820</guid>
      <pubDate>Mon, 01 Aug 2016 09:00:00 -0400</pubDate>
      <link>https://www.architecturalrecord.com/articles/11820-dark-sky-design-the-high-line</link>
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      <media:content url="https://www.architecturalrecord.com/ext/resources/Issues/2016/August/1608-AR-Continuing-Education-Dark-Sky-Design-01.webp?t=1469476096" type="image/jpeg" medium="image" fileSize="131734">
        <media:description type="plain">
	The High Line | Diller Scofidio + Renfro

	Photo © Studio Dubuisson
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/Issues/2016/August/1608-AR-Continuing-Education-Dark-Sky-Design-02.webp?t=1469476136" type="image/jpeg" medium="image" fileSize="83158">
        <media:description type="plain">
	Photo © Studio Dubuisson
</media:description>
      </media:content>
    </item>
    <item>
      <title>Dark-Sky Design: Queen Elizabeth Olympic Park</title>
      <author>goncharj@bnpmedia.com (Joann Gonchar, FAIA)</author>
      <description>
        <![CDATA[<p>
	After the London 2012 Summer Olympics, lighting design firms Speirs + Major and Michael Grubb Studio worked with landscape architect James Corner Field Operations to transform what had been an open concourse in the Olympic Park into a 1,600-foot-long promenade.</p>]]>
      </description>
      <guid>http://www.architecturalrecord.com/articles/11818</guid>
      <pubDate>Mon, 01 Aug 2016 09:00:00 -0400</pubDate>
      <link>https://www.architecturalrecord.com/articles/11818-dark-sky-design-queen-elizabeth-olympic-park</link>
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      <media:content url="https://www.architecturalrecord.com/ext/resources/Issues/2016/August/continuing-education/1608-Continuing-Education-Dark-Sky-Design-06.webp?t=1469460283" type="image/jpeg" medium="image" fileSize="115328">
        <media:description type="plain">
	Queen Elizabeth Olympic Park | Speirs + Major &amp;amp; Michael Grubb Studio

	Photo © James Newton
</media:description>
      </media:content>
      <media:content url="https://www.architecturalrecord.com/ext/resources/Issues/2016/August/continuing-education/1608-Continuing-Education-Dark-Sky-Design-07.webp?t=1469208734" type="image/jpeg" medium="image" fileSize="47854">
        <media:description type="plain">
	Photo © James Newton
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