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    <title>Marcel Breuer</title>
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      <title>A Breuer-Designed IBM Complex Finds New Life as a Floridian Tech Campus</title>
      <author></author>
      <description>
        <![CDATA[The core office buildings at the Boca Raton–based birthplace of the personal computer appear much the same as they did during IBM's heyday.]]>
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      <guid>http://www.architecturalrecord.com/articles/16157</guid>
      <pubDate>Tue, 21 Mar 2023 12:01:21 -0400</pubDate>
      <link>https://www.architecturalrecord.com/articles/16157-a-breuer-designed-ibm-complex-finds-new-life-as-a-floridian-tech-campus</link>
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        <media:title type="plain">Crocker_BRiC-04LEAD.jpg</media:title>
        <media:description type="plain">The present-day Boca Raton Innovation Campus (BRiC), completed in 1970 as a Marcel Breuer and Robert F. Gatje–designed office, research, and manufacturing complex for IBM. Courtesy CP Group</media:description>
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        <media:description type="plain">The original office structure's concrete panel facade has held up remarkably well over the decades and is being preserved as part of the latest round of renovations at the campus. Photo courtesy CP Group</media:description>
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        <media:description type="plain">A cafe at the BRiC campus pays homage to Breuer. Photo courtesy CP Group</media:description>
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      <title>Though Beloved, Midcentury Modern Houses Are Vanishing</title>
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        <![CDATA[The sudden demolition of Marcel Breuer’s influential 1945 Geller House is symptomatic of the larger trend of disappearing midcentury modern homes and the informal lifestyles they promoted.]]>
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      <guid>http://www.architecturalrecord.com/articles/15520</guid>
      <pubDate>Sun, 20 Feb 2022 11:00:00 -0500</pubDate>
      <link>https://www.architecturalrecord.com/articles/15520-though-beloved-midcentury-modern-houses-are-vanishing</link>
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      <title>Frick Madison Brings a New Look to the Breuer</title>
      <description>
        <![CDATA[<p>Selldorf Architects and the curatorial team created a series of temporary galleries for the Frick&rsquo;s collection of European art, reframing its stories in the process.</p>
]]>
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      <guid>http://www.architecturalrecord.com/articles/15027</guid>
      <pubDate>Thu, 04 Mar 2021 11:00:00 -0500</pubDate>
      <link>https://www.architecturalrecord.com/articles/15027-frick-madison-brings-a-new-look-to-the-breuer</link>
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        <media:title type="plain">1-Frick-Selldorf.jpeg</media:title>
        <media:description type="plain">Located at 945 Madison Avenue at East 75th Street, Marcel Breuer’s 1966 modernist masterpiece for the Whitney Museum of American Art is clad in granite and expands out as it rises.
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        <media:title type="plain">2-Frick-Selldorf.jpeg</media:title>
        <media:description type="plain">Bellini’s St. Francis in the Desert, one of the Frick’s most important and loved works, is displayed in isolation, paired with one of the iconic trapezoidal windows Marcel Breuer conceived for the building. 

Photo © Joe Coscia
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        <media:description type="plain">Fragonard’s series The Progress of Love is shown together in two rooms. At right, a group of panels of Hollyhocks.   

Photo © Joe Coscia
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        <media:description type="plain">The third-floor galleries begin with three rare marble examples of Italian Renaissance portrait sculpture. By Laurana and Verrocchio, they date to the 1470s.

Photo © Joe Coscia
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        <media:description type="plain">Four grand panels of Fragonard’s series The Progress of Love are shown together at Frick Madison in a gallery illuminated by one of Marcel Breuer’s trapezoidal windows.

Photo © Joe Coscia</media:description>
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      <media:content url="https://www.architecturalrecord.com/ext/resources/news/2021/March/Frick-Selldorf/7-Frick-Selldorf.webp?t=1614873857" type="image/jpeg" medium="image" fileSize="95985">
        <media:title type="plain">7-Frick-Selldorf.jpeg</media:title>
        <media:description type="plain">A dramatic display of European and Asian porcelain (ca. 1500–ca. 1900) is featured in this Frick Madison room, reflecting deep cultural interaction in the history of the medium.

Photo © Joe Coscia
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        <media:description type="plain">The Frick Collection houses more works by American-born James McNeill Whistler than by any other artist. This view shows three of four full-length portraits on display.

Photo © Joe Coscia
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        <media:title type="plain">9-Frick-Selldorf.jpeg</media:title>
        <media:description type="plain">This gallery of Italian Renaissance paintings includes work by Veronese (back right wall) as well as Titian. Centrally located is a bronze by Francesco da Sangallo, placed atop a replica of its original base by Factum Arte. 

Photo © Joe Coscia
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