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ProjectsBuildings by TypeK-12 School Design

Charter Oak International Academy by Perkins Eastman

West Hartford, Connecticut

By Alex Klimoski
Charter Oak International Academy

The building’s circular plan was decided early on, largely because of its allusion to interconnectedness, one of Charter Oak’s core values.

Photo © Andrew Rugge; Perkins Eastman

Charter Oak International Academy

An added benefit of the shape is the central courtyard, which accommodates an amphitheater, rain garden, and areas for gathering.

Photo © Robert Benson

Charter Oak International Academy

The new building is clad in a brick similar in color to its 1930s predecessor. The design incorporates generous glazing, connecting occupants to the outside. Windows are fritted in tree shapes.

Photo © Robert Benson

Charter Oak International Academy

In the library, the same oak tree pattern is created from perforated metal screens, applied over the glazing. Leaf-shaped acoustic panels hang from the ceiling in the library and auditorium.

Photo © Robert Benson

Charter Oak International Academy

The auditorium merges into the central courtyard when its rear door is lifted.

Photo © Robert Benson

Charter Oak International Academy

Entryway colors in the curved corridors orient students.

Photo © Robert Benson

Charter Oak International Academy

Wood paneling lends warmth to the main stair.

Photo © Robert Benson

Charter Oak International Academy

Open classrooms allow views out.

Photo © Robert Benson

Charter Oak International Academy

Image courtesy Perkins Eastman

Charter Oak International Academy
Charter Oak International Academy
Charter Oak International Academy
Charter Oak International Academy
Charter Oak International Academy
Charter Oak International Academy
Charter Oak International Academy
Charter Oak International Academy
Charter Oak International Academy
January 1, 2018

Architects & Firms

Perkins Eastman

Why make a school building circular? For the Charter Oak elementary school (named after Connecticut’s official state tree), the answer can be explained by its philosophy. As an International Baccalaureate (IB) school, its curriculum is closely aligned with the United Nations’ mission of fostering world peace. Established in 1968 in Geneva, the IB program—offered at close to 1,700 primary and secondary schools, both public and private, in the United States alone—teaches students to make connections between conventional coursework and international issues. Face-to-face interactions are an integral part of study; just as diplomats often convene in a ring-shaped formation at the U.N. building, students gather regularly for discussions in the round. So when architects from Perkins Eastman presented possible configurations for the new facility to Charter Oak faculty and parents, the symbolism of a circular plan clicked.

Additional Content:
Jump to credits & specifications

Conceived as a “pavilion in the park,” the 83,500-square-foot building sits on a 9.5-acre lot surrounded by traditional suburban houses. Playgrounds and outdoor learning spaces wrap around the building’s south, east, and north sides, with a parking lot and large grassy field to the west. In the interest of keeping it in scale with the neighborhood, the school rises as high as two stories only where it is farthest from residences. On the south, where it sits closest to a main intersection and houses, the building is one level (pre–K and kindergarten occupy the ground floor; in the northern, higher part, grades one through five are above). Its curved shape diminishes perception of its size, which is revealed slowly as one walks around it, either inside or out.

The new doughnut-shaped structure replaces a 1930s concrete-framed Art Moderne building with a 1970s rectilinear addition, located on what is now the parking lot. As a nod to its predecessor, it is clad in brick of a similar orange, though its structural system is steel. When the project was completed in 2016, the historic building was razed. Although the community found it endearing, the former school was dark and constraining, and wasn’t attracting the desired enrollment. (As a public magnet school, it has a lottery system through which town residents can be chosen to attend.) State funds financed the project.

From the planning stage, input from the community was crucial to the design. The architectural team found that children and parents sought similar qualities in the new school: natural light, connections to the outdoors, and variety in the design of spaces. All of the classrooms, along the inner and outer perimeter walls, feature generous glazing; other areas, such as the courtyard, teaching garden, media center, and small rooms for individual instruction, provide alternative teaching environments. “Throughout the duration of the project, the children were involved, and that’s powerful,” says Kate Jerram, Charter Oak’s curriculum specialist. In line with the IB philosophy, the construction of the new school served as an educational opportunity for students, who met with the architects on a regular basis to learn about the building’s development.

Another important consideration was connecting the school’s occupants to nature. The central courtyard provides a lush setting of regional plants for learning, respite, and passage from one side of the building to the other (tricycles are a popular mode of transportation). An outdoor amphitheater becomes an extension of the (indoor) auditorium when the double-height glazed door at the stage’s rear is lifted.

References to nature, particularly oak trees, also abound on interior surfaces: the windows of the auditorium and library, facing one another in the courtyard, feature designs of branches, the first as a frit on the glazing, the second in perforated metal screening; acoustic panels in both double-height spaces take the form of leaves; the hallways and classrooms pop with green-painted doorways and walls, and occasional wood paneling. Fitting with the curriculum, which incorporates the values of sustainability, Charter Oak is a LEED Gold–certified building with a geothermal heating system and a solar panel array on the roof.

Now in its second year, Charter Oak is already seeing the benefits of its new facility. The retention rate from pre–K to kindergarten increased to 100 percent, and the school district received over 400 requests for admission for the 2017 school year, up from the usual 100. And, according to teachers, children seem happier. “The building has a very dynamic feel,” says principal Juan Melián. “I’m not an architect, but it is serving us very well.”


Credits

Architect:

Perkins Eastman

422 Summer Street

Stamford, CT  06901

203 251 7400

www.perkinseastman.com

 

Personnel in architect's firm who should receive special credit:

Joseph Costa AIA, Principal In Charge

Mark McCarthy AIA, Design Principal

Michael Berger AIA, Design Architect

Frtiz Morris AIA, Project Manager

Joseph Culotta AIA, Project Architect

Liz Lee RA, Programming

Lauren Giamundo

Matthew Hoffman

Jon Seibert RA, Construction Support Architect

Leia Cadotte, Interiors

Helene O’Dwyer-Garcia, Interiors

 

Architect of record:

Perkins Eastman

422 Summer Street

Stamford, CT  06901

203 251 7400

www.perkinseastman.com

 

Interior designer:

Perkins Eastman

 

Engineers

Civil/Structural/Mechanical/Plumbing/FireProtection Engineers: BVH Integrated Services, P.C.

Traffic & Surveyors: Milone & Macbroom

Geotechnical Engineers: Welti Associates

Geothermal Engineers: GZA Geoenviornmental

Environmental Engineer: Diversified Technology Consultants

 

Consultants

Landscape Architect: Richter & Cegan, Inc.

Sustainability Consultant: Atelier Ten

Food Service: Foodservice Facilities International

Acoustics: Brooks Acoustics Corporation

Information Technology/ Security / Telecommunication Consultants: D’Agostino & Associates

 

Construction Manager:

Fusco Corporation

 

Owner’s Program Manager:

Construction Support Group, LLC

 

Photographer:

Robert Benson Photography

Specifications

Exterior Cladding

Masonry: Brick: Watsontown Brick Co.

Metal panels: Morin & Alucobond

Metal/glass curtain wall: EFCO

Curtain wall: EFCO

Perforated Decorative Metal Panels: Alcatop International

 

Roofing

Built-up roofing: Johns Manville

 

Windows

Metal frame: EFCO

 

Glazing

Glass: Oldcastle BuildingEnvelope

Skylights: Wasco Products

Sunshades: CS Group

 

Doors

Entrances: EFCO and

Wood doors: Graham Wood Doors

Upward Acting doors: Renlita Overhead Doors

 

Hardware

Locksets: Corbin

Closers: LCN

Exit devices: Corbin

Electric Strikes: Von Duprin

 

Interior Finishes

Acoustical ceilings: Armstrong Ceilings

Suspension grid: Armstrong Ceilings

Cabinetwork and custom woodwork: Legere Group, Ltd

Paints and stains: Sherwin Williams

Wall coverings: Wolf Gordon

Plastic laminate: Wilsonart, Formica, Chemetal

Solid surfacing: Dupon Corian, Avonite Studio Collection

Special surfacing: Depaoli Mosaic Company – Terrazzo Flooring

Floor and wall tile: Daltile, Stone Source

Resilient flooring: Azrock Color Essence

Carpet: Shaw and Interface

 

Furnishings

Office furniture: Steelcase

Reception furniture: Steelcase

Fixed seating: Steeldeck NY

Chairs: Freshcoast, Community Playthings, Acadia, V/S, Tenjam, Hightower

Tables: Paragon, Community Playthings, Hertz, Steelcase, School Specialty, Sisco

Other furniture: Beyondplay.com, BCI, Blick, Joy Carpets, Gopher

 

Lighting

Interior ambient lighting: WASCO Skylights

Downlights: Gammalux Lighting Systems, Cooper Lighting, Spec Grade

Tasklighting: Cooper Lighting

Exterior: Cooper Lighting

 

Conveyance

Elevators: Kone

 

Plumbing

Faucets: Chicago Faucets

Flushometers: Coyne & Delany Co.

Water Closets: American Standard

Urinals: American Standard

Lavatories: American Standard

Sinks: Advance Tabco

 

Energy

Energy management or building automation system: Alerton Ascent

Photovoltaic system: Summer Hill Solar

 

Add any additional building components or special equipment that made a significant contribution to this project:  Geothermal Well Field

 
KEYWORDS: Connecticut

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Alexandrea klimoski web 2

Alex was an associate editor at Architectural Record. Prior to joining the magazine, she worked in marketing and communications for New York–based architecture firms. Her writing has appeared in the Architect’s Newspaper and CityLab. Alex holds a master’s degree in design criticism from the School of Visual Arts and a bachelor’s degree from Cornell University.

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