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Residential ArchitectureRecord Houses

VilLA NM

Joining rectilinear forms with a twist, UNStudio’s VilLA NM, in upstate New York, captures the landscape in gold reflections

By Suzanne Stephens
villa NM

VilLA NM

Image courtesy UNStudio

villa NM

VilLA NM

Image courtesy UNStudio

villa NM

VilLA NM

Image courtesy UNStudio

villa NM

VilLA NM

Image courtesy UNStudio

villa NM

VilLA NM

Image courtesy UNStudio

villa NM

VilLA NM

Image courtesy UNStudio

villa NM

VilLA NM

Image courtesy UNStudio

villa NM

VilLA NM

Image courtesy UNStudio

villa NM
villa NM
villa NM
villa NM
villa NM
villa NM
villa NM
villa NM
April 1, 2007

Architects & Firms

UNS

New York

Record Houses 2007

VilLA NM Ring House Brown House Casa Poli Ohana Guest House Christ Church Tower Loblolly House

The client, a New York–based developer with a young family, had a clear goal: a weekend house “as exciting as anything by Neutra and Schindler.” With VilLA NM, he got it—in spades. The flat-roofed, taut, planar house in upstate New York, designed by UNStudio, of Amsterdam, both evokes its predecessors and pushes their architectonic qualities into a new realm.

Whereas the Modernist structures of the early-to-mid-20th century emanated from simple rectangles that seemed to float above a grassy lawn or perch on a craggy cliff, something else is going on here. If the south elevation brings to mind Mies van der Rohe’s Farnsworth House (1951) coupled with Philip Johnson’s Glass House (1949), or the stepped massing to the north harks back to Schindler’s Lovell House (1926), then what about that curved middle section? While the original architectural paradigms define the box-on-a-rock category, this villa is a box-on-a-rock-with-a-twist. The singular insertion of what UNStudio principal Ben van Berkel calls a “bloblike moment” causes “a simple shoe-box shape to bifurcate into two separate volumes, one clinging to the northern slope, the other detaching itself from the ground to leave room underneath for a covered parking space.” Not only does the new prototype assume a more complex spatial relationship to the land, it creates quite a different interior environment.

The client and his wife, both aficionados of current design and art, encountered the work of UNStudio, headed by van Berkel and Caroline Bos, at the Museum of Modern Art’s 1999 Unprivate House exhibition. There, the couple (who themselves are very private) were drawn to the display of the firm’s attenuated Möbius House, built in Het Gooi, the Netherlands, in 1998, and inspired by the Möbius strip, the single-surface topological model. As van Berkel recalls, “They were fascinated by the way the design wove together living, working, and sleeping activities in a continuous movement.”

The client found 2 acres on a hilltop that commands spectacular views of rolling pastures and forests with no other houses in sight. Both he and his wife, who are originally from Russia, welcome changing seasons and wanted to watch turning leaves and falling snow while inside the house. The architects happily responded with what they called a “viewfinder dacha”—a 3,600-square-foot villa, which dramatically embraces the surrounding landscape through expansive glass walls.

But more unexpected are the swooping interior spaces forming the core of the house, which you first detect as you approach the front door and carport, tucked under the cantilevered bedroom wing: Here, the exterior wall of the south end lifts up in a gentle curve to meet the soffit above the entrance.

UNStudio: Evolution of Space, featuring the VilLA NM among other projects, is on view at the Yale School of Architecture Gallery, Yale University, New Haven, CT until May 4, 2007. The exhibition was originated by the Deutsches Architekturmuseum in Frankfurt, Germany.


Project Specs
 
VilLA NM
New York
UNStudio

the People

Owner
Anonymous

Architect
UNStudio
Stadhouderskade 113
1073 AX Amsterdam
The Netherlands

Postal address:
PO Box 75381
1070 AJ Amsterdam
T: +31 (0)205702040
F: +31 (0)205702041
www.unstudio.com

Design
UNStudio:
Ben van Berkel with Olaf Gipser and Andrew Benn, Colette Parras, Jacco van Wengerden, Maria Eugenia Diaz, Jan Debelius, Martin Kuitert, Pablo Rica, Olga Vazquez-Ruano, Wouter de Jonge

Engineer
Structural:
Robert Silman Associates, P.C.
New York, NY

Consultant(s)
Landscape:
Pouder Design Group
Patterson, NY
tel: 845 878 3323
www.pouder.com

Lighting
Regency Architectural Lighting, Inc.
New York;
212 355 8205
www.regencyny.com

Project Consultant:
Roemer Pierik, Rotterdam, The Netherlands

Photographer
Christian Richters
Annette-Allee 41A
48143 Muenster
Germany
T + 49-251-277447
M+49 172 5301920
chrichters@aol.com

Renderer
UNStudio

CAD system, project management, or other software used:
Cad software:
AutoCAD 2006

3D modelling:
Rhino, 3D studio Max, 3DViz, Alias Maya Complete

 

the Products

Elastomeric:
EPDM rubber membrane

Windows Glazing
Glass:
double-layered, insulated glazing with coating: Eclipse,  Pilkington Inc., USA

Hardware
Locksets:
Valli & Valli     

Cabinetwork and custom woodwork:
Macassar Ebony cabinetwork by David Boyce, Boyce Products Ltd., New York, NY tel. 212 683 3100; www.boyceproducts.com

Kitchen Island in Corian by Joel Miller, Sterling-Miller Designs, Inc., Brockton, MA; tel. 508 894 6999; www.sterlingmillerdesigns.com

Wall coverings
Timorous Beasties, UK

Special surfacing:
Epoxy-floor and wall System                         

Floor and wall tile:
Glass, Bisazza, www.bisazza.com

Raised flooring:
wenge plank and parquette

Furnishings
Fixed seating: Tufty Time seating system, B&B Italia

Chairs: Utrect, Cassina

Lighting
Downlights:
Regency Architectural Lighting, Inc.
New York; 212 355 8205
www.regencyny.com    

Plumbing
Sinks:
Opera, Toscoquattro srl., Italy

Toilets:
Ceramica Flaminia srl, Italy

Tubs/Jacuzzis:
custom Gold Cornelian Onyx

Showerheads:
Flat,Agape, Italy

Faucets:
Flat, Agape, Italy

Kitchen Appliances
Refrigerator:
711 Overlay, Sub-Zero

Dishwasher:
Miele

Stove/Oven:
ceramic glass, LP, Miele

 

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KEYWORDS: New York

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Stephens

Suzanne Stephens, a former deputy editor of Architectural Record, has been a writer, editor, and critic in the field of architecture for several decades. She has a Ph.D. in architectural history from Cornell University, and teaches a seminar in the history of architectural criticism in the architecture program of Barnard and Columbia colleges.

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