'You once wrote that Modernists couldn't do front doors, so I've tried to prove you wrong,' says architect Ian Moore, as he pivots the massive milk-glass front door to admit me from the street. And prove me wrong he resoundingly has, with a front entrance noticeably grander and more ceremonial than that of the Sydney Opera House (at which my original point was aimed).
The milk glass, within a fine, matte-black frame set into the rustic brick facade of a 19th-century warehouse, prefigures a super-rationalist interior where monochromatic minimalism reigns supreme.
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