The Salerno Maritime Terminal by Zaha Hadid Architects (ZHA) was inaugurated today in southwestern Italy, marking the first project to be completed since the death of Zaha Hadid on March 31.
After ISIS militants seized control of Palmyra—the ancient Syrian city called the “Venice of the Sands”— last May, they immediately set out to destroy it.
When the United States’ London embassy moves across town from Mayfair to Nine Elms in 2017, it will leave behind a monumental home: the Eero Saarinen–designed Chancery Building.
The New York-based architect moved to the city on a part-time basis after winning a 2004 competition for the master plan and development CityLife, a new residential and commercial district just outside of Milan’s historic city center.
The New York architecture community has been in a swivet since the posting of an article titled “MoMA to Abolish Architecture and Design Galleries” in Architects Newspaper on April 12.
While big box retailers churn out cheap knock-offs of Eames rockers and Saarinen tulip chairs to meet consumers’ growing demands, Chicago collector and craftsman Michael Yurkovic has his eyes on a smaller market: mid-century modern miniatures.
Exploring the ideas of interaction and perspective, Japanese architect Sou Fujimoto has created an interactive installation at the Salone del Mobile for Swedish clothing brand COS that utilizes only mirrors, cones of light, and a specially composed soundtrack.
Architects often find competitions — which require large amounts of work for little or no pay – exploitative. The Port Authority of New York and New Jersey did little to improve that situation when, on March 11, it announced a competition to replace Manhattan’s 65-year old Port Authority Bus Terminal.