Catie Marron, chairman of the board at Friends of the High Line in New York, has collected 18 thoughtful essays on urban squares to follow her previous book, City Parks: Public Places, Private Thoughts (2013).
While all buildings are subject to the decay and ruin brought by time, historian Daniel Abramson is concerned in this book with a different culprit: obsolescence, or the process of becoming “obsolete.”
As a practicing structural engineer, Guy Nordenson has been involved in the design of some of the most notable buildings of recent decades, including Steven Holl’s carved-block Simmons Hall Residence at MIT (2002), Richard Meier’s curve-walled Jubilee Church in Rome (2003), and SANAA’s precariously stacked New Museum in New York (2007).
Two excellent new books, Beyond the City, by Felipe Correa, director of the Urban Design Degree Program at Harvard University, and Dragons In Diamond Village, by David Bandurski, editor of the China Media Project at the University of Hong Kong, offer contrasting but fascinatingly connected analyses of resource-extraction urbanism.
The first lines of Craig Buckley’s introduction to this collection of essays from the proceedings of conferences on the subject of manifestos at Columbia and the University of Navarra in 2012, seem surprising.
In A Genealogy of Modern Architecture, the prolific historian, critic, and theorist Kenneth Frampton presents a documentation of a course he used to teach, which involved comparative critical analyses of 14 pairs of more or less canonical modern buildings completed between 1924 and 2007.