What comes to mind when we hear the words classical architecture?
The answer to that question is often embarrassingly narrow. The Parthenon and Pantheon are still there, of course, even if the distinction between them is less vivid than it used to be. We may still acknowledge, in private conversation, the value of a shared canon, even if we are less sure than we were about what might legitimately be included. And at certain moments—during presidential inaugurations, perhaps—we still honor classical commitments to a building culture that scans a longer horizon. But, increasingly, our portrait of the classical takes upon itself the nature of caricature, and—to paraphrase a recent description—we learn that, above all else, classical architecture represents state or capital power, and is associated with historical European values.
You have 0 complimentary articles remaining.
Unlimited access + premium benefits for as low as $1.99/month.