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Residential ArchitectureRecord Houses

Balint House by Fran Silvestre Arquitectos

Valencia, Spain

By David Cohn
The 5,400-square-foot house reads as an elegant industrial object, especially when lit up at night. A curving swimming pool responds to the elliptical form of the house.
Balint House
Fran Silvestre Arquitectos
Valencia, Spain
The 5,400-square-foot house reads as an elegant industrial object, especially when lit up at night. A curving swimming pool responds to the elliptical form of the house.
Photo © Diego Opazo
A cantilevered balcony on each side of the house offers views to either the pool or the golf course.
Balint House
Fran Silvestre Arquitectos
Valencia, Spain
A cantilevered balcony on each side of the house offers views to either the pool or the golf course.
Photo © Diego Opazo
The balconies also shade ground-floor spaces from the strong sun. Silvestre recessed the  glazing in the kitchen for the same reason.
Balint House
Fran Silvestre Arquitectos
Valencia, Spain
The balconies also shade ground-floor spaces from the strong sun. Silvestre recessed the glazing in the kitchen for the same reason.
Photo © Diego Opazo
Skylights bring daylight into the two-story-high hall.
Balint House
Fran Silvestre Arquitectos
Valencia, Spain
Skylights bring daylight into the two-story-high hall.
Photo © Diego Opazo
Dark smoked-glass balustrades on the second floor provide a visual counterpoint to the white interiors.
Balint House
Fran Silvestre Arquitectos
Valencia, Spain
Dark smoked-glass balustrades on the second floor provide a visual counterpoint to the white interiors.
Photo © Diego Opazo
The only partition on the first floor is a cabinet separating the kitchen from the hall.
Balint House
Fran Silvestre Arquitectos
Valencia, Spain
The only partition on the first floor is a cabinet separating the kitchen from the hall.
Photo © Diego Opazo
The structural design eliminated columns from the interiors, creating a seamless flow between the living room and the outdoors.
Balint House
Fran Silvestre Arquitectos
Valencia, Spain
The structural design eliminated columns from the interiors, creating a seamless flow between the living room and the outdoors.
Photo © Diego Opazo
Balint House
Balint House
Fran Silvestre Arquitectos
Valencia, Spain
Image courtesy Fran Silvestre Arquitectos
Balint House
Balint House
Fran Silvestre Arquitectos
Valencia, Spain
Image courtesy Fran Silvestre Arquitectos
Balint House
Balint House
Fran Silvestre Arquitectos
Valencia, Spain
Image courtesy Fran Silvestre Arquitectos
The 5,400-square-foot house reads as an elegant industrial object, especially when lit up at night. A curving swimming pool responds to the elliptical form of the house.
A cantilevered balcony on each side of the house offers views to either the pool or the golf course.
The balconies also shade ground-floor spaces from the strong sun. Silvestre recessed the  glazing in the kitchen for the same reason.
Skylights bring daylight into the two-story-high hall.
Dark smoked-glass balustrades on the second floor provide a visual counterpoint to the white interiors.
The only partition on the first floor is a cabinet separating the kitchen from the hall.
The structural design eliminated columns from the interiors, creating a seamless flow between the living room and the outdoors.
Balint House
Balint House
Balint House
April 16, 2015

Architects & Firms

Fran Silvestre Arquitectos

Located on a third of an acre facing a golf course outside Valencia, Spain, the Balint House proves that the most unexpected designs can arise from confronting obstacles. In this case, the problem was a municipal ordinance that limited new houses to one story and a sloping roof. Seeking to squeeze more square footage out of the small site for his clients, a couple with two children, local architect Fran Silvestre came up with the idea of an arched roof, rising high enough to include a full 'attic' floor of bedrooms while still satisfying code. 'We rounded off the shape a little, and everything started coming together,' says Silvestre.

The resulting elliptical structure, with a swooping roof and deep cantilevers over its two symmetrical ends'one facing the street, the other overlooking a pool terrace and the golf greens'could not be more elegant or succinct. It is a solution to which nothing can be added or taken away. The cantilevers protect the large glazed openings below them from the strong Mediterranean sun and provide balconies for the bedrooms, while the curving walls pull the house away from the side yards so it won't crowd the lot. 'It's a kind of streamlining,' Silvestre suggests.

Inside, the ground-floor living spaces are completely unencumbered by interior walls, opening views straight through the house. Silvestre articulates the different living zones by organizing them around a central double-height stair hall, creating a sense of interior depth and vertical release in the otherwise ethereal space. The hall rises to a rectangular skylight at the highest point of the roof. Gray smoked-glass balustrades on the stairs and the upper-level corridor around the opening contrast with the ground floor's white finishes. Sunlight penetrates the skylight to cast a brilliant, shifting rectangle of light across bleached-wood floors, while the glass balustrades catch glittering reflections of outdoor views.

The only interior divider on the ground floor is a long cabinet that stops just below the ceiling, separating the kitchen from the hall. With the clean lines of the kitchen's island and classic pieces of modern furniture such as Arne Jacobsen's Egg Chair, selected by interior designer Andr's Alfaro Hofmann, the interiors inevitably draw comparisons to the open living spaces of Mies van der Rohe's Farnsworth House or Philip Johnson's Glass House. But Silvestre adds the vertical thrust of the stair hall to his fluid, horizontal spaces and solves the privacy problems of sleeping areas with a conventional bedroom floor upstairs. A full basement includes guest rooms that overlook a sunken light court facing a side yard. The resulting design is uncompromisingly direct and minimal, bringing together in one neat package the familiar elements of the single-family house.

The project required some structural sleight-of-hand to arrive at this simplicity of line. The entire house stands on four columns, which rise two stories through the short lateral walls to support the roof's concrete vault. The bedroom floor is suspended from this vault via high-strength concrete panels hidden in the partitions. By routing plumbing and other services through the building's thick side walls, Silvestre could leave the ground floor ceiling completely free of interruptions. To counter the horizontal thrust of the vault, a concrete tension ring girdles the building at the level of the balcony balustrades. The two overhangs are counterbalances, extending up to 18 feet.

Silvestre studied various finishes for the curved exterior walls and roof, including stucco, ceramic tile, and stone, before selecting man-made solid surface for its smoothness, hidden joints, and resistance to water. Though most often used in kitchen counter tops, it is certified for exterior applications in Spain. The material was mounted directly on an aluminum subframe without backing, as its high bauxite content makes it compatible with aluminum's thermal expansion rates. Panels of it were curved slightly at the factory without thermal forming or molds, and clipped onto the aluminum to achieve their final curvature.

Silvestre points out that, despite the unusual form of the house, its surfaces curve in only one direction, not the two a dome or computer mouse does. 'We built the model for the design using only two pieces of cardboard,' says the architect. 'I've found that if we can't build what we're thinking about in a model, it will be very difficult to build in reality.'

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With the Balint House, Silvestre breaks from the rectilinear lines of previous works, such as his Atrium House and the Vegamar Wine Boutique, and puts his daring structural innovations center stage. He gives much of the credit for this audacity to his client, a dealer in building products, who chose the design over two more conventional schemes. 'He's a self-made man who wanted an identity of his own,' says Silvestre. 'He told us he liked this design because he'd never seen anything like it.' With its fluid white forms of no identifiable material and a wing-shaped pool that wraps around the terrace like a spreading wave, the house has the relaxed feel of a luxurious yacht docked by a greensward.

Back to Record Houses 2015

Balint House by Fran Silvestre Arquitectos (www.fransilvestrearquitectos.com)
Architectural film by Alfonso Calza (alfonsocalza.com)

Size: 5,400 square feet

Construction Cost: Withheld

Completion Date: August 2014

People

Client: Florin Bortos Balint ( Globalint SL)

Owner: Florin Bortos Balint ( Globalint SL)

Architect
Fran Silvestre Arquitectos
San Vicente Martir 160, 1
46007 Valencia, España
Tel: +34 963 81 65 61
info@fransilvestrearquitectos.com

Personnel in architect's firm who should receive special credit:
Fran Silvestre | Principal in charge
Fran Ayala | Architect
Ángel Fito | Architect
Adrián Mora | Architect
Jordi Martínez | Architect
Maria Masià | Architect

Interior designer:
Alfaro Hofmann

Engineer:
Building Engineer: Carlos García

Structural engineer: David Gallardo | UPV

Consultant(s):
Other:
Photography: Diego Opazo
Art Direction: Adrian Mora Maroto
Video: Alfonso Calza

COLLABORATORS COMPANIES
Krion | Porcelanosa
Butech | Porcelanosa
L'Antic Colonial | Porcelanosa
Shüco | Dekovent

Photographer(s): Diego Opazo (0034 616074011)

 

Products

Exterior cladding
Other cladding unique to this project: Krion solid Surface ventilated façade. Butech constructive system (Porcelanosa)

Roofing
Other: Krion solid Surface ventilated façade. Butech constructive system (Porcelanosa)

Windows
Metal frame: Natural finish anodized aluminium Shüco ( Dekovent • Roberto Haba, Miguel Haba)

Glazing
Glass: Double-glazed tempered glass (Dekovent)

Insulated-panel or plastic glazing:

Other: Locksmithing: Laminated tempered glass, black

Doors
Wood doors: Internal and cupboard doors | White lacquered MDF RAL (carpintería Sant Jaume)

Interior finishes
Acoustical ceilings:
Suspended ceiling
Smooth plasterboard panels

Paints and stains:
Walls and ceiling | Matt plastic paint RAL 9016

Wall coverings:
SurfacesInteriors | Plasterboard panels
Bathroom | Athenas White, L'antic Colonial (Porcelanosa)

Special surfacing:
Krion solid Surface. Butech constructive system (Porcelanosa)

Floor and wall tile:
Interior | Natural wood, Wood lovers,  L’Antic Colonial (Porcelanosa)
Exteriors | Bush-hammered Granite, silver. L’Antic Colonial (Porcelanosa)
Resilient flooring:

Furnishings
Chairs:
Dining room chairs | Chair CH24. Design by Hans Wegner (Carl Hansen)
Stool | Smile, white oak, (Andreu World)
Armchair | Egg Chair, grey. Design by Arne Jacobsen (Fritz Hansen).

Tables:
Dining room table | Krion (VF.Superficies Sólidas)

Other furniture:
Sofa | Hamilton, white (Minotti)
Bed | Clip. Design by Patricia Urquiola (Molteni&co)
Outdoor Furniture | Table and chairs: Gandia Blasco Flat Colection, Design by Mario Ruiz (Gandía Blasco)

Lighting
Interior ambient lighting: Fluorescent linear lights (indirect light)

 
KEYWORDS: Spain

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David Cohn is a Madrid-based architecture critic and international correspondent for Architectural Record. His latest book, Spain: Modern Architectures in History, was released in 2025.

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