The difficult cause of willful buildings that demand heroic efforts to preserve. Photo © Peter Mauss/Esto The American Folk Art Museum in New York, by Tod Williams Billie Tsien, invited visitors to explore its many levels with narrow atriums and stairs lined with display niches. Though the public spaces of Boston City Hall choreograph a theatrical itinerary of light and shadow, many citizens and politicians find the building intimidating. Though it was indisputably a significant work of architecture, New York's American Folk Art Museum, designed by Tod Williams and Billie Tsien, is being demolished. Its fate was sealed when Diller

By Camilo José Vergara. University of Chicago Press, December 2013, 364 pages, $55. The City Observed The sociologist, photographer, and MacArthur Fellow Camilo José Vergara, known for his website Invincible Cities and his heartfelt documentation of devastated urban neighborhoods, says in this, his ninth, book that there are many Harlems he has been photographing since 1970. While that could mean the various populations he mentions—the early Jewish and Italian immigrant Harlemites, the big wave of African-Americans, the nearly as big influx of Latin Americans, the recent Senegalese and Malians—the pictures are primarily of built Harlem, its street life (concentrating on

By Russell Fortmeyer and Charles D. Linn. Images Publishing, April 2014, 224 pages, $78. Smart Skins Despite its title, Kinetic Architecture is not a book about buildings with components that literally move. Instead, its authors, Russell Fortmeyer and Charles D. Linn (both former editors at Architectural Record), investigate projects with envelopes that dynamically respond—in ways both visible and invisible—to their surroundings in order to modulate the interior environment, conserve energy, and enhance the comfort of occupants. Linn, an architect and director of communications for the University of Kansas School of Architecture, and Fortmeyer, an electrical engineer and sustainable-technology specialist at

By A+T Research Group (Aurora Fern'ndez Per, Javier Mozas, and Alex S. Ollero). A+T Architecture Publishers, June 2013, 496 pages, $53. European Lessons for Living This handsome and valuable compendium of social housing projects in Europe is actually three books: a chronological presentation of 10 projects tracing the development of architectural concepts for collective housing from 1919 to about 1970; a superlative example of how well-organized and stunning graphics can allow for comparisons between projects; and a manifesto for promoting humane high-density living. The authors, who are also the publishers, are members of a group formed in Spain in 1992

Edited by Peggy Deamer. Routledge, August 2013, 264 pages, $45 . Money Talks At the top of the list of topics architects like to talk about as little as possible is money. Dirty, complicated money. Which means that Yale University Professor Peggy Deamer’s new book is a necessary—though highly theoretical and historical—addition to the global architectural conversation. And while the book doesn’t delve into the particularities of the professional economy, it opens up essential avenues of inquiry, as well as expressing some inspiring examples of historical and architectural scholarship at its finest. The best (and best-written) essay is Robin Schuldenfrei’s

Edited by Kevin Bone. Monacelli Press, May 2014, 224 pages, $40. When Less is More Earth-friendly By reducing green design to a set of checklists that are then used as shopping lists, LEED and similar environmental rating systems may actually increase consumption. And by turning sustainability into the province of consultants, such systems take the responsibility for making buildings ecologically sound out of the hands of architects. It didn’t have to be that way, Kevin Bone makes clear in this important new book. The outgrowth of a 2013 exhibition at New York’s Cooper Union, where Bone is the director of

By George H. Marcus and William Whitaker. Yale University Press, 2013, 269 pages, $65. A Prism for Viewing a Master While reading this outstanding book, I kept remembering the Bill Clinton 1992 election campaign that was defined by the phrase “It's the economy, stupid.” I had to keep myself from shouting, “It's the houses, stupid!” Marcus and Whitaker have not only directed superb scholarship to the study of Kahn's houses—both built and unbuilt—but have shown that the houses can be a lens on a broader understanding of Kahn's philosophy, his interpretation of Modernism, and his appreciation of the vernacular. They

By Alexander Gorlin. Pointed Leaf Press, 2013, 192 pages, $60. Mystical Thinking This informative and heavily illustrated book is not so much about places where artists have applied principles of Kabbalah—the Jewish mystical interpretation of the universe—but where Alexander Gorlin takes readers to find them. Gorlin, a New York architect and author, uses Kabbalah as a lens for “re-reading . . . art and architecture,” much as critics might interpret art through the filters of class, race, gender, or the Holocaust. The book stems from his fascination with the Kabbalistic idea of genesis expressed as light, space, and geometry, which

New York's Museum of Modern Art offers a fresh look at the influential architect's ideas for skyscrapers and city planning. Photo: © Ezra Stoller/Esto The exhibition is devoted to the city planning and skyscrapers of Frank Lloyd Wright, shown above in 1945. Frank Lloyd Wright's Broadacre City, conceived in 1934–35, was the emblematic manifesto of decentralized urban planning. Its first public viewing in New York's urbanistic heart, Rockefeller Center, was heralded by Architectural Record in its April 1935 issue, and commended by Lewis Mumford in The New Yorker the same month. Wright explained that his city would accommodate “little farms,