“A movie takes years, or even decades, to complete, comprising the hard work of a big team. We want to pay tribute to the filmmakers through the design of this cinema, to remind the audience of the passion and effort of these people,” says Law.

Contrasting with the marble floors and walls of the space, long cuboid shapes of aluminum descend from the ceiling, like frozen meteor showers. “Most designs with the theme of meteor shower are presented in the form of lighting effects. As we wanted a different approach, we had to think of a new way to portray a meteor shower,” explains Law.

The aluminum is treated to look like timber. Says Lung, “Not only does the meteor shower look more three-dimensional and realistic, it also appears warmer and more humane.” China’s strict fire-prevention regulations led to the use of metal. In China, new public spaces like cinemas generally cannot be outfitted in highly combustible materials.

With ceiling heights in the lobby ranging from 16 to 26 feet, a metal structure was put in so that the aluminum could be installed uniformly. The extra space accommodated elec-trical and mechanical equipment, as well as the sprinkler system. The design required even more sprinkler heads than would be normal, Lung recalls, but the client liked the aesthetics so much that the extra cost was approved.

“Cinema design is gradually changing in China,” says Lung, adding that groundbreaking schemes are surpassing traditional ones. “More and more owners are looking to enrich the audience viewing experience—and attract more customers.”