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Architecture News

Calgary’s New Central Library, by Snøhetta and Dialog, Opens

By Joann Gonchar, FAIA
Calgary New Central Library

An eye-shaped skylight on the roof of the Calgary New Central Library illuminates an atrium that runs the full height of the interior.

Photo © Architectural Record

Calgary New Central Library

Western Hemlock is used extensively on balustrades and other elements. The blond wood gives the interiors a Scandinavian feel.

Photo © Architectural Record

Calgary New Central Library

The building is entered through an arched opening. The Chinook—a cloud formation particular to the region—was the inspiration for the shape of the portal.

Photo © Architectural Record

Calgary New Central Library

The library is built over a light-rail line with the arc of the plan following the curve of the tracks.

Photo © Architectural Record

Calgary New Central Library

The hexagonal shape of the facade panels is also found on the interior, including the bathroom wall tiles.

Photo © Architectural Record

Calgary New Central Library

Library staff members wear vests emblazoned with the facade motif.

Photo © Architectural Record

Calgary New Central Library
Calgary New Central Library
Calgary New Central Library
Calgary New Central Library
Calgary New Central Library
Calgary New Central Library
November 1, 2018

Architects & Firms

DIALOG
Snøhetta

Craig Dykers, a founding partner of Snøhetta, jokes that his firm and the Canadian practice Dialog won the competition for the New Central Library (NCL) in Calgary, Alberta, by “cheating.” Well, not cheating exactly, but by bending the rules. Rather than consider the designated site as a given, they shifted it slightly to include a piece of land that was not part of the original design brief. With the adjusted parcel, the architects devised a stretched-out volume with a prow-like northern end and a series of interior vantage points ideal for observing the activity of the city below. “It’s about creating connections to the street,” says Dykers.

Starting today, when the $245-million (CAD), 240,000-square-foot NCL officially opens in the developing East Village neighborhood adjacent to the downtown core, patrons can watch from these corner vantage points as trains leave from a nearby light-rail station and disappear underneath the building. Incorporating this line was a key competition requirement, and the Snøhetta-Dialog scheme takes full advantage: a reinforced concrete podium encloses the train tunnel, while the curved four-story concrete-and-steel superstructure that emerges from this base takes its cues from the arc of the tracks.

The library is clad in 465 hexagonal panels of glass and metal. Their shape helps “negotiate” the radius of the facade without obvious faceting, explains Rob Adamson, a Dialog principal. People enter through an elongated, arched opening carved out of this skin that defines a public exterior passageway extending from one side of the building to the other. Overhead, cedar planks reinforce the shape of the arch, which the architects say was inspired by the Chinook winds—a cloud formation that occurs in the region under certain weather conditions.

Inside, the wood continues, though with different species. White oak is on much of the floor area, while Western Hemlock is used extensively on vertical surfaces—especially the balustrades surrounding a skylit atrium that runs the full height of the library. The hexagonal motif of the facade also comes indoors. It can be seen in various places, including the ceramic tiles in the bathrooms and on the backs of the vests that staff members wear. “People want an identity for their library,” says Dykers. And he clearly has provided a very effective one. The pattern was recently adopted as the logo, not only for the NCL, but for the city’s entire library system.

Stay tuned for expanded coverage of Calgary’s New Central Library in print and online.


 
 
 
 
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Joann gonchar

Joann Gonchar, FAIA, LEED AP, is deputy editor at Architectural Record. She joined RECORD in 2006, after working for eight years at its sister publication, Engineering News-Record. Before starting her career as a journalist, Joann worked for several architecture firms and spent three years in Kobe, Japan, with the firm Team Zoo, Atelier Iruka. She earned a Master of Architecture degree from the University of Pennsylvania and a Bachelor of Arts from Brown University. She is licensed to practice architecture in New York State.

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