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Process: Recycling

By Josephine Minutillo
Process: Recycling

Chicago's skyscrapers inspired Austrian architect Hans Hollein to do a series of sketches of hypothetical high-rise buildings during his yearlong stay in the Midwest metropolis in 1958—59.

Image courtesy Hans Hollein

Process: Recycling

Fifty years later, Hollein developed one of those sketches into a competition-winning design for the 41-story SBF tower in Shenzhen, China.

Image courtesy Hans Hollein

Process: Recycling
Process: Recycling
August 16, 2010


Click here to view images.

Hans Hollein tried something new by doing something old. For nearly half a century, the prolific architect has been building around the world, though he is probably best known for the groundbreaking, and sometimes controversial, projects he completed in his native Vienna decades ago. For a recent competition entry for an office building in Shenzhen, China, the Pritzker Prize winner searched his archive of drawings, focusing on a series of sketches he did in his twenties while traveling through the United States on a Harkness Fellowship. A year spent in Chicago from 1958 to ’59 inspired him to draw skyscrapers, having had little opportunity to see them in Europe at the time. The concept sketch of a square-plan tower alternating office blocks with “sky gardens,” which Hollein did in Chicago and decided to develop for the competition, landed the 76-year-old the grand prize. The building, which will house headquarters for two state banks, will be Hollein’s first in China. It is located on a site whose master plan was originally developed by Steven Holl, and sits adjacent to Rem Koolhaas’s Stock Exchange building, currently under construction. Schematic design drawings for Hollein’s project were just approved, and construction is anticipated to begin at the end of this year. By dusting off an old sketchbook, Hollein once again finds himself at the forefront of current architecture.

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Josephine minutillo

Josephine Minutillo is editor in chief of Architectural Record. Trained as an architect, she began writing for RECORD in 2001 while practicing architecture, and has held several positions at the magazine over the past two decades. Her articles have appeared in many international publications. She has been an invited critic at Washington University in St. Louis, The Cooper Union, Columbia GSAPP, Pratt Institute, The City College of New York, and Yale University.
Instagram: @josephineminutillo_

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