Art imitates life in surprising ways. For Miami residents hurrying through the lobby of the city’s 1985 Stephen P. Clark Government Center lobby, Reflect, a permanent, interactive installation by artist Ivan Toth Depeña, does it by capturing their movements in real time, and transforming them into dynamic video paintings that illuminate the building’s columns with vivid moving pixels.
Frank Gehry’s New World Center (NWC) in Miami’s South Beach, and Walt Disney Concert Hall in Los Angeles [RECORD, November 2003, page 134], are at once similar yet quite different.
