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A 31-story, 1.3-million-square-foot mixed-use development spanning more than half a city block between 11th and 10th avenues in Midtown Manhattan.

Shigeru Ban transports his unique Japanese sensibility to a Chelsea condominium with High Line views.

A 23-story, 130,000-square-foot condominium tower on the Hudson River, next to Frank Gehry's IAC building.

You can park your car right outside your apartment door in an Annabelle Selldorf–Designed 19-story tower.

With its grand roof canopy and sweeping entry plaza, the Ed Roberts Campus welcomes everyone into its fold. The 82,500-square-foot building, which sits atop a Bay Area Rapid Transit (BART) station in a scruffy part of Berkeley, sends a powerful message of inclusiveness to the diverse groups of people who work in and use it, as well as the neighborhood around it and, indeed, the world beyond. As the new home of 10 organizations serving people with many different kinds of disabilities, the center caters to the specific needs of people who have been shut out of buildings in the

A study in urban planning, the Novartis campus manifests a logic and order that facilitates its day-to-day operations. Yet the grounds are neither sterile nor overtly homogeneous. Entering onto Fabrikstrasse, the main boulevard, one is immediately struck by the numerous environments for employees — landscaped piazzette, informal indoor and outdoor seating and dining areas, day care centers, even a supermarket, pharmacy, and health club — all integrated in and around the new and renovated buildings. Art is everywhere. Moreover, while the various architects are given similar briefs and physical parameters, their solutions are, of course, unique. Two blocks east of

Breaking the bounds of of Vittorio Magnago Lampugnani's master plan, Fabrikstrasse 15 by Frank Gehry stands in a surprising juxtaposition to the serene array of rectilinear buildings that dominate the Novartis campus. It is located at the geographic heart of the campus, in full view of the company's renovated 1939 Forum 1 International Headquarters building, and across the street from a refined stretch of porticoed offices and labs by Adolf Krischanitz, Rafael Moneo, Lampugnani, and Yoshio Taniguchi. The highly visible, independent site gave the architect freedom to exploit his expansive, free-spirited style. Relieved from many of the constraints binding the

At first glance the Novartis headquarters appears to be an average, though impeccable, corporate facility. Situated on the east bank of the Rhine near the borders of France and Germany in the St. Johann district of Basel, Switzerland, the 50-acre campus is sheltered by trees, old buildings, busy thoroughfares, and the river. But that impression shifts as one approaches the ethereal reception pavilion, designed by Swiss architect Marco Serra, and glimpses the diversity of building forms beyond it. A work in progress, the Novartis campus is the brainchild of Chairman of the Board Daniel Vasella, who began a collaboration with