Santiago Calatrava’s design for a transit hub at the World Trade Center site in Manhattan has been scaled back. On July 1, shortly after revealing that virtually all of the construction projects at Ground Zero were behind schedule and over budget, the Port Authority of New York and New Jersey announced it was cutting out a signature element of Calatrava’s elliptical-shaped building: a hydraulic system that would allow its ribbed steel wings to open and close.
Zaha Hadid has teamed up with a Brazilian footwear company, Melissa, to design a limited-edition shoe. The plastic shoe with a wedge-like heel “takes on features of one of Hadid’s grand-scale designs, with cut-out holes for the toes and diagonally sloping straps,” describes The Times, a UK-based newspaper. The shoe will be launched in September at London Fashion Week, and will be sold at the city’s Dover Street Market. The cost: 200 pounds, or about $400. Hadid is quoted as saying that despite having 30 years of design experience, “this was a very challenging project, not only in design but
The Philadelphia chapter of the American Institute of Architects (AIA) recently opened the doors to its new Center for Architecture. The 8,000-square-foot center—located in an old factory near the downtown convention center—provides the growing chapter more space for offices, meetings, exhibitions, and its popular bookstore. One of the most noticeable advantages is a glazed storefront, which gives the center a public face. The AIA is sharing its new space with The Community Design Collaborative, an organization that helps nonprofits procure free design services. Photos courtesy John P. Claypool/AIA Philadelphia The new Center for Architecture in Philadelphia is located in an
The five experts who make up the jury of the National Building Museum’s Vincent Scully Prize can spend hours debating the merits of as many as 40 nominees in order to determine a winner who represents “intellectual accomplishment in architecture and an instrumental role in dialogue,” says David M. Schwarz, FAIA, the jury’s chair since the program’s inception a decade ago. For the 2008 laureate, Schwarz says, the jurors made their selection “in just 20 minutes.” Robert A.M. Stern, FAIA, was the subject of this brief discussion. Stern, as well as the decade anniversary of the Vincent Scully Prize, will
The world’s tallest building, the 162-story, 2,680 foot Burj Dubai, designed by Skidmore, Owings, and Merrill (SOM), is set to open next year. But Dubai also has six other skyscrapers of at least 100 stories in the works, making it the super-tall building capital of the world—head and shoulders above other cities.
The Architectural Billings Index rose to 46.1 in June, nearly three points higher than May’s 43.4 score. The inquiries score also rose, to 51.8, after dropping to 46.5 in May – the lowest inquiries score in the ABI’s 13-year history. A number above 50 indicates an increase, and below 50, a decrease. Despite the slight uptick, the future doesn’t look bright. This is the fifth straight month that the billings score has dipped below 50. In March, billings plummeted to an all-time low score of 39.7 (RECORD, May 2008). The American Institute of Architects (AIA), which compiles the index based
Designs for a new skyscraper to be built atop a midtown Manhattan transit center were unveiled on Thursday, reports The New York Times. Three competing firms have submitted schemes for the 1.3 million-square-foot office tower, which would rise above the north wing of the Port Authority Bus Terminal on 8th Avenue, across the street from Renzo Piano’s New York Times Building (RECORD, February 2008). For the Port Authority project, Kohn Pedersen Fox Architects has designed a 48-story glass tower “whose surface has an almost icy gleam,” while Pelli Clarke Pelli envisions a 47-story monolithic structure with a curtain wall that
One of New York’s most exciting cultural venues this summer is a vacant lot in Midtown Manhattan. There, the Museum of Modern Art (MoMA), which adjoins the site, is staging part of a new exhibition.
Swiss designer Hannes Wettstein was not as well known as some of his contemporaries. But his work reached a wide audience, with designs that ranged from high-tech innovations and high-end furniture to more accessible consumer products like bicycles, lamps, pens, razors, and watches. His products, while simple and straightforward in appearance, were the result of a rigorous design process. On July 5, his life was cut short at the age of 50 after a lengthy battle with cancer.