This website requires certain cookies to work and uses other cookies to help you have the best experience. By visiting this website, certain cookies have already been set, which you may delete and block. By closing this message or continuing to use our site, you agree to the use of cookies. Visit our updated privacy and cookie policy to learn more.
This Website Uses Cookies By closing this message or continuing to use our site, you agree to our cookie policy. Learn MoreThis website requires certain cookies to work and uses other cookies to help you have the best experience. By visiting this website, certain cookies have already been set, which you may delete and block. By closing this message or continuing to use our site, you agree to the use of cookies. Visit our updated privacy and cookie policy to learn more.
Drawing comparisons to an M.C. Escher composition, a pinecone, or even an insect’s exoskeleton, Thomas Heatherwick’s Vessel is a 16-story steel pavilion with 80 viewing platforms, 154 flights of stairs, and almost 2,500 steps.
Lincoln Center spent more than $1 billion on a series of renovations by Diller Scofido + Renfro, while leaving two of its largest buildings untouched. Now it plans to spend $500 million to renovate the interior of David Geffen Hall.
Since Thomas Heatherwick conceived his puffy UK pavilion (known as the Seed Cathedral) for the Shanghai World Expo in 2010, his London-based firm, Heatherwick Studio, has been on a roll. Its design for a park on Pier 55 on the Hudson River in New York (funded mostly by Barry Diller, the head of IAC/InterActiveCorp) has attracted attention—and stirred controversy.
The billionaire chats with RECORD about his Thomas Heatherwick-designed island, disagreeing with Frank Gehry, and why he hates Jean Nouvel's 100 Eleventh Avenue.