This website requires certain cookies to work and uses other cookies to help you have the best experience. By visiting this website, certain cookies have already been set, which you may delete and block. By closing this message or continuing to use our site, you agree to the use of cookies. Visit our updated privacy and cookie policy to learn more.
This Website Uses Cookies By closing this message or continuing to use our site, you agree to our cookie policy. Learn MoreThis website requires certain cookies to work and uses other cookies to help you have the best experience. By visiting this website, certain cookies have already been set, which you may delete and block. By closing this message or continuing to use our site, you agree to the use of cookies. Visit our updated privacy and cookie policy to learn more.
The director of Penn State’s SOFTLAB and founding member of the Black Reconstruction Collective explores designing responsive textiles for inhabitable spaces.
The St. Louis–based artist, educator, and 2020 Harvard GSD Loeb Fellow has been using her “visual voice” to condemn racial injustices for over a decade.
RECORD interrogates the ways that racism is embedded in the profession—from the whiteness of our Eurocentric history and built environment to education, licensure, and practice.
RECORD convened a panel of three professionals in practice and education—Mabel O. Wilson, Mario Gooden, and Justin Garrett Moore—to explore how racism has shaped, and operated within, the profession of architecture.
"Maybe there is a parallel to be drawn between the lack of Black perspectives within the architectural 'we' and the inability of the architectural profession to find a suitable response to the current state of social justice," writes architect and educator Sekou Cooke.