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Snapshot

Camp Commander's House

By Anna Fixsen
Camp Commander's House

Camp Commander's House

Westerbork, The Netherlands

Photo © Susan Schuls

Camp Commander's House

Camp Commander's House

Westerbork, The Netherlands

Photo © Susan Schuls

Camp Commander's House

Camp Commander's House

Westerbork, The Netherlands

Photo © Susan Schuls

Camp Commander's House

Camp Commander's House

Westerbork, The Netherlands

Photo © Susan Schuls

Camp Commander's House

Camp Commander's House

Westerbork, The Netherlands

Photo © Susan Schuls

Camp Commander's House

Camp Commander's House

Westerbork, The Netherlands

Photo © Susan Schuls

Camp Commander's House

Camp Commander's House

Westerbork, The Netherlands

Photo © Susan Schuls

Camp Commander's House

Camp Commander's House

Westerbork, The Netherlands

Photo © Susan Schuls

Camp Commander's House

Camp Commander's House

Westerbork, The Netherlands

Photo © Susan Schuls

Camp Commander's House

Camp Commander's House

Westerbork, The Netherlands

Photo © Susan Schuls

Camp Commander's House

Camp Commander's House

Westerbork, The Netherlands

Image courtesy Oving Architekten

Camp Commander's House

Camp Commander's House

Westerbork, The Netherlands

Image courtesy Oving Architekten

Camp Commander's House
Camp Commander's House
Camp Commander's House
Camp Commander's House
Camp Commander's House
Camp Commander's House
Camp Commander's House
Camp Commander's House
Camp Commander's House
Camp Commander's House
Camp Commander's House
Camp Commander's House
April 1, 2016

Oving Architekten

Westerbork, The Netherlands

Between 1942 and 1945, nearly 107,000 Dutch and German Jews passed through Camp Westerbork, a detention facility in the northeast Netherlands. Trains, arriving like clockwork every Tuesday, transported detainees to extermination camps including Auschwitz-Birkenau and Sobibór. Little remains of Westerbork’s 100 or so buildings except, ironically, the green clapboard house that belonged to the camp’s commander.

In 2012, Dutch firm Oving Architekten won a competition to create a protective enclosure for this deteriorating monument to infamy, but wanted their contribution to dissolve into the background: “We tried to not make a building,” explains principal Francine Neerhof Oving. The architects devised a simple yet powerful solution, encasing the entire house in a glass and steel box. Everything—including the house’s narrow yard and front step—is locked away inside this pavilion, only accessible to visitors a few times throughout the year. In its vitrine-like glazed enclosure the house becomes a surreal object, hermetically sealed into a different time and place—a place, the architect says, “that remembers the tears.”

KEYWORDS: international architecture Netherlands

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Anna Fixsen was a staff writer and editor for Architectural Record from 2013 to 2017, during which time she covered topics ranging from new projects to human rights, and edited Firms to Watch—a special section devoted to emerging architecture firms.

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