For a global firm like Perkins+Will, with more than 20 offices across four continents, each year offers the chance to rethink spaces as leases expire and real-estate needs change. When it came time for a fresh look at its studios in New York, Chicago, Minneapolis, and Seattle, the firm took the opportunity to lead by example, pushing the boundaries of workspace design.

“We think of our offices as living laboratories,” says CEO Phil Harrison. “We’re testing ideas on ourselves before we recommend them to our clients.” Instead of creating a showroom to demonstrate the latest trends, each of the four offices directly addressed the needs of their employees: commute times and neighborhood amenities for three offices that were moving (Chicago, Minneapolis, and Seattle) and, for all four, cuttingedge technological services and wellness-promoting moves in line with Fitwel guidelines, which were developed by the General Services Administration and U.S. Centers for Disease Control and Prevention to help create healthier workplaces.

Each of the offices was designed to reflect larger professional trends. Specifically, the work of architects and designers has become more transparent and more iterative, with smaller, more frequent meetings replacing formal status briefings. In general, employees report completing a wider range of tasks per day than ever before— tasks that require a greater variety of tools and settings. At the same time, architectural offices are looking to get the most from the smallest footprint possible, trading offices for flexible spaces that serve multiple functions.

Linked by firm-wide values, including Harrison’s rallying cry to be more “bold, brave, and brilliant,” the four Perkins+Will office schemes developed in parallel, with the local teams leading the way. In New York, this meant an interior refresh based on a crowd-sourced evaluation, with improved technology. In Chicago, the staff was split into “client” and design teams. And the Seattle office hired their colleagues at P+W Vancouver as designers. Perhaps the most radical shift came in Minneapolis, where assigned desks were eliminated in favor of a more democratic approach to space that lets the 65 employees choose from among 168 workstations. “It’s actually quite empowering,” Harrison says.

All of these strategies mirror a consumer-facing trend of customization, explains Rachel Casanova, director of workplace strategy for Perkins+Will New York. “When you have that ability in the consumer world, and you don’t give people the ability to affect the environment they come to work in every day, they’re going to be unhappy.” That means creating amenity spaces, such as cafés and outdoor areas that might look more at home in a condominium or hotel, choosing a palette of natural, nontoxic materials, or including subtle reminders of a particular studio’s mission: models scattered throughout the Chicago office; open library shelving in Minneapolis, and a wall of shadowboxes in New York where employees can display personal photographs, artworks, or inspiration. “It’s this physical manifestation of what we do and what impact we have,” Casanova says.

Positive results have already been felt in all four offices. Employees in each reported satisfaction beyond Leesman+ industry standards (a respected, independent workplace-effectiveness benchmark), especially in regard to technology and variety of workspaces—even in Chicago and Minneapolis, where square footage per employee was reduced 17 percent and overall operations costs have decreased 11 percent. As one Seattle employee put it, “Not all architects are created similar, so why should all of their desks be?”

Back to Good Design Is Good Business 2017



Perkins+Will — Chicago: Tim Wolfe, design director;

Minneapolis: Dave Dimond, design principal;

New York: Joan Blumenfeld, design principal;

Seattle: David Dove


General contractor:

Chicago: Executive Construction;

Minneapolis: Gardner Builders;

New York: ACC Construction;

Seattle: Turner Construction



Chicago: TGRWA (structural);

Environmental Systems Design (m/e/p, structured cabling/paging);

New York: Cosentini (m/e/p)






Chicago: 50,500 square feet;

Minneapolis: 9,800 square feet;

New York: 16,000 square feet;

Seattle: 17,800



Chicago: $7.6 million;

Minneapolis: withheld;

New York: $473,000;

Seattle: $2.1 million


Completion date:

Chicago and Minneapolis: February 2016;

New York: December 2015;

Seattle: April 2016



Frit Glass

New York: Acura Glass


Chicago: Assa Abbloy

Wood Doors

Chicago: Eggers Industries;

Minneapolis: Marshfield; Seattle: Barclay Dean

Sliding Doors

New York: PK-30 System

Acoustical Ceilings

Chicago: Decoustics, Claro, Armstrong, Optima;

Seattle: Ecophon, Linea Wood Ceiling System

Demountable Partitions

Chicago: Alur;

Minneapolis: Haworth

Wall Coverings

Chicago: Carnegie, Xorel, MDC Wallcoverings;

New York: Buzzispace, Flavor Paper;

Seattle: Forbo

Floor and Wall Tile

Chicago: Lea Ceramiche, Royal Mosa, Ceramic Techniques, Sonoma Loop;

Seattle: Daltile

Interior Ambient Lighting

Chicago: Lumato, Pinnacle Lighting, Lucifer Lighting, Lutron (controls);

Minneapolis: Alcon, Audacy (controls);

Seattle: Artemide, Flos, Lightnet, Louis Poulsen, Acuity Brands (controls)