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Design Vanguard

Design Vanguard 2019: Chybik+Kristof

Brno, Czech Republic

By Jennifer Krichels
Chybik+Kristof

Gallery of Furniture

In 2016, the firm transformed a furniture showroom in Brno, Czech Republic, rearranging interior spaces to better showcase the company’s products and creating an exterior shell of chairs made by the client.

Photo © Lukas Pelech

Chybik+Kristof

Lahofer Winery

Responding to the topography of Znojmo, Czech Republic, the firm placed a public amphitheater on the winery’s sloping roof, offering visitors views of the scenic Moravian countryside. The project, under construction now, will wrap up this year.

Photo © Chybik+Kristof

Chybik+Kristof

Lahofer Winery

Responding to the topography of Znojmo, Czech Republic, the firm placed a public amphitheater on the winery’s sloping roof, offering visitors views of the scenic Moravian countryside. The project, under construction now, will wrap up this year.

Photo © Alex Shoots Buildings

Chybik+Kristof

Urban Infill

Situated in the Czech city of Brno, in an area undergoing rapid revitalization, this building, designed in 2015 and completed last year, contains retail on the ground floor and residences on the upper levels. A single neon light on the facade emphasizes the verticality of the project.

Photo © Alex Shoots Buildings

Chybik+Kristof

Pavilion of Humanity

A skeletal temporary installation in the busy town square of Brno, Czech Republic, on view during the summer of 2016, documented and commemorated the way the square and the city have changed and been influenced by cultures new to the locale.

Photo © Lukas Ildza

Chybik+Kristof
Chybik+Kristof
Chybik+Kristof
Chybik+Kristof
Chybik+Kristof
June 3, 2019

Architects & Firms

Chybik+Kristof

Based in the Czech city of Brno, with offices in Prague and Bratislava, Chybik+Kristof has grown quickly since its early days. The 50-person firm was officially established eight years ago. But its founding partners, Ond˘rej Chybík and Michal Krištof, point out that their origin story, like so many firms’ stories, began earlier, in 2010: “We just set up the studio in a bar,” says Chybík. The two met as students while attending that year’s Venice Biennale and later joined forces on an architecture competition. “We didn’t win, but it was nice to hear opinions from a totally different angle,” says Chybík. The duo did win another competition, for an apartment building next to the Danube River in Bratislava, Slovakia, which led them to put aside ideas of joining larger firms to start their own architecture and urban-design practice just months after graduating.

Photo © Vojtech Veskrna

Today, the office is taking part in—and setting standards for—a new era of Czech architecture. “We really want to show the world what’s happening here, because it’s not so well known,” says Chybík. After the Velvet Revolution in 1989 and the fall of the Iron Curtain in 1991, architecture students were still being trained in the popular functionalist style of Czechoslovakia’s interwar era; Chybík and Krištof see their peers and themselves as the first generation emerging from almost a century of “white boxes” to show clients a new approach. They are a “European generation,” says Krištof, whereas their teachers were closed off from the influence of other countries and international media.

One of the firm’s longest-running projects is a winery in the Moravian countryside outside Znojmo. Four years ago, after seeing a local newspaper article about Lahofer Winery’s plan to build a new facility, Chybík and Krištof made contact and eventually landed the commission. “It’s also a feature of our generation to be very proactive,” says Krištof. “There are a lot of older, very good architects all around us, so we cannot just put our names on a website and wait for the call.”

Located in one of the country’s important wine-making regions, the facility will function as a cultural center for the community rather than just as a private vineyard. For the same client, Chybík and Krištof are also transforming a 1970s-era brewery into a wine bar in Znojmo.

Entering competitions continues to bring in new types of work. One recent win resulted in a project for the Czech Forestry Commission headquarters in Hradec Králové, where the firm is redesigning the 1950s campus and adding a public pedestrian path between the new, passively ventilated buildings. “We love the idea that the employees can sit in front of their desks and breathe the best air in the world,” says Krištof.

Broadly, they see “creative improvisation” as the strength of the practice. To them, that means being able to nimbly transition between ideas, conversations, and clients, at all scales. Take two new projects—one for a terminal at the Prague airport and another for a school in India’s Kashmir region. “It’s really thrilling to think in the morning with a structural engineer about the longest and slimmest roof made out of steel for the airport, and in the afternoon to Skype with a construction company in Kashmir about how to build a rammed-earth wall,” says Chybík. “That, I think, is our potential as the most recent generation of European architects.”

Back to Design Vanguard 2019

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Chybik+Kristof

FOUNDED: 2010

DESIGN STAFF: 50+

PRINCIPALS: Ond˘rej Chybík, Michal Krištof

EDUCATION: Chybík: ETH Zurich, Master of Advanced Studies in Urban Design, 2014; Brno University of Technology, M.Arch. and Urban Design, 2011. Krištof: Brno University of Technology, M.Arch. and Urban Design, 2011.

WORK HISTORY: Chybík: PPAG Architects, 2009–10. Krištof: Bjarke Ingels Group, 2010.

KEY COMPLETED PROJECTS: Urban Infill, 2018; Pavilion of Humanity, 2016; Gallery of Furniture, 2016; Waltrovka master plan and residential building, Prague, 2016; Czech pavilion at Expo 2015, Milan (all in Brno, Czech Republic, except as noted)

KEY CURRENT PROJECTS: Lahofer Winery, Znojmo, Czech Republic; Czech Forestry Commission headquarters, Hradec Kralove; airport terminal, Prague; Spring Dales Public School, Kashmir, India

chybik-kristof.com

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Jennifer Krichels is a writer and editor who has been covering architecture, design, and urbanism for almost two decades. She is editor-in-chief of Oculus, the magazine of AIA New York. She also works with architects on projects including books, educational events, and research.

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