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Open Book

By Clifford A. Pearson
The architects used an existing public plaza and retaining wall as key elements in their design.
The Pinch
Olivier Ottevaere & John Lin
Yunnan Province, China
The architects used an existing public plaza and retaining wall as key elements in their design.
Photo courtesy Olivier Ottevaere & John Lin
While most new construction in the rebuilt village relies on concrete, the Pinch shows the continuing relevance of the area's traditional wood architecture.
The Pinch
Olivier Ottevaere & John Lin
Yunnan Province, China
While most new construction in the rebuilt village relies on concrete, the Pinch shows the continuing relevance of the area's traditional wood architecture.
Photo courtesy Olivier Ottevaere & John Lin
The peaked roof echoes the form of nearby mountains.
The Pinch
Olivier Ottevaere & John Lin
Yunnan Province, China
The peaked roof echoes the form of nearby mountains.
Photo courtesy Olivier Ottevaere & John Lin
A system of 17 trusses assembled on-site supports the double-curved roof; V-shaped extensions of the trusses support bookshelves that run the length of the space.
The Pinch
Olivier Ottevaere & John Lin
Yunnan Province, China
A system of 17 trusses assembled on-site supports the double-curved roof; V-shaped extensions of the trusses support bookshelves that run the length of the space.
Photo courtesy Olivier Ottevaere & John Lin
Standard wood benches and stools, found in most rural Chinese schools, serve as the only furniture. Translucent poly'carbonate panels bring daylight into the interior.
The Pinch
Olivier Ottevaere & John Lin
Yunnan Province, China
Standard wood benches and stools, found in most rural Chinese schools, serve as the only furniture. Translucent poly'carbonate panels bring daylight into the interior.
Photo courtesy Olivier Ottevaere & John Lin
View from above.
The Pinch
Olivier Ottevaere & John Lin
Yunnan Province, China
View from above.
Photograph courtesy Olivier Ottevaere & John Lin
The building in its mountainous context.
The Pinch
Olivier Ottevaere & John Lin
Yunnan Province, China
The building in its mountainous context.
Photograph courtesy Olivier Ottevaere & John Lin
Sliding down the roof.
The Pinch
Olivier Ottevaere & John Lin
Yunnan Province, China
Sliding down the roof.
Photograph courtesy Olivier Ottevaere & John Lin
Climbing up the roof.
The Pinch
Olivier Ottevaere & John Lin
Yunnan Province, China
Climbing up the roof.
Photograph courtesy Olivier Ottevaere & John Lin
Bookshelves inside the library.
The Pinch
Olivier Ottevaere & John Lin
Yunnan Province, China
Bookshelves inside the library.
Photograph courtesy Olivier Ottevaere & John Lin
View from the plaza at night.
The Pinch
Olivier Ottevaere & John Lin
Yunnan Province, China
View from the plaza at night.
Photograph courtesy Olivier Ottevaere & John Lin
Roof trusses.
The Pinch
Olivier Ottevaere & John Lin
Yunnan Province, China
Roof trusses.
Image courtesy Olivier Ottevaere & John Lin
Roof trusses.
The Pinch
Olivier Ottevaere & John Lin
Yunnan Province, China
Roof trusses.
Image courtesy Olivier Ottevaere & John Lin
Assembling the trusses on site.
The Pinch
Olivier Ottevaere & John Lin
Yunnan Province, China
Assembling the trusses on site.
Photograph courtesy Olivier Ottevaere & John Lin
The first truss goes up.
The Pinch
Olivier Ottevaere & John Lin
Yunnan Province, China
The first truss goes up.
Photograph courtesy Olivier Ottevaere & John Lin
The library under construction.
The Pinch
Olivier Ottevaere & John Lin
Yunnan Province, China
The library under construction.
Photograph courtesy Olivier Ottevaere & John Lin
The architects used an existing public plaza and retaining wall as key elements in their design.
While most new construction in the rebuilt village relies on concrete, the Pinch shows the continuing relevance of the area's traditional wood architecture.
The peaked roof echoes the form of nearby mountains.
A system of 17 trusses assembled on-site supports the double-curved roof; V-shaped extensions of the trusses support bookshelves that run the length of the space.
Standard wood benches and stools, found in most rural Chinese schools, serve as the only furniture. Translucent poly'carbonate panels bring daylight into the interior.
View from above.
The building in its mountainous context.
Sliding down the roof.
Climbing up the roof.
Bookshelves inside the library.
View from the plaza at night.
Roof trusses.
Roof trusses.
Assembling the trusses on site.
The first truss goes up.
The library under construction.
March 1, 2015

Two libraries in remote locations on different continents demonstrate the impact of small projects on communities in need. Both buildings contribute to the civic realm and create spaces that encourage users to engage with the architecture—and have fun.

Photo courtesy Olivier Ottevaere & John Lin

The architects used an existing public plaza and retaining wall as key elements in their design.

The Pinch
Yunnan Province, China
Olivier Ottevaere & John Lin

Devastated by a major earthquake in September 2012, the Chinese village of Shuanghe in the southwestern province of Yunnan suffered neglect and then misguided governmental attention. After living in tents for up to 12 months following the disaster, residents were moved into mostly poured-in-place concrete houses, charmless structures that eschewed the region's traditional mud-brick-and-timber-roof architecture. Realizing that the new village lacked much in the way of social spaces, the government built a large public plaza, but made it a barren concrete surface with nary a tree or a bench to soften its impact.

Olivier Ottevaere and John Lin, professors at the University of Hong Kong who had studied together at Cooper Union in New York, came to Shuanghe at the request of Habitat for Humanity China, which has been active in Yunnan since 2002. On their first visit, Ottevaere and Lin spoke with villagers and learned of the need for a library. They also realized that the soulless plaza offered an opportunity: a free site with a 13-foot-high retaining wall that could serve as part of the library structure and reduce the cost of construction. 'We're always asking ourselves, 'What's the minimum we can do?'' says Lin, who worked on this project separately from his on-going collaborations with Joshua Bolchover and their firm Rural Urban Framework. 'The minimum here was to use what existed'the retaining wall and the plaza'and just put a roof on it,' explains Lin.

In the spirit of making the most out of a little, the roof serves multiple functions'enclosing the building's one large interior space, bridging the drop in elevation from a road above the site to the public plaza, and providing village kids with a wood-decked surface they can play on and slide down. Ottevaere and Lin designed the roof's supporting structure as a series of 17 exposed timber trusses, each one shaped differently so that together they define a sharply pitched, double-curved surface.

An aluminum waterproofing layer and timber decking rest on the trusses to form the roof. Inside the library, the trusses extend down toward'but don't touch'the floor to support floating bookshelves that run the length of the space. Perimeter walls and doors are made of translucent panels of polycarbonate, which bring in plenty of diffuse daylight and provide views to the plaza.

The architects approached the project, which they call The Pinch, as a way of connecting with the region's history of wood construction and demonstrating the material's future potential. They collaborated with a local timber manufacturer, which cut the wood members and shipped them to the site where they were assembled into trusses. They also engaged local carpenters, who are now working with them on other projects, including a viewing platform dubbed The Warp and a third one that will combine wood and poured concrete. 'We want to show that timber structures could be safe' in high seismic zones in China, 'and could engage the participation and pride of the local community,' states Lin.

Ottevaere and Lin worked pro-bono and assembled all the funding for the project ($21,000), with support from the University of Hong Kong and a Knowledge Exchange Project grant from the university, along with funding from the local government and donations of labor from the timber factory. Most of the structure was built in the fall of 2013 and final work on the interior was done in the spring of 2014.

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Contributing editor Clifford Pearson is the co-author, with A. Eugene Kohn, of The World By Design, and writes about architecture and urbanism.

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