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Residential ArchitectureKitchen and Bath

Spatial Integration

A kitchen designed to disappear.

By Linda C. Lentz
Jean Orino Architect

Photo © Sean Gelbaugh

Jean Orino Architect

Photo © Sean Gelbaugh

Jean Orino Architect

Photo © Sean Gelbaugh

Jean Orino Architect
Jean Orino Architect
Jean Orino Architect
July 19, 2008

Architects & Firms

Jean Orino Architect

San Francisco, California

Designed for a concert cellist cum underwater photographer, this kitchen in a 1910 San Francisco loft is part of a residence/gallery/recital space meant to be as public as it is private. To do this architect Jean Orino called upon Gregg De Meza, also an architect, of Soza Studio, to create a quintessential galley with furniture-like cabinetry packed with storage and integrated, built-in appliances. The resulting 20-foot single wall configuration blends into the woodwork, so to speak, in a “Ceylon rosewood” veneer, actually a different fast-growing species, dyed and layered in sheets, then cut to create a grain pattern that resembles the real thing. The backsplash is an acid-etched ebony glass. The light valance keeps the LED fixtures from view. A bright aluminum ceiling duct complements the dark, architectural cabinetry and recalls the building’s industrial past.

Architect:
Jean Orino

Cabinets and stainless steel counter:
Sozo Studio “Space” Kitchen

Refrigerator:
Sub-Zero

Cooktop:
Thermador

Vent hood, oven, and dishwasher:
Miele

Faucet and soap dispenser:
Dornbracht

 

KEYWORDS: San Francisco

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Linda Lentz is a former editor at Architectural Record.

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