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Architecture News

Libeskind's Jerusalem Tower Chopped, But Not Tossed

By Esther Hecht
Libeskind's Jerusalem Tower Chopped, But Not Tossed
Libeskind's Jerusalem Tower Chopped, But Not Tossed
Photo © Vingtsix
Libeskind's Jerusalem Tower Chopped, But Not Tossed
Libeskind's Jerusalem Tower Chopped, But Not Tossed
Photo © Vingtsix
Libeskind's Jerusalem Tower Chopped, But Not Tossed
Libeskind's Jerusalem Tower Chopped, But Not Tossed
Photo © Vingtsix
Libeskind's Jerusalem Tower Chopped, But Not Tossed
Libeskind's Jerusalem Tower Chopped, But Not Tossed
Libeskind's Jerusalem Tower Chopped, But Not Tossed
November 9, 2015

The controversy surrounding Daniel Libeskind’s planned stone-and-glass pyramidal tower in Jerusalem reached fever pitch late last month. Following impassioned objections by groups and individuals, the city approved the plan October 28, but with major changes: officials reduced the height by more than one-third, from 539 feet to 355 feet; ordered the architect to replace the arched arcade around the base with retail businesses that open to the street; and forbade communication devices, such as cell phone towers, above the apex. Ten years were allowed for completion.

Asked whether he would stay with the project despite the setback, Libeskind responded by e-mail, “Yes, we will continue full-speed ahead.”

Neither the building’s pyramid shape nor its program—apartments, a boutique hotel, a museum, and an observation platform with a restaurant and café—will change, he said.

The tower, which Libeskind calls “The Pyramid,” is set to rise on a 1.7-acre plot in Jerusalem’s downtown, near the Mahane Yehuda produce market and surrounded by old, low-rise neighborhoods. In 2012 the city approved a Libeskind-designed 24-story tower (not a pyramid) for the site. This year the architect working with a new developer sought—and won—initial approval for a different, and much taller, design.

In the summer, after excavation had begun and the city had posted the plan for objections, critics voiced concern that the luxury tower would exacerbate the phenomenon of ghost apartments in the city, that is, luxury apartments occupied only briefly each year by their foreign owners. Then other critics joined the fray, particularly the Jerusalem branch of the Israel Association of United Architects (IAUA), which argued that there had been no public debate over the project and that approval had been granted by the city’s planning committee, which consists of politicians, without the professional oversight of the Jerusalem District Planning Commission.

The association convened a public discussion on October 18, for which Libeskind and his wife and partner, Nina, flew in. Some 150 architects, geographers, and conservationists attended.

Libeskind said he shared the developer’s vision of creating a “wow” for the city, and that in a visit to Jerusalem Mayor Nir Barkat to discuss the project, the mayor had asked only whether it would be taller than the pyramids [in Egypt]. Libeskind assured Barkat it would be.

The discussion participants objected that Jerusalem is already a “wow” and does not need another tourist attraction. Many said that the massive project was insensitive to the city’s fabric, built up over centuries. Others objected to the proposed height, which grossly exceeded the 24-story limit set for the historical heart of the city by the municipal outline plan of 2000. Libeskind’s associate on the project, Jerusalem architect Igal Levi, countered by saying that the tall, hollow apex “is just air.”

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