Three of the most eloquent voices at the Venice Architecture Biennale addressed different aspects of the same question: Can architecture improve lives in Africa?
Australia didn’t get the memo. Its contribution to the 15th Venice Architecture Biennale, which opens to the public Friday, is a celebration of swimming pools.
When he was named director of the 15th Venice Architecture Biennale, Chilean architect Alejandro Aravena asked curators to focus on projects that “improve the quality of the built environment and life and consequently people’s quality of life.”
Anna Heringer has to wash her hands before she takes a phone call in Venice because she is in the midst of constructing an installation there with 25 tons of mud.
The announcement of the 2016 Pritzker Prize winner last month came as something of a shock. Rather than select a precertified star, the jury picked Alejandro Aravena, best known for building smart, extremely low-cost social housing in his native Chile.
When Chilean architect Alejandro Aravena speaks about designing buildings, he invokes the language of governments and institutes: “investing in brains over bricks”; turning “forces into forms.” But unlike the abstract ideas that may emerge from a policy institute, Aravena, with his Santiago-based firm ELEMENTAL, is keen on designing solutions that not solely aid, but empower society’s neediest.
The Metropolitan Museum of Art has been collecting architecture and design since 1870, when it was given a Roman sarcophagus. More recent acquisitions include a stairway from the Chicago Stock Exchange Building, by Louis Sullivan, and an entire living room by Frank Lloyd Wright.
