The Zinc House is an adaptive re-use of a building that dates back to the 19th century.

The architect-owners of a mid-20th-century Brutalist house in the Highgate section of London wanted it updated, but didn't have the time to do it themselves. 

Built in 1853, on the site of a stable in a vernacular Greek Revival style, 130 Charles Street was always a modest house in the heart of the bustling dockside of Greenwich Village.

This 2,400 square-foot house is located on a steeply sloped hillside property in the Glassell Park neighborhood of Los Angeles.

In a former Prussian military uniform factory, the largest building in a group of brick barracks that has been gradually rebuilt by several artists and architects since the 1970s, the architects have created a 4,520-square-foot, distinctive studio and residence for the conceptual artist Karin Sander.

Located near the eastern end of Long Island’s north fork, on a waterside bluff of the largest glacial moraine in the world, this house is a refuge for an artist/writer who escapes here from Manhattan, making plans for the house to become a permanent home.

Surrounded by hedgerows and overlooking Bellême Forest, in the cultivated countryside of Normandy’s Perche region, this cube-like house is set on one-third of a 492-foot-long plot of land—standing in an isolated residential area.

The client for this project owns a slipper factory, exporting slippers to America, Europe, and Japan.

Located on a hillside overlooking the Los Angeles basin, this project had a height limit of 16 feet, to maintain the panoramic views.