by Charles Bloszies. New York: Princeton Architectural Press, November 2011, 144 pages, $25 Architectural hybrids are all around us. Most historic buildings are now, in fact, examples of additive architecture. But after the schism of modern architecture, making a claim for additions as valid contemporary architecture amounts to a manifesto. A book on this subject, and about the exciting work being produced right now, is sorely needed. This is not that book. Aiming to “explore the union of new and old architecture,” Old Buildings, New Designs is one of a number or recent publications on the question of re-use. But
by Hicks Stone. New York: Rizzoli, 2011, 336 pages, $85 This biography of Ed Stone by his architect son Hicks is a highly personal story of the rather melodramatic life of an architect who came to exemplify the best and worst of the 1950s. Like his fellow Arkansan, Bill Clinton, Ed Stone's rural roots engendered a Southern charm that propelled him to the center of Washington's inner circle and helped him win the commissions to design the U.S. Embassy in India (1954), the U.S. Pavilion at the 1958 Brussels Worlds fair, and the Kennedy Center (1962). Like Clinton, he had
by Harry Charrington and Vezio Nava, editors. Helsinki: Rakennustieto, 2011, 427 pages, $59 Thirty-five years after Alvar Aalto's death, his reputation as one of the giants of modern architecture remains unassailable. While the Euro has replaced the 50 Finnmark notes that carried Aalto's image into every Finn's daily life, his shadow looms large over Finland. For example, the University of Art and Design Helsinki merged in 2010 with the Helsinki School of Economics and Helsinki University of Technology to form a new institution named The Aalto University. As with any iconic figure, there is a constant process of re-evaluation and
by Jane Burry and Mark Burry. Thames and Hudson, 2010, 272 pages, $55 Technological advances have transformed mathematics from a loyal handmaiden to architects to a muse, largely because of the advent of accelerated desktop computing and advanced design software. Sophisticated software frees today’s architects from endless calculations, making complex forms like Mobius strips and water bubbles almost as easily achievable as conventional rectilinear forms—a phenomenon that was unimaginable a decade ago. This book—about the increased role of mathematics as a driving force in design—by husband and wife Jane and Mark Burry, is thoughtful, engaging, and richly-illustrated. Most of their
The reversal of the Chicago River has been celebrated as an engineering marvel for more than a century—evidence that modern civilization could use its might and know-how to fix anything—even reorder nature itself.
by Richard Weston. London:, Laurence King, 2011, 216 pages, $29.95 Architect, historian, editor, landscape architect, and fashion designer Richard Weston is one of those indefatigable, suavely literate English polymaths who, among other accomplishments, has written studies of Alvar Aalto and Jørn Utzon. He also crafts books on impossibly broad topics like materials or the 20th-century house. Now, following Key Buildings in the Twentieth Century, he has tackled 100 Ideas That Changed Architecture. Click the image above for details about this book mentioned in this review. Unlike another maddeningly useless book of lists or slickly packaged architecture lite, Weston's 100 Ideas