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Design Vanguard

MMX Studio

Four designers use context as a springboard and animate their projects with surprising material applications.

By Beth Broome
MMX Studio
Made from natural fiber rope and steel chain, this temporary pavilion at the Museo Experimental El Eco was MMX's first competition win. While defining a space for outdoor performances, the installation also preserves the feel of the open courtyard. Photographer Yoshihiro Koitani superimposed multiple shots of a man passing through the space to create this image.

Photo © MMX Studio

MMX Studio
The Eco Pavilion at the Museo Experimental El Eco in Mexico City.

Photo © MMX Studio

MMX Studio
The Eco Pavilion at the Museo Experimental El Eco in Mexico City.
 
Photo © MMX Studio
MMX Studio
MMX designed this two-bedroom weekend house in a remote village in south-central Mexico for a couple who hope to retire here one day. The compound will eventually contain two more houses for other family members. Two nesting polygonal volumes took shape in response to the plot's focal point'a stately laurel tree'as well as the mountain views to the north. The client's budget, which mandated that the architects work with local builders, determined the main building component: concrete masonry units'the only material with which the workers had experience. The block is coated with a lime plaster wash to protect against humidity and is arranged with apertures that provide screening and filter daylight into an interior courtyard.

Photo © MMX Studio

MMX Studio
Made of about 20,000 credit cards, this installation welcomed visitors to the Luis Adelantado gallery on the occasion of Vogue magazine's 2011 Fashion Night Out in Mexico City. A sponsor of the event, American Express provided MMX with the cards, from which it fabricated this 'big textile' that formed a screen by the gallery entrance. Metal brackets held together two different components'one folded and one flat. The team did tests with cardboard and then with Rhino before the units were linked together off-site.

Photo © MMX Studio

MMX Studio
Made of about 20,000 credit cards, this installation welcomed visitors to the Luis Adelantado gallery on the occasion of Vogue magazine's 2011 Fashion Night Out in Mexico City. A sponsor of the event, American Express provided MMX with the cards, from which it fabricated this 'big textile' that formed a screen by the gallery entrance. Metal brackets held together two different components'one folded and one flat. The team did tests with cardboard and then with Rhino before the units were linked together off-site.

Photo © MMX Studio

MMX Studio
This open competition, sponsored by the Finnish government, asked designers to rethink Helsinki's South Harbor for the future. The challenge was how to activate the waterfront as a public amenity, while still accommodating the heavy transportation and infrastructural needs. 'Instead of bringing the city to the water's edge,' says MMX's Emmanuel Ramirez, 'we deconstructed the edge to bring the water back to the city.' To do so, the team's scheme opens up canals and creates a series of islands. Responding to the important role that the harbor plays for the city, MMX visualized 'water blocks,' as extensions of city blocks, that could host different recreational attractions, like a swimming pool, floating stage, or ice-skating rink.

Photo © MMX Studio

MMX Studio
This open competition, sponsored by the Finnish government, asked designers to rethink Helsinki's South Harbor for the future. The challenge was how to activate the waterfront as a public amenity, while still accommodating the heavy transportation and infrastructural needs. 'Instead of bringing the city to the water's edge,' says MMX's Emmanuel Ramirez, 'we deconstructed the edge to bring the water back to the city.' To do so, the team's scheme opens up canals and creates a series of islands. Responding to the important role that the harbor plays for the city, MMX visualized 'water blocks,' as extensions of city blocks, that could host different recreational attractions, like a swimming pool, floating stage, or ice-skating rink.

Photo © MMX Studio

MMX Studio
Competition entry: master plan for Helsinki's South Harbor.

Photo © MMX Studio

MMX Studio
The brief for this invited competition outlined the need for a new cathedral in an urban context that would accommodate a congregation of 1,500 while including four to five chapels that could each hold hundreds of people. The challenge became designing a main space that wouldn't compete with the chapels, as well as creating an identity for each of these smaller volumes. Made of board-formed concrete, the cathedral is basically a cluster of discrete buildings'the chapels'whose walls form a void at the center, which becomes the nave. The team says it did not want an iconic shape but rather thought of the cathedral more as a form rising out of the landscape.

Photo © MMX Studio

MMX Studio
A scheme for a new urban cathedral.

Photo © MMX Studio

MMX Studio
Study for a new urban cathedral.

Photo © MMX Studio

MMX Studio
A rooftop terrace for a private residence in Mexico City.
 
Photo © Yoshihiro Koitani
MMX Studio
MMX Studio
MMX Studio
MMX Studio
MMX Studio
MMX Studio
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December 16, 2012

MMX Studio

Mexico City

No matter what level of success Mexico City'based MMX Studio may someday attain, its name will always serve to remind its four partners of their humble beginnings. The term in Roman numerals for 2010, MMX would mark the firm's first full year in practice''if we made it through the one-year test,' says principal Emmanuel Ramirez. The name also underscores where they come from, culturally speaking. 'It refers to Mexico,' adds Ramirez. While experiences abroad helped the partners expand their thinking about architecture, 'at the end of the day we are all Mexican.'

Ramirez met Ignacio Del Rio and Diego Ricalde at the National Autonomous University of Mexico. Their paths crossed again when they worked at the office of Alberto Kalach, where they would meet their other partner, Jorge Arvizu. The four drifted apart, some pursuing graduate studies and jobs internationally. A competition to design the Mexican pavilion for the 2010 Shanghai World Expo brought together Ramirez and Ricalde (who were in London) with Arvizu (who was in Mexico). Their entry was a finalist. 'It was a trial for working together,' says Ramirez. The four men opened up shop'without a single commission'at the end of 2009 in a small room in the Colonia Condesa neighborhood.

Responding to the limitations of the local workforce, MMX's designs employ simple materials and construction techniques. 'We are not interested in innovating with material,' says Ramirez. 'We are interested in using everyday materials in different ways.' The team explores form making by designing installations with such things as wine bottles and credit cards. On larger-scale work they have employed poured concrete, concrete masonry units, and brick'with which local work crews are well versed'as some of their principal building blocks. But as with their smaller projects, they find surprising uses for nontraditional materials. For the firm's first commission, the interior of Condesa's trendy MeroToro restaurant, the architects animated the space with a wall made of reclaimed railroad ties. And they created a shading device on a rooftop deck for a private residence with swaths of burlap, which is typically used for rice or coffee sacks. To pursue investigations on a larger scale, the team, which was awarded the Architectural League of New York's Prize for Young Architects + Designers this year, regularly enters domestic and international competitions.

MMX's designs emerge as responses to their surroundings. 'We don't like to think of our work as objects,' says Ramirez. 'We need to engage with the context rather than just making forms.' This approach is evident in the plan of the Santa Catarina house, which took cues from a magnificent laurel tree in the middle of the plot. Similarly, the team's idea for its Eco Pavilion, which is composed of rope and steel chain, took shape as an extension of the existing art museum whose courtyard it occupies. To ensure a consistency in their work, one of the partners is assigned to lead each project, but all four participate in the design sessions. 'We focus on the strategy and principles rather than formal solutions,' says Ramirez.

Today MMX and its 10 or so designers occupy an old rowhouse in Condesa. As they take on larger commissions'they are now designing a 24-unit housing development and a master plan for a K'12 campus'keeping their sights trained on the local influences that are right in front of them will continue to define their work in an increasingly global world.

MMX Studio

MMX Team
Photo: Courtesy MMX Studio

The MMX team (clockwise from top left): Jorge Arvizu, Ignacio Del Rio, Diego Ricalde, Emmanuel Ramirez.

FOUNDED: 2009

DESIGN STAFF: 10

PRINCIPAL: Jorge Arvizu, Ignacio Del Rio, Emmanuel Ramirez, Diego Ricalde

EDUCATION: Arvizu: Iberoamerican University (UIA), M.CM, 2011; UIA, B.A., 2004. Del Rio: National Autonomous University of Mexico (UNAM), B.A., 2001. Ramirez: The Bartlett, London, M.Arch., 2005; UNAM, B.A., 2001. Ricalde: The AA, London, M.Arch., 2009; UNAM, B.A., 2001.

WORK HISTORY: Arvizu: Alberto Kalach, 2000–02; TEN Arquitectos, 1998–99. Del Rio: Molestina Architekten, 2007–08; Alberto Kalach, 2002–06. Ramirez: David Chipperfield, 2007–09; SOM, 2005–07. Ricalde: LBC, 2004–07; HH Architekturbüro Schaan, 1998.

KEY COMPLETED PROJECTS: NP Installation, New York City, 2012; FNO Pavilion, 2011; Eco Pavilion, 2011; TEA Terrace, 2010; CSC House, Morelos, Mexico, 2010; MeroToro Restaurant, 2009

KEY CURRENT PROJECTS: CAP House, 2012; ERV Pavilion, 2012; DRL Housing Development, 2013; CM Master Plan, 2015

WEB SITE: www.mmx.com.mx

 

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Former Architectural Record managing editor Beth Broome is a freelance writer based in Brooklyn, New York.

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